Paola Dabbene Oil on Canvas Contemporary Art

Portrait of Dogs 1998

Oil on canvas. Initials D.B. on the lower right corner. Signature and date on the back. Painting of Paola Dabbene expert of "dog painting"; she paints dogs, hourses, nature and "everything that is part of my life" using diffrent techniques (oil, acrylic, paste) even on commission

Trompe L'Oeil with Landscape Oil on Canvas Contemporary Art

Oil on canvas. View of a verdant countryside crossed by a path and framed by two red curtains. Zanfagna name on the back but the author's name is unknown.

Alfonso Monfardini Venetian View Oil On Plywood 19th Century

Impression (Grand Canal, The Salute)

Oil on plywood. Signed bottom right. Additional signature and title on the back. Piece by the painter and sculptor from Mantua, point of reference and bearer of novelty in the art world in the first half of '900. Regarding his paintings, after a short symbolist parenthesis, he devoted himself to landscape painting, mostly portraying his places of life. Framed.

The landscape of Pietro Leidi

Oil on cardboard. Signed in the lower right. Brescian painter, a deaf-mute from birth, trained artistically before in Lugano as a disciple of Luigi Rossi, then at the Academy of Florence. Then back to Brescia, and there he opened his own atelier and became part of the "Group of independent Artists of the city. It is known predominantly as a landscape painter, creating landscapes, skies, bright, close-ups, strongly built and coloristicamente meaningful; recurrent, in particular, the glimpses of its land of origin and still of the Alps. His works are held in many important collections, public and private in Milan, Turin, Cremona, Paris, Genoa, Venice, and Brescia. The work in the frame.

Portrait of Woman Oil Painting on Canvas 20th Century

Oil painting on canvas. Signed in the lower right corner and on the back (Verschafeldt). Light losses of color. In coeval frame with missing parts. Early 20th century.

Landscape by Luigi Bocca Glimpse of Village 20th Century

Glimpse of the country

Oil on cardboard. Signature in the lower right corner. Luigi Bocca was one of the major representatives of Verism in Vigevano, which was part of the Social Art, also called the Art of the Humbles because of the depicted subjects belonging to the lower classes. Art was especially used to denounce their condition. The artist painted also other subjects such as portraits and he was also an interior designer. He studied in Milan and he moved to Chiavari where he frescoes churches and villas. The small glimpse probably belongs to this period and it depicts a village probably situated on the Apennines in Liguria, with a view on the underlying coast. Coeval frame.

Mountain Landscape by Luigi Bocca First Half of 1900s

Watercolor on paper. Signed at the bottom right. Luigi Bocca was one of the major representatives of Verism in Vigevano, which was part of the Social Art, also called the Art of the Humbles because of the depicted subjects belonging to the lower classes. Art was especially used to denounce their condition. The artist painted also other subjects such as portraits and he was also an interior designer. He studied in Milan and he moved to Chiavari where he frescoes churches and villas. The depicted landscape is an effective view of the mountains with some cows grazing. Fluid and wide brush strokes with blurred outlines. Coeval frame.

Ariel Soulé Contemporary Oil On Canvas 1971

Il gioco della terra, 1971

Oil on canvas. Signed bottom right. Title on the back, in Italian and Spanish, dedication and additional signature. Ariel Soulé was born in Buenos Aires in 1952. In 1967, he moved to Barcelona, Spain, with his family, where he attended the Scuola Massana de Arte. In the early 70s Ariel Soulé moved to Milan, where he completed his studies at the Accademia di Brera. During this time, the figure is at the center of the aesthetic research of Soulé, figure that even through the following evolutions remained predominant in his art. Framed. Going forward, the human figure gets rarer and rarer, until it disappears and his work moves on to an abstract symbolism dimension. He has been creatively sharing a path with the sculptor Simon Toparovsky since 2002.

Work of Ugo Carrega, Engraving and Enamel on Board, Contemporary Art

Wanders in Thought..., 1990

Engraving and enamel on board. Signature and date on the back. Carrega was a poet and artist from Genoa but active mostly in Milan, one of the main exponents of the visual poetry even if he prefered to call it "New Writing" that is an experimental writing that puts together different signs of extraction. He also founded in 1965 the magazine "Tool: symbolic writing notebooks" that is an experimental poetry in which signs of differen nature, oral and graphic, act equally. The piece in question is an example of that idea of art.

Glimpse of Milan by Natale Addamiano

Castello Sforzesco, 1987-'88

Oil painting on canvas. Signed bottom right. On the back further signature with the date, 1987-'88. Addamiano, born in Bari, trained artistically in Milan, where he studied at the Academy of Fine Arts of Brera, where he tought Painting for several years. He has participated in several exhibitions, shows and awards, both Italian and international, in particular in Japan for his collaboration with an important Tokyo gallery. In 2018 in the exhibition entitled "Addamiano, a painting that tells the light", he was the protagonist of his first personal exhibition in Rome. He lives and works in Milan, to which he has dedicated several works, such as this small but intense glimpse of the Castello Sforzesco.

Anthony Robert Klitz Oil on Board 20th Century

Wilton Crescent, Knightsbridge

Oil on board. Signed at the bottom right. Label with title on the back that recalls the luxury london's district of Knightsbridge of which is represented a glimpse. The british painter Klitz is mostly known for his urban landscapes, expecially of London. The board is displayed in frame.