Alberto Cecconi Oil on Canvas 20th Century

Old House ( Giglio Island)

Oil on canvas. Signed at the bottom left. Another title written with pencil on the back with stamps of the Art Gallery. The pleasant glimpse of a street of the famous islan of the Tuscan Archipelago shows an old house with a niche isnide which there is a devotional altar and women and young boys that make the street alive. Alberto Cecconi from Florence was known for his landscaping production, mostly of the tuscan countryside but also af the South American landscapes since he worked and exposed in Argentina, Brasil and Perù where he succeded. We also have portraits and genre scenes painted by him. The painting is displayed in a frame that has some missing parts.

Landscape with Figures Oil on Plywood 20th Century

Tempera on plywood. The landscape show a blue night atmosphere with a full moon and the glimpse of a wood crossed by a river on which shore there is a couple of farmers talking. It is displayed in a revival frame.

Paolo Sala Watercolour On Paper End 19th Century Early 20th Century

Landscape With Cows And Shepard

Watercolour on paper. Signed bottom left. Glimpse of a country lane with some cows and a shepard. Paolo Sala, who belonged to a noble family from the Brianza area and trained in the school of Camillo Boito, became one of the most significant exponents for landscape painting in his time. His production includes many city views of Italian cities (many of Venice) and foreign, as a result of his many travels which in the end brought him to Russia at the court of the Tsar, who he produced many pieces for, becoming a Professor of painting at the Academy of Moscow. His favourite technique was watercolours. He founded and he was the president of the Group of Watercolourists of Lombardy. Framed.

Francesco Ghisleni Portait Of A Child Oil On Canvas 1937

Oil on canvas. Signed and dated bottom right. Francesco Ghisleni was an artist from Bergamo, who lived and worked in his hometown. His landscapes and views of his homeland are well known. The canvas, with a patch on the back, is in a coeval frame.

Landscape by Pietro Leidi Oil On Canvas Italy 20th Century

Still Water

Oil on canvas. Signed bottom right. Signed dedication from the artist "To my teacher prof. Giovanni Fossi, with deep gratitude" on the passepartout. Title on the back and additional signature. Early work of Pietro Leidi, Brescian painter, deaf and mute from birth. He was artistically educated in Lugano as a student of Luigi Rossi in the beginning, then in the Academy in Florence. Back to Brescia, he opened his own atelier and became part of the "Group of indepent Artists" of the city. He is known mostly as a landscape painter, painting landscapes characterised by bright skies, and solidly constructed closeups with rich colours; glimpses of his native land and the Alps are particularly frequent. His work can be seen in many important collections, both public and private, in Milan, Turin, Genoa, Venice and Brescia. Coeval frame.

Landscape by Carlo Bazzi Oil on Board Italy 20th Century

Champoluc, Afternoon

Oil on board. Signed down right. Title and another signature on the back. Carlo Bazzi was born in Turin, firstly dedicated himself to the production of draweng for fabrics, following weaving couses. After he moved to Milan where he attended the Brera Academy focusing on painting and in particular on mountain and marine landscapes. Framed.

Giuseppe Ferrata Oil on Plywood 20th Century

The Farmstead, 1945

Oil on plywood. Signed on the lower left corner. Label with information about the author and the painting on the back. The glimpse recall a typical lombard farmstead. The artist was born in Rovato (BS) but lived and work mostly in Milan: started as engravor and at the age of forty decided to paint landscapes depicting mainly the lombard countryside and the typical milanese places. Framed.

Giacomo Gabbiani, Oil on Plywood, Italy

Portrait of a Young Boy, 1937

Oil on plywood. Signed and dated on the lower left corner. Giacomo Gabbiani was a milanese artist that successfully exposed in Milan and all over Itlay. Some of his portarait and compositiona are part of milanese private collections. Comes with frame.

City Glimps, Oil on Board, North-European School 19th Century

Oil on board. Noth-European School. Glimps of a small sea city of which we can weel see the small access fortness that is facing the seafront; in the back we can see a nordic style bell tower. On the frame ther is an attributive tag to Henry Darien. Displayed in a coeval frame.

Romantic Scene, Oli on Board, 1925

Oil on oval board. Signed on the lower left corner. Inscription, signature and date 1925 on the back. Gallant scene in a garden: the setting shows neoclassical references but the painting technique is closer to impressionism. The painting comes with gilded frame from the biginning of the 19th century. Light color drops.