Neo-Renaissance Armchair Walnut and Chestnut Italy 19th Century

Code: ANSESE0069527

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Neo-Renaissance Armchair Walnut and Chestnut Italy 19th Century

Code: ANSESE0069527

not available
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date
Go to noleggio.dimanoinmano.it to rent the product
Rent

Neo-Renaissance Armchair Walnut and Chestnut Italy 19th Century

Features

Style:  Neo-Renaissance (1820-1890)

Age:  19th Century / 1801 - 1900

Origin:  Italy

Main essence:  Chestnut Walnut

Description

Supported by four pillars connected by crossbeams of which the frontal one is engraved with curly scrolls; the same decoration is engraved also on the back and on the lover band. Walnut, chestnut seat.

Product Condition:
Fair condition. Wear consistent with age and use.

Dimensions (cm):
Height: 116
Width: 62
Depth: 51

Seat height:  48

Additional Information

Style: Neo-Renaissance (1820-1890)

Nineteenth-century recovery and re-evaluation of forms and styles typical of the Renaissance.
Find out more with the insights of our blog:
Classic Monday: a neo-Renaissance sideboard in dialogue with the past
The dictionary of antiques - Savonarola

Age: 19th Century / 1801 - 1900

19th Century / 1801 - 1900

Main essence:

Chestnut

It is a hard, yellow-white wood, mostly used for rustic furniture. Since the Middle Ages it has been used in Europe, mainly in Spain, France and Italy. Particularly resistant, it was sometimes used to manufacture the supporting structures of fine furniture. It tends to darken over time and has good resistance to woodworms.

Walnut

Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.