Drawing blood of Pietro Annigoni - Male face
Features
Artist: Pietro Annigoni (1910-1988)
Artwork title: Volto maschile
Age: 20th Century / 1901 - 2000
Subject: Portrait/Face
Artistic technique: Drawing
Technical specification: Sanguine
Description : Volto maschile
Drawing in sanguine on paper. Signed in the lower right. The subject technique widely recurring in the paintings by the artist, who, though known mainly as "The painter of the queens" was the official portrait painter of british royalty and of many european nobles, he manifested a great predilection for painting, also "the less wealthy and famous", of which he was able to describe it faithfully, so much the outward appearance as the interior. Presented in the frame.
Frame Size (cm):
Height: 52
Width: 44
Depth: 6
Artwork dimensions (cm):
Height: 30
Width: 20
Additional Information
Artist: Pietro Annigoni (1910-1988)
Born in Milan in 1910, Pietro Annigoni moved with his family to Florence in 1925, where he attended the Academy of Fine Arts. In 1930 he exhibited his works for the first time in a collective exhibition and in 1932 he held his first solo exhibition. Four years later he also exhibited in Milan, obtaining numerous acclaim. Specializing in portraiture, he painted faces of important people, including Elizabeth II, Pope John XXIII, John Fitzgerald Kennedy. Although he is remembered as "the painter of queens", Annigoni also painted portraits of ordinary people, works of rare intensity, united by an interest in psychological introspection. Between 1966 and 1988 he had his greatest period of fame and in these years he exhibited numerous times at the Royal Academy in London and in Italy between Florence and Milan. His production also includes important sacred subjects, which he created mainly in fresco for famous Italian basilicas. Annigoni died in Florence in 1988.
Age: 20th Century / 1901 - 2000
20th Century / 1901 - 2000
Subject: Portrait/Face
Artistic technique: Drawing
Il disegno è il processo di tracciare segni su una superficie tramite l'applicazione di una pressione o il trascinamento di un apposito strumento sulla superficie. Gli strumenti sono: matite in grafite o colorate, penna, pennelli fini con inchiostro, pastelli a cera o carboncini; i supporti tradizionali più frequenti sono carta, cartoncino, tavola, muro, tela, rame, vetro.
Technical specification: Sanguine
The blood, that in the artistic tradition defines a particular graphics technique, is a drawing tool, one of the oldest. It is composed of hematite, a ferrous mineral, cut into strips, and properly pointed, with which you can draw on the paper signs from the characteristic reddish colour that reminds of blood (hence the name of the blood). The mixture of iron, moreover, is often enriched with small amounts of ochre.