Ancient Painting Landscape Giuseppe Gabani Watercolor on Paper '800

Landscape with River and Figures

Code :  ARAROT0192332

not available
Ancient Painting Landscape Giuseppe Gabani Watercolor on Paper '800

Landscape with River and Figures

Code :  ARAROT0192332

not available

Ancient Painting Landscape Giuseppe Gabani Watercolor on Paper '800 - Landscape with River and Figures

Features

Landscape with River and Figures

Artist:  Giuseppe Gabani (1846-1900)

Artwork title:  Paesaggio con fiume e figure

Age:  19th Century / 1801 - 1900

Subject:  Landscape

Artistic technique:  Painting

Technical specification:  Watercolor

Description : Paesaggio con fiume e figure

Watercolor on paper. Signed lower right. Giuseppe Gabani, who was a Cavalry officer and participated in many uprisings of the Risorgimento, stood out in particular for his equestrian subjects, battle scenes, orientalism, made with vivacity of color and pictorial emphasis. Here instead we have a delicate watercolor of his, which offers a landscape with a river flowing in the countryside and walking figurines: in Gabani's production there are actually many of these landscapes, calm in colors and rather pervaded by peace and tranquility. In coeval frame.

Product Condition:
Product in good condition, shows small signs of wear. We try to present the real state as fully as possible with photos. If some details are not clear from the photos, what is reported in the description will prevail.

Frame Size (cm):
Height: 49,5
Width: 67,5
Depth: 3

Artwork dimensions (cm):
Height: 34
Width: 54

Additional Information

Artist: Giuseppe Gabani (1846-1900)

Born in Senigallia in 1849, Giuseppe Gabani was an Italian painter, draftsman and watercolourist. Cavalry officer, he took part in the Third War of Independence, in the 4th Genoese Cavalry Regiment and in the military campaign of 1870. An orientalist and battalion painter, he specialized in landscapes and battles during the Risorgimento, in the context of Roman painting at the end of the 19th century. He exhibited at the promoters of Genoa and Turin; in Rome he was present at the exhibitions of the Società Amatori e Cultori starting from 1884. On behalf of A. Brugnoli he intervened in the creation of the equestrian figures on the ceiling of the Costanzi theater in Rome (now the Opera House). Gabani died in Rome in October 1900.

Age: 19th Century / 1801 - 1900

19th Century / 1801 - 1900

Subject: Landscape

Artistic technique: Painting

La pittura è l'arte che consiste nell'applicare dei pigmenti a un supporto come la carta, la tela, la seta, la ceramica, il legno, il vetro o un muro. Essendo i pigmenti essenzialmente solidi, è necessario utilizzare un legante, che li porti a uno stadio liquido, più fluido o più denso, e un collante, che permetta l'adesione duratura al supporto. Chi dipinge è detto pittore o pittrice. Il risultato è un'immagine che, a seconda delle intenzioni dell'autore, esprime la sua percezione del mondo o una libera associazione di forme o un qualsiasi altro significato, a seconda della sua creatività, del suo gusto estetico e di quello della società di cui fa parte.

Technical specification: Watercolor

The watercolor or the watercolor is a painting technique that involves the use of pigments, finely ground and mixed with a binder, diluted in the water. The watercolor is a technique that is popular for its speed and for the easy portability of the materials, which have made it the technique of the excellence of those who paints and travelling in the open air. The support used for this technique is the paper that is preferably used with a high percentage of pure cotton as the long fiber of this plant do not change in contact with water. The paper that you buy commercially is measured in grams meter (weight of a sheet of 1 square meter). The preparation of the watercolor painting can be done according to three separate technical: 1) high level of overlapping, which, in addition to giving strength and tone to the same color, give the preparatory drawing, which is usually performed in light pencil, the necessary depth pictorial useful to the representation of the volumes, the shadows and the light; 2) painting wet-on-wet, i.e. the preparation of a coloured pigment to be made on the sheet of wet paper in the above so that the colors from spreading and flowing and giving you a look suffused the painting; 3)painting wet-on-dry, in which the pigment is laid after being dissolved with a sufficient amount of water to slide on the dry sheet.

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Se sei un appassionato d'arte, non perderti i nostri approfondimenti sul Blog Arte Di Mano in Mano e su FineArt by Di Mano in Mano - Arte:

Ecco alcuni tra i principali articoli:
Vedute
Falsi nell'arte antica
Un messaggio di fiducia per ripartire
La potenza espressiva dell'arte figurativa etiope
Breve Storia del Collezionismo
Giorgio Upiglio, maestro dei libri d'artista
Matthias Withoos detto "Calzetta bianca"
San Rocco pensaci tu - Classic Monday

Dai un'occhiata alle nostre rubriche di divulgazione sull'arte:
Epoche
Lavorazioni e tecniche
Mostre ed Eventi
Protagonisti

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Veduta di Frascati, Achille Etna Michallon, ambito di, terzo decennio XIX secolo, olio su tela
Venere Dormiente, Claudio Rinaldi, 1899

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