Ancient Eclectic Table Clock Second Half XIX Century Gilded Bronze - France Eclecticism (1870-1890)

Italy, Second Half XIX Century

Walnut wall stool richly carved on the front to depict a mask and central coat of arms within scrolls. Turned connecting crosspieces and curled feet. Italy second half of the 19th century

Italy Late XIX Century

Neo-Renaissance bookcase in walnut, Italy, late 19th century. Broken front, upper part equipped with three pairs of leaded and partially frosted glass doors, body with three pairs of doors decorated with carved rosettes and punctuated by Telamon pilasters, bracket feet. Richly carved with Renaissance style elements, such as frets and phytomorphic elements. Beech interior.

Italy, Late XIX Century

Pair of benches supported by turned legs connected by crosspieces, wavy armrests, features English-style decorative motifs; in walnut, the seat is padded.

Italy, Late XIX Century

Chairs with backrests, armrests, band under the seat and legs moved and carved to form phytomorphic motifs. Three chairs are from the 19th century, one has been redone. Italy, late 19th century

Italy, XIX Century

Baroque style chairs in walnut with shaped and padded backrest like the seat, spool legs connected by a central crosspiece. One of the chairs is redone. Italy 19th century

Vecchia Ciociara 1910

Pastels on paper. Signed and dated lower right. On the back there is a cartouche with the title and label of the Bolzani Art Gallery in Milan. Antonio Mancini was a realist painter, trained at the Neapolitan school of Morelli and Palizzi and later in Paris. He mainly dedicated himself to portraiture and genre scenes of popular or anecdotal taste, but while in an initial period he was close to nineteenth-century naturalism which led him to portray popular figures permeated with sadness (his street urchins), in a subsequent period he began to experiment different techniques, resorting to vivid flashes of light, placed on the canvas in lumps of violent color and bright flows, even reaching the use of extra-pictorial materials, such as colored glass, and proposing agitated figures, sometimes in imaginative disguises, an expression of his forte mental distress. This drawing, which belongs to the later production, presents the face of an elderly woman, (Ciociara by title), depicted in profile and surrounded by splashes of color that create a nuanced and lively halo. The work is presented in a contemporary frame (with small defects).

Italy, Late XVIII - Early XIX Century

Directoire sofa in walnut, Italy, late 18th - early 19th century. Open backrest with shaped panels with a perforated circular central motif. Padded seat. Saber-shaped hind legs.

Italy, Mid XIX Century

Sofa in gilded, carved and lacquered wood with backrest decorated with carved cymatium depicting a shell within a leafy wreath and lateral rocaille motifs. Padded back and seat. Armrests, band under the seat and wavy and carved legs. Italy mid-19th century

Naples, Late XIX Century

Eclectic carved, lacquered and silvered console, the shaped marble top is later.

Italy, Early XIX Century

Set of 3 armchairs and a walnut chair, 2 of which are larger. Backrests and seats decorated with lateral pinnacles, whose leather covering has been modified with fabric covering, armrests ending in curls and connecting crosspieces carved and decorated with different types of rosettes. Italy, early 19th century

Italy, Late XIX Century

Carved and gilded wooden sofa with wavy and carved backrest, armrests, band under the seat and legs with phytomorphic motifs. Padded seat and backrest. Italy, late 19th century

Chiavari, Mid XIX Century

Pair of Antique chairs made of maple worked with imitation bamboo; broken cane seat.