Vintage Gucci Burgundy Purse 1980's - logo

The panther printed in PVC on the canvas of this black bag immediately recalls the signature of Krizia, the designer who had chosen this animal as the symbol of the Maison. The handles are in leather and the interior in red fabric.

Beautiful bag in hand, from the trapezoid shape, in python skin clear. Accompany the bag and the small wallet, coin purse and mirror.

Germany 30s 40s

Small box in imitation wood enamelled iron and decorated with silver-colored geometric profiles. Inside identification label.

Europe, XX Century

Group of 5 cut and engraved glass glasses of different manufactures, shapes and colours.

19th Century / 1801 - 1900

Ceramic plate decorated with polychrome enamels with geometric designs.

Italy, 1970s

Two jacketed glass vases of different colors and shapes. Murano manufacture.

Japan, Meiji Era

Circular bronze mirror with rope covered handle. On the back, the representation of a paradisiacal landscape with cranes among pine and maple trees on the seashore. Japan Meiji era (1868-1912)

52 x 30 In

Marrakech carpet in cotton and wool; big knot. Manual manufacturing.

Italy Second Fourth XIXth Century

Charles X bedside table in mahogany veneered walnut, Italy, second quarter of the 19th century. Front with drawer in the band equipped with lower frame, door, rounded uprights, jar feet.

UK Size 14

Long coat in pure cashmere, with wide lapels, concealed button and fabric belt. Cashmere, for Cividini, was the debut fabric in the fashion field, with the aim of breaking it away from the tradition of classic knitwear. Size 42 is shown on the label but it is a model with a loose and soft fit. Total length: 130cm. Sleeve length: 57cm. Shoulder width: 44.5 cm. Waist: 120cm.

Chair, teak wood, foam seat, fabric covering. Decent condition, seat to be redone. Chair that lends itself to being customized with a restoration intervention which involves, resuming the polishing of the wooden part, replacing the padding and fabric by choosing from our different samples, so as to make it suitable for a work station, with a style of others times, and to give new life to things.

France, Late XIX-Early XX Century

Clock in marble and gilded antimony with four feral paw feet and leafy scroll decorations. The summit statue in bronze patinated antimony depicts the allegory of hunting with a female figure. Display with Arabic numeral hours protected by a bevelled glass cover.