Restoration Frame, Gilded Wood, Italy 19th Century

The NINETEENTH Century - 1800

Restoration Frame finely carved with typical patterns of the Restoration time. Entirely gilded.

Gilded Frame Wood Italy 18th Century

The EIGHTEENTH Century - 1700

Elegant gilded frame with repeted motifs carved on.

Engraved Frame, Gilded Wood Italy 19th Century

The NINETEENTH Century - 1800

Engraved and gilded frame. Engraved with a repeated pattern and refined inlays at the four corners.

Mirror Mirrored Glass Smoked Glass Italy 1960s

Wall mirror, mirrored glass and smoked glass frame. Good condition.

Liberty Mirror Art Nouveau Italy Early 20th Century

The TWENTIETH Century - 1900

Lacquered Liberty mirror, decorated with carved floral racemate.

Pair Of Mirrors Sergio Mazza Mirrored Glass Chromed Metal Italy 1960s

Pair of wall mirrors that can be attributed to Sergio Mazza, mirrored glass with chromed metal frame.

Barocchetto's Style Mirror Veneto Italy 18th Century

The EIGHTEENTH Century - 1700

Barocchetto's style wall mirror made in Veneto; the frame is moulded and engraved with rocaille leafy motifs that are also engraved on the pierced cimatium; entirely gilded.

Neo-Classical Lombard Chimney Italy 18th Century

The EIGHTEENTH Century - 1700

Neo-classical lombard chimeny that shows the stylistical influence of Giocondo Albertolli. Two engravde pillars frame the mirror on top of which ther is a reserve that hosts a central vase from which depart braches with flowers. Gilded and Lacquered. It has som missing parts.

Restoration Style Frame with Printing Oil Gilding Italy 19th Century

The NINETEENTH Century - 1800

Gilded frame emgraved with small leaves and wine leaves patterns and bloomed vegetable racemes at the corners. The ruined printing represents the " Adieux of Fontaibleau", invented by Horace Vernent and engraved by Jazet, as said by the indication at the bottom.

Pair of Frames with Printings, Wood, Italy 19th Century

The NINETEENTH Century - 1800

Pair of Restoration wood frame engraved with flowery patterns at the corners, entirey gilded. On printing represents the "Transfiguretion" of Raffaello, signed Raphael Morghen, while the other one represents the "Merriage of the Virgin" again of Sanzio, signed Giuseppe Longhi.