Carved Walnut and Linden Mirror Italy 19th Century

Code :  ANTSPE0000738

not available
Carved Walnut and Linden Mirror Italy 19th Century

Code :  ANTSPE0000738

not available

Carved Walnut and Linden Mirror Italy 19th Century

Features

Style:  Umbertino (1870-1900)

Age:  19th Century / 1801 - 1900

Origin:  Italy

Main essence:  Walnut Linden

Description

This mirror has a richly carved frame with volutes, foliaceous patterns, and a cherub face. The inner part of the frame is gilded and carved with a seamless pattern.

Product Condition:
Fair condition. Wear consistent with age and use.

Dimensions (cm):
Height: 100
Width: 82
Depth: 13

With certificate of authenticity

Additional Information

Style: Umbertino (1870-1900)

The name of this style is due to the ruler of the time Umberto I, appointed King of the Kingdom of Italy on 9 January 1878 and assassinated on 9 July 1900.
The Umbertino style is typically Italian and belongs to that Eclectic period that characterized the second half of the 19th century, which lasted just under twenty years, the Umbertino style spread around 1880 and ended around 1895 when a new style called Liberty and universally known took over. like Art-Nouveau to be followed by Art-Decò.
In this style, mainly eclectic and monumental, Gothic and Baroque elements originally belonging to the Renaissance but also adorned with large masks, frames and decorations were re-proposed in the furniture, from the bedside table to the large wardrobe or sideboard.
Find out more about the Umbertine style with our insights:
An Umbertine secretary dedicated to Dante Alighieri
A comparison between a Luigi Filippo console and an Umbertina one

Age: 19th Century / 1801 - 1900

19th Century / 1801 - 1900

Main essence:

Walnut

Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.

Linden

It is a soft, whitish and light wood, used in the past for inlay and carving works.