Still life with fish and shrimp

Oil on canvas. Signature not deciphered in the bottom left of (A. Crozel?). The composition, ritelata, is presented in full frame half '800.

Matteo Pedrali

Flowers

Oil on canvas. Signed in the bottom left of the page. A humble man, shy and reserved, appreciated teacher for many years at secondary schools in Palazzolo sull'oglio, his native country, Matteo Pedrali is remembered by his countrymen as "sweet, dear, gentle poet of the brush". Among his favorite subjects were the beloved horses (the grandfather didn't care to thoroughbreds from Hungary), the self-portraits, genre scenes, still lifes and landscape painting, that, starting from the early forties, he is by now consolidated poetics of twentieth-century and knows a sudden turn of expressionism.

Scene of Carlo Prada

Trotting races,1951

Oil on panel. Signed in the lower right. To the left, on the frame of the frame, a label with the title and date; the title is also reported to the back. Little glimpse, set in a racetrack, at the entrance of the horses on the track. The context is also that of a country, there stands the simple church just outside the walls. Carlo Prada was born in Milan and, while adhering initially to the movement divisionism, and he was then attracted by the "group of the Twentieth century", focusing in this period, mainly to the portrait; in search of new ways of artistic expression, came later to the Clarity, the current that developed around the choice of colors is precisely as clear and bright. This period is the choice of landscape as the dominant subject in his production, especially inspired from the ligurian land in which he lived and died. The work in the frame.

Painting of Angel Fiessi

View of the city

Oil on cardboard applied to plywood.Signed in the lower right. Angel Fiessi, a native of Brescia, he was always very attached to his hometown and the towns around lake Iseo, which he attended for a long time; landscape painter, he dedicated a great part of its production to evoke the places he loved, and the emotions that stirred up, permeating his paintings of poetry and sweetness.

Raymond Haisn Screen Printing Contemporary Art

American Express, 1990s

Screen printing on plastic. On the back there is a tag with artist's signature and numbering N.20/50. Raymond Hains was a french photographer and painter, creative experimenter of the photographic medium with which he treaced the giude lines of a new perceptual approach to reality. Between his ceations we remember: abstract photographs, txtual explosions, short films and creation with computer media. He belongs to the Nouveau Réalisme trens, born in France in 1960s-1070s, while op Art was growing in Europe and Pop art was developing in USA: the new visual artistic movements that had as main theme " material taken from reality, even the most ordinary". The screen printing comes along with frame.

Lamp Aluminum and Steel Italy 1950s-1960s Italian Prodution

Table lamp adjustable through joint; lacquered steel base, aluminum diffusor.

The landscape of Angel Fiessi

View of the lake,1934

Oil on plywood Signed lower right. At the back there is another signature, with the title poorly readable, and the date of the work. There is also exhibition label of the exhibition "Images of the Italian lakes in the painting between the nineteenth and the twentieth century" held at the Palazzo Vantini Iseo, care of the Gallery "Arsenal" of Brescia, in 2010. Angel Fiessi, a native of Brescia, he was always very attached to his hometown and to the towns of lake Iseo and the surrounding mountains, which he attended for a long time; landscape painter, he dedicated a great part of its production to evoke the places he loved, and the emotions that stirred up, permeating his paintings of poetry and sweetness. The painting is presented in a frame guilloche of the time.

Glimpse of the Angel Fiessi

View from the window

Oil on plywood. Signed in the lower right. Angel Fiessi, a native of Brescia, he was always very attached to his hometown and the towns around lake Iseo, which he attended for a long time; landscape painter, he dedicated a great part of its production to evoke the places he loved, and the emotions that stirred up, permeating his paintings of poetry and sweetness. The work in the frame.

View Angelo Fiessi

Glimpse of the country with a loggia,1928

Oil on masonite. Signed in the lower right. To the rear is this written poorly legible, which identifies the place, signature and date. Angel Fiessi, a native of Brescia, he was always very attached to his hometown and the towns around lake Iseo, which he attended for a long time; landscape painter, he dedicated a great part of its production to evoke the places he loved, and the emotions that stirred up, permeating his paintings of poetry and sweetness. In the proposed work is depicted in the glimpse of a country on which stands an elegant building with a beautiful loggia and columns. The work was presented in the frame.

Drawing by Ernst Neizvestny No Title 1968

Untitled, 1968

Pencil on paper. Signature and date at the bottom left. Russian-american sculptor, painter, artist, graphic designer and art philosopher, Neizvestny (surname that means actually "unknown" in Russian) emigrated to the United States in 1976. He lived and worked in New York. Particularly famous for his monumental works (i.e. the "Mask of sorrow" in Russia in memory of the victims of the soviet purges) mostly made of cement, he is considered from the Russians as "expression of the country, its soul, tongue and spirit" as well as "philosophical conscience of his country". In frame. 1968.

The holy Family with Angels

Oil on canvas. The scene reproduces the Holy Family in a moment of daily life, cared for by a serious of angels who bring the food, collect the fruits of the tree, fish in the lake next, pour a drink, take the bundle of wood. Already restored and ritelato, the painting is presented in the beautiful setting of the XIX century, in renaissance style, carved box, gilded and decorated with carved corbels and rosettes.

Watercolor painting by Gino Scalatelli

A glimpse of the venetian,The health

Watercolor on paper. A glimpse of the venetian, with a view of the church of the Salute seen from the Grand Canal. Gino Scalatelli, active between between the nineteenth and the twentieth century, and specialized in views of european cities, Paris, Venice, but especially of the English capital, London, who painted mainly in watercolor, a technique he preferred. In the frame.