Achille Zambelli Oil On Cardboard Italy 20th Century - Landscape With Steam 1910

Ligurian Beach

Oil on canvas. Signed lower left. It is a glimpse of the Ligurian Riviera, near a cove, surmounted by houses close to the coast. Berto Ferrari, born and always lived in Liguria, was a skilled and sensitive marine and landscape painter of the post-impressionist tradition, who painted the beauties of the Ligurian Riviera and numerous views of the Apennine hinterland. The painting has drops of color and traces of restoration. It is in a coeval frame.

Mixed media (pencil and watercolor) on paper. Signed at the bottom. On one of them there is also the date (1946 and 1947). It is a small collection of sketches on paper, six faces of children and women and four landscapes, still with pencil strokes and incomplete watercolor paints, in the typical ranges of Mantovani, those clear and transparent colors that are considered one of its characteristic features. Lugi Mantovani, Milanese by birth and training, established himself in the artistic panorama and became an active part in the Milanese cultural cenacles of the city, to which he dedicated his production, consisting mainly of landscapes and city views. The paintings, of different sizes, are presented in style frames, with small lacks (one missing the glass).

Landscape with Ancient Style Figures

Oil on hardboard. Signed lower right. Born in Milan in 1913, and trained at the Brera Academy (of which he later became a teacher), Adriano Gajoni became passionate about the study of seventeenth-century Lombard painters and Dutch and Flemish painting of the seventeenth century, from whose meticulous realism he let himself be inspired. Of strict figurative observance, Gajoni preferred landscapes, portraits and above all still lifes, which he expressed in fairy-tale and allegorical compositions. He mainly practiced oil painting on wood and hardboard. Also this painting proposes a landscape of ancient taste: in the countryside, on the path that runs along a wide river, a pastoral figure passes on his donkey, followed by his small herd. The work is presented in a style frame.

Male face

Oil on canvas. Signed lower right. The Milanese artist Carlo Jacono was an illustrator and painter: his unmistakable style, the mastery in the execution, the prolificacy and artistic ability in over 50 years of career, the knowing how to lend himself to different genres and the great success at readers and publishers made him one of the masters of Italian illustration and one of the most appreciated and well-known names on the national and international illustration scene. He was also known as the "Man of the circle", a pseudonym due to the layout of many of his covers in pink, police, science fiction, Italian, English, Swedish, Norwegian, American (we recall, among many, the covers of the series "Il giallo Mondadori "), or more simply with the surname only, Jacono, with which he signed himself. Starting from 1970 Jacono also embarked on a career as a painter, exhibiting in personal exhibitions both in Italy and abroad, preferring a figurative vein with a romantic connotation that finds its masterpiece in the series of "The warriors". They said of this production: "they are apparitions of warriors of other times, which the imagination comes to realize even in the minute features of the face, and to imagine in the most reckless actions". Probably the painting presented here is also part of this series: it is the face of a Nordic warrior, as can be deduced from the fur headdress that frames the proud and concentrated face in which the cold blue eyes stand out, and from the burnished metal collar engraved with signs graphics that refer to the Nordic runes; half-length, the shoulder straps of the armor can be seen. The painting is presented in a frame.

Watercolor on paper. 1920s-1930s. Signed A.C. Leveque at the bottom right. Title on the back. Glimpse of a famous bath station animated by a colorful crowd strolling along the avenues in front of the spa's landmark building, the white marble Art Nouveau dome, which extends to the sides into the balcony supported by columns with Ionic capitals. The painting comes in a coeval frame.