Chest of Drawers Bois de Rose Piedmont Italy Last Quarter of 1700s - Chest of drawers torinese sec. XVIII

19th Century / 1801 - 1900

French Napoleon III center bookcase, supported by wavy legs, the lower band on both the front and sides is shaped; on the front it has two doors finished with fake books, with applied leather ribs, so as to simulate an open bookcase. In the upper part there is an open compartment and an upper tray shelf. The etagere has a similar shape, but in the central compartment there are various shelves placed at different heights. Interior in mahogany, they are veneered in bois de rose, with a 45 ° cut and quadripartite on the tops; the furniture is decorated with gilded bronzes and worked with leafy volutes, in the shoes, on the uprights, on the lower band and in the side handles.

18th Century / 1701 - 1800

Pair of big corner cabinets with rudentate pillars that end with pyramidal truncated feet and with a two-panels door. In the middle of the panels there are medaillons painted with landscapes of buildings and hills in the backbround; the rose windows are hels by pink ribbons and sourmounted by a basket of flowers in the middle. Coeval iron keyholes. Original lacquering.

17th Century / 1601 - 1700, 16th Century / 1501 - 1600

Walnut burl veneered cabinet, the uprights on the front, also in walnut wood, are richly carved: starting from the bottom there is a shelf in the shape of a leafy volute, surmounted by a fish, a dolphin according to the imagination of the time, and again from a grotesque mask. In the upper part there is instead a caryatid, in the left upright, while in the right one a telamon, both with facial features that recall the tradition of grotesque masks. The band below the top sees the alternation of reserves veneered in briar with small carved pieces: in the lateral ones there are two profiles of warriors with helmets on their heads, then there are two pieces with weapons, a shield and a quiver of arrows; in the center, finally, an oval coat of arms, without however any identifying elements. The front is occupied by a large opening flap door veneered in briar inside, hiding a chest of drawers consisting of twelve small drawers and two side doors; they are all decorated with carved briar frames. The wrought iron lock is hidden on the outside, but visible on the inside of the door; it has the characteristic lily shape, echoed in the door hinges.

Living room furniture; unique piece made on private commission consisting of wall paneling with retractable shelves, bar cabinet with sliding glass doors, brass upright with three light points attributable to Giuseppe Ostuni. Mahogany veneered wood, brass, glass, sofa padding in foam, covering - new - in velvet. Possibility of remaking the padding and upholstery of the sofa. This stunning 1950s piece of furniture is sure to add a touch of vintage charm to any room. Made in Italy, it boasts a beautiful mahogany veneer finish and brass inserts. The glass top is perfect for displaying precious items, while the foam padding and fabric ensure comfort. Its timeless design makes it a great addition to any collection of vintage and retro collectibles.

Furniture characterized by a massive and monolithic body, inspired by Renaissance wall decorations. The original wooden drawers, obtained from a 1960s sideboard, have a diamond shape and are contained by a satin pink metallic ? nish. On the sides there are two niches closed by doors, one flap and the other hinged, which take up the diamond shape.

Semi-gloss black sideboard characterized by simple shapes and a subtle play of overhangs and recesses. The three wooden boxes, obtained from a 60's furniture, are slightly offset in their positioning and generate a play of shadows and an intermediate support surface. The sides have open compartments, whose backdrops show the sides of the original wooden boxes. The brushed brass details of the handles, of the circular rings in the central niche and of the feet give the whole piece of furniture sober strokes of light: a piece of furniture that combines elegance and functionality.

Furniture characterized by an articulated play of edges, strong asymmetries and misalignments. The storage unit with shapes derived from modern architecture. The three wooden elements in teak from the 1960s have been restored and have different types of openings. The presence of the open compartment in the center of the cabinet generates a strong shadow that dialogues with those of the compartments placed on the inclined sides.

Japanned longcase

Tower clock lacquered with gilded chinoiserie and polychrome on a green lacquered background. The trunk stands on a large plinth and has a central door crowned on the top and frame by a rich moulding; iside is painted a landscapee with pagodas in a garden where we can meet huma figures in domestic scenes revived by beautiful volatiles, a rich triage enriches the lateral reserves; the tank containing the machanism also has a central crowned door with glass with a hat going up as a pagoda again decorated with landscapes and flowers, on the sides there are dence plant decorations. The 8 days movement relized by Thomas Phippard hits the hours on a bell; it has a brass quadrant with a silvered brass ring with roman numbers for hours and arabic numbers for minutes; there is also an elaborated brass center carved with leaves that contains the vise whit a small hand for seconds; the blued steel hands hare finely made. The fabrication name an the place onf making are engraved on a silver plate placed above the compartment where ther are the lunar dates. The brass vise is enriched by chiselled bronzes and gilded in the corners, it opens up on the upper part giving space to a cobalt night sky on which is painted a vassel