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Drop-Leaf Secretaire & Secretaire

Piedmontese Baroque limelight

Code: ANMORI0129347

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Piedmontese Baroque limelight

Code: ANMORI0129347

not available
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date
Go to noleggio.dimanoinmano.it to rent the product
Rent

Piedmontese Baroque limelight

Features

Style:  Baroque (1630-1730)

Age:  18th Century / 1701 - 1800 , 17th Century / 1601 - 1700

Origin:  Piemonte, Italy

Main essence:  Cherry ,  Walnut ,  Poplar ,  Olive

Material:  Cherry Veneer , Walnut Veneer

Description

Piedmontese baroque flap door in walnut with calatoia concealing a 4-drawer cabinet, 3 drawers on the front, shelf feet. Front with olive tree reserves and cherry wood threads. Poplar interior. Present restorations and replacements.

Product Condition:
Product that due to age and wear requires restoration and resumption of polishing.

Dimensions (cm):
Height: 108,5
Width: 134,5
Depth: 60

Additional Information

Style: Baroque (1630-1730)

The term derives from the Spanish phoneme barrueco or portuguese barroco and literally means "shapeless pearl".
Already around the middle of the eighteenth century in France it was synonymous with unequal, irregular, bizarre, while in Italy the diction was of medieval memory and indicated a figure of the syllogism, an abstraction of thought.
This historical period was identified with the derogatory term of baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.
Baroque, secentista and secentismo were synonymous with bad taste.
As far as furniture is concerned, ideational freedom, the need for pomp and virtuosity originated a synergy destined to produce unsurpassed masterpieces.
The materials deployed were worthy of competing with the most astonishing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more, dressed the furnishings that by shape and imagination virtually gave life to the a thousand and one nights of many powerful Italians.
Typical of the period were load-bearing or accessory parts resolved with spiral column motifs, clearly inspired by the Berninian canopy of St. Peter, parts with rich sculptural high-relief carving and even in the round within a whirlwind of volutes, cartocci and spirals, curved and broken profiles , copings shaken by gables of articulated shaping, aprons adorned with ornaments, corbels, buttresses and anything else needed to move shapes and structures.
The Baroque is, moreover, the century of illusionism: lacquers and thin tempera flock to furniture and furnishings to imitate with the marbling effects of marble veins or games of precious briars.
Find out more about the Baroque with our insights:
FineArt: Il Barocco
Classic Monday: a double sideboard body, late Venetian Baroque
Classic Monday: a pair of candle holders between Renaissance and Baroque
Classic Monday: a pair of mirrors between Baroque and Barocchetto
Classic Monday: a superb Austrian Baroque console
YouTube - A few bits of furniture history ep1: the Baroque

Age:

18th Century / 1701 - 1800

18th Century / 1701 - 1800

17th Century / 1601 - 1700

17th Century / 1601 - 1700

Main essence:

Cherry

Obtained from prunus cerasus , a plant of oriental origin, it is a hard wood with a light and delicate color, with a reddish vein. Due to its diffusion and availability it was used in Europe in popular furniture. In cabinet making, in the seventeenth century, it was widely used in France and England for inlay work. In Italy it was very successful in Lucca. It was also very popular in the United States for the manufacture, from the late 1600s, of commonly used furniture.
The dictionary of antiques: Eclecticism
Classic Monday: a sofa from the 1800s example of eclecticism

Walnut

Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.

Poplar

Essence considered "poor", it is a white wood, with yellowish or greyish shades, light and tender, which is easily damaged. It is used for rustic furniture or in the construction of furniture. The most valuable use it has had in the history of furniture is in Germany, in the 19th century, for veneers and inlays in the Biedermeier period.

Olive

Extracted from the plant called olea europaea which lives in all the Mediterranean lands, it is a hard and compact wood. It has a characteristic light color, greenish yellow, with particular dark veins. It is widely used in cabinet making both as a solid wood for entire furniture, and for inlays, veneers and decorations. As it is very hard, it is also suitable for round work and for the manufacture of small objects.

Material:

Cherry Veneer

Walnut Veneer

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