Female Portrait Oil on Canvas 1910

Oil on canvas. At the bottom right there is the signature of E.Siletti and date 1910. The big portrait of the lady is placed on a monochromatic background where we can see just the glimpse of an armchair and a small table on which the woman is resting her hand. Fair ocnditions.

Luigi Roncaglia Oil on Plywood Contemporary Art

Reflexes,1974

Oil on plywood. Signed at the bottom right. On the back there is another signature with date of exposing at a personal exhibition in 1975 at the Brolletto of Novara, is hometown. Comes with the invitation to the exhibition. The painting shows a landscape with a thick of trees reflectd by the frontal lake created by a delicate and suggestive play of colors in shades of blue and green. Displayed in frame.

Landscape with Figures Oil on Plywood 20th Century

Tempera on plywood. The landscape show a blue night atmosphere with a full moon and the glimpse of a wood crossed by a river on which shore there is a couple of farmers talking. It is displayed in a revival frame.

Giacomo Gabbiani, Oil on Plywood, Italy

Portrait of a Young Boy, 1937

Oil on plywood. Signed and dated on the lower left corner. Giacomo Gabbiani was a milanese artist that successfully exposed in Milan and all over Itlay. Some of his portarait and compositiona are part of milanese private collections. Comes with frame.

Woman Portrait First Half 20th Century

Oil on Canvas. The portrait requires restoration because of a tear in the upper right area of the canvas and color loss. Framed.

The Baragia (Civiglio) 1944 Oil on Board

Oil on board. Signed A.Schereschewsky at the bottom right. On the back ther is the title and another signature" Aglaia Schereschewsky, widow.." It is a glimpse of the hills around Civiglio, a small village close to Como, that rises on a hill that faces the city and the lake. The signature recalls the polish post-impressionist artist Wladimir Schereschewsky (1863-1943) that lived for a long time in Italy and he had a daughter whose name was Aglaia born in 1893 and died in 1978. The painting come with frame.

Amapielo Tettamanti Oil on Canvas 20th Century

Glimpse of Factory with Workers

Oil on canvas. Singed at the bottom left. Another signature on the back of the frame. The glimpse of the factory acts as background to the group of outgoing workers and is part of the production after the 50s of Ampelio Tettamanti. The artist, originally from Laveno on Lake Maggiore was trained at the Brera Academy in Milan, after the war, during which he militated in the ranks of the Communist Party very close to the resistance movements, closely tied his artistic activity to the Milanese group and the homonymous Galleria "15 Borgonuovo", which gathered the protagonists of the Milanese realist movement. In the 1950s he began producing works inspired by the urban suburbs, the world of workers and the figures of labourers, and the social content in general, which from that time became recurring subjects in his work. The painting comes with frame

Enrico Felisari Oil on Canvas

Mail Portrait 1940s-1950s

Oil on canvas. Singed at the bottom right. Enrico Felisari was born and raised in the province of Cremona but later he moved to Milan where he worked for several years; he privileged mostly paintings od human figures, portrais, heads' studies, making even a serie of anatomical boards that had been apprieciated by the ministery of education and used by the courses of painting at the Ambrosiana Academy where he taught 10 years. He also dedicated his production to landscapes and floral compositions as well as some subjects of sacral art. He used different techniques, from oil pastels to mixed medias, creating delicate works in interpretation and colors. The painting has light drops of color. Revival frame.

Ubaldo Oppi, Oil on Plywood, 1930s

The Bagpipe Player

Oil on plywood. 1930s. Signed on the rear right corner. Ubaldo Oppi, born in Bologna, had a passionated life: he studied painting firstly in Vienna then moving around Europe stopping for a long time in Pris where he frequented Picasso; back in Venice he started to expose. In 1915 he left the front joning the alpine troops and fought until 1918 when he was deported to Mauthausen. During the first postwar he moved to Milan where, thanks to Margherita Sarfatti, he approached the movement of the Seven Painter on the italian 1900sto which he had been related for a short time. He took part to several Biennali in Venice and abroad and in 1926 e took parto to the Exposition on Italian 1900s at the Permanente palace in Milan. In 1928 he coverted to Catholicism and started including religious subjects in his prodution that until that time was mostly focused on figures and portraits. In 1942 he resumed service in the Army but soon he had to go back to Venic because of his health problemns and died on October 25th 1942. The painting in question is a genre subject, an old musician. Comes with coeval frame and needs to be restored.