A. Guarino Oil on Wooden Table Italy 1929 - Colored boats, Porticello, 1929

Flowers

Oil on hardboard. Signed lower right. On the back there is a paper label with the data of the work. A beautiful bouquet of daisies fills a vase, placed in front of a drapery that creates a play of white and green colors. The painting is presented in a beautiful 1950s frame, box-like with a raised gilt edge.

Glimpse of a snowy town

Oil on hardboard. Signed lower right. Born in 1905, Gaetano Valbusa worked for over forty years as a worker in the Brescia Mechanical Workshops, until retirement, devoting himself to painting only as a passion. Landscape painter, thanks to business trips he was able to portray "en plein air" glimpses of the whole world, even if the glimpses of the places in Brescia are the most recurring subject. Affiliated to the Brescian Artists Association, he was able to exhibit his works and make himself known by critics. In his canvases the landscapes are permeated with great serenity and tranquility, an elegy of serene memories of real life. The glimpse proposed here is presented in a frame.

Landscape with Sheaf

Oil on the table. Signed G. Zocchi lower right. It is probably a late work by the Florentine painter Guglielmo Zocchi, best known for the lively genre scenes of Greco-Roman setting, which earned him great success especially abroad. Landscape production is rare. The painting is presented in a coeval frame with shortcomings.

Landscape with Ancient Style Figures

Oil on hardboard. Signed lower right. Born in Milan in 1913, and trained at the Brera Academy (of which he later became a teacher), Adriano Gajoni became passionate about the study of seventeenth-century Lombard painters and Dutch and Flemish painting of the seventeenth century, from whose meticulous realism he let himself be inspired. Of strict figurative observance, Gajoni preferred landscapes, portraits and above all still lifes, which he expressed in fairy-tale and allegorical compositions. He mainly practiced oil painting on wood and hardboard. Also this painting proposes a landscape of ancient taste: in the countryside, on the path that runs along a wide river, a pastoral figure passes on his donkey, followed by his small herd. The work is presented in a style frame.

Hospitalization of the Trident 1916

Oil on cardboard. Signed lower right. On the back there is the name with the title, which locates the small glimpse in Macedonia in 1916, during the First World War. Alfonso Corradi, born in Emilia but trained and then lived in Milan, was a student of ornaments at the Brera Academy and for some years he also devoted himself to scenography. He specialized in landscape and embarked on an exhibition career concentrated above all in Milan. The subject proposed here, although of a landscape nature, is part of a rare production of a series of small pictures, almost sketches, which leads back to the First World War, in particular to the military expedition of an Italian body to Macedonia in 1916, sent by the government to the aim to counter the Austro-Hungarian and Bulgarian forces during the First World War and to control that territory. Moreover, there is no documentation of the painter's direct participation in this war campaign. The painting is framed.