Embroidery on canvas. Nineteenth century. The embroidery is performed on a rectangular fabric with fringes on the edges and with tassels at the four corners. The embroidered design proposes, within a floral frame, a series of drawings arranged on four horizontal bands, which include architectural structures, a carriage, human and animal figures, small scenes of everyday life with everyday objects and floral decorations. The canvas is presented in a frame.

Written in beautiful handwriting on Yisebiao-type silk-edged paper (one-color frame). Artist's signature and seal in red, in the lower left corner. A hanging scroll is one of many traditional Chinese ways of displaying and displaying painting and calligraphy. Hanging scrolls are generally intended to be displayed for short periods of time and are then rolled up to be tied up and stored safely; they are rotated according to the season or occasion, and are never permanently exhibited. The surface to be painted of the paper or silk can be mounted with decorative borders of brocade silk. This roll is presented in a frame, stretched out on a panel.

Charcoal on paper. Unidentified signature with date to the right of the face. The name of the young woman portrayed, Teresina Rota di Valsecca, is mentioned on the back, with a further date. The work is presented in a coeval conception.

Etching In A Coeval Frame

Etching made by the famous painter and incisor Luigi Rados that represents Christ's Resurrection. It shows signs of humidity and comes in a coeval frame.

Etching in Coeval Frame

Etching made by Luigi Rodes, famous italian painter and incisor. The art piece represents the scene of Jesus walking over the water and saving Peter who his trying to emulate him, but is sinking in the lake. The etching shows several signs of humidity and comes in a coeval frame.

Etching In A Coeval Frame

Etching made by the famous italian painter and incisor Luigi Rados. It represents a scene from The Acts Of The Apostles in which St. Paul preaching to the people. The etching shows signs of humidity and comes in a coeval frame.

19th Century Etching

Etching. It is a print of the famous painting of Murillo titled The Saint Family or The Virgin Of Seville that today is preserved at Louver Museum in Paris. The etching had been made by Carlo Cattaneo in Turin. It shows several signs of humidity. It comes in a 20th century frame.

Study Of An Officer on Horseback

Lead pencil study on paper. Signed lower right Grimaldi. Inside an oval is an officer of the Batteries on horseback charging; at the base are coats of arms and military triumphs. The knight's uniform refers to the Carlo Alberto period, circa 1845. This is a study by Grimaldi commissioned, probably for a press or publication, by the Voloire Regiment, the body of the "Batterie a Cavallo", the particularly mobile artillery units used to provide rapid support for the actions of other units. Stanislao Grimaldi, Count of Poggetto, from Turin, was the official painter of Victor Emmanuel II, superintendent of the Accademia Albertina in Turin and a well-known illustrator of Risorgimento battles. The drawing is presented in a frame.

19th century wooden frames with engravings on paper of famous people, specifically of 6 academics and philosophers (Voltair, Rousseau, Linnè, Fénelon and Mably). The carvings had been made by Pierre-Michel Alix (1762-1807), fench cerver that in 1782 made the "Collection of portraits of importante man", They show signgs of wear as humidity damnages and drops.

Glimpse of a Church with salesmens 1858

Watercolor on paper. Signed at the bottom right. The charming watercolour depicts a view of the city at the entrance to a church, where street vendors have set up their lively stalls. Few biographical details are known about the Lombard painter Claudio Bernacchi, but his name appears frequently in the second half of the 19th century as a painter and architect in the realisation of works in Milan (such as the Pavilion built in 1857 in Piazza di Loreto on the occasion of the entry into Milan of the Austrian Emperor Franz Joseph and his wife), as well as a teacher of ornamentation at the Brera Academy. The painting is presented in a gilded frame from the end of the 19th century, with some missing pieces.

Pencil on paper. Portrait of woman with a good with beautiful rendering of chiaroscuro in pencil. It comes in a coeval gilded frame.

Studies of Nature

Group of 12 etchings on a hardboard notebook. From the catalogue raisonné of Kobell's works, published in 1822 by Baron de Stengel, it is also possible to recover the titles of the individual engravings, which depict figures from popular life. The first one also has the title: "Etudes d'après nature, dessinées et gravées par Ferdinand Kobell,...". (Studies from life, drawn and printed by Ferdinand Kobell), with the Parisian locations mentioned below. The titles of the other figures, in the order of their presentation in our collection, are as follows: Return from the Market, The Beggars, The Messengers, The Stonemason (Sculpture Seller), The Brush Seller, The Vegetable Seller, The Hat Seller, The Junk Dealer (Print Seller), The Peasant at the Market (Sleeping), The Second-hand Clothes Dealer, The Blind Man.