Ex casa del fascio Caserta - Cronaca di un cantiere in avanzamento/ Chronicle of a building site in progress

Carlo Olmo
Umberto Allemandi

Miriam Veronesi
Edizioni Kappa

Franco Mancuso
Il Saggiatore

Gianluca Minguzzi
Skira Editore

Adolfo Minì
Cassa Centrale di Risparmio

Luigi Acito
Mondadori Electa

Henri Stierlin
Thames & Hudson

Turquoise and marble cupolas, arches adorned with flowers and arabesques, motionless basins reflecting slender minarets, sparkling enamels of floral bouquets, miniatures populated by lovers stretched out in the shade -- all these form part of the luxury decoration, refinement, and high spirituality that we define as "Persian style."

This subtle art is revealed in magical locations such as Isfahan, rich in mosques and palaces; Bukhara and Samarkand with their shining domes; Lahore and the gardens of Shalimar; the Red Fort of Delhi, exalted as an earthly paradise; and the miraculous Taj Mahal of Agra. For a thousand years, from the frontiers of Iran to the heart of India, architects, landscape gardeners, calligraphers, miniaturists, and weavers have made their mark on Islamic art and architecture. This lavishly illustrated book examines the sources, analyzes the forms, and discusses the mystic themes and symbolism of the immense heritage handed down by Islamic artists and craftsmen.

Jen Renzi
Edizioni Press

Roberto Pane
Edizioni di Comunità

Patrick F. Cannon
Pomegranate

On the eve of the twentieth century, Chicago was rapidly outgrowing its borders. Architect Louis Henry Sullivan (American, 1856–1924) answered the demand for more office space, theaters, department stores, and financial centers by pioneering what would become an essential model for city life—the skyscraper. Blending Art Nouveau complexity with geometric elegance, Sullivan's tall buildings included Chicago's Auditorium Building, the largest building in the world when it was completed in 1889. Sullivan's design was heralded as the Wonder of the Age—a title equally fitting for the architect himself.Louis Sullivan's designs stand today as leading exemplars of Chicago School architecture. Even Frank Lloyd Wright, a former assistant to Sullivan, would later refer to him as his "lieber Meister," or "beloved master." Sullivan brought to his practice a conviction that ornamentation should arise naturally from a building's overall design, restating, in a large or small way, themes expressed in the structure as a whole. Having spent much of his career in a late Victorian world that bristled with busy, fussy ornament for ornament's sake, Sullivan refuted the fashionable style with the now famous dictum "Form follows function." This break from tradition is perhaps most evident in Sullivan's strides to reimagine the commercial space—from America's earliest skyscrapers to the small-town banks that populated the architect's commissions in the second half of his career.In Louis Sullivan: Creating a New American Architecture, nearly two hundred photographs with descriptive captions document Sullivan's genius for modern design. Patrick Cannon introduces each chapter with key biographical information and discusses the influences that shaped Sullivan's illustrious career. Rare historical photographs chronicle those buildings that, sadly, have since been destroyed, while James Caulfield's contemporary photography captures Sullivan's existing Chicago buildings and many other structures in eastern and midwestern cities that are of equal importance in the architect's oeuvre. Includes selected bibliography and index of buildings.

David Michon
Die Gestalten Verlag

The city is an always changing human experiment. But in the last half century, it has changed more than ever before - with little sign of slowing down. As this phenomenon takes place, an increasing number of architects, innovators and policy-makers are rethinking the city to make the most of space and resources. This book chronicles the design of urban futures. From apps designed to curb food waste to inventive fresh water infrastructure, The Ideal City explores the many initiatives and experiments, all with the shared goal of making the cities of tomorrow a happier, healthier and more inclusive place to be.

Henry Plummer
Giulio Einaudi Editore

L'architettura non è semplicemente qualcosa che guardiamo da lontano o di cui ci serviamo per necessità pratiche, ma il catalizzatore della nostra autentica esistenza di esseri viventi che agiscono in armonia con il mondo. Dalle scale scavate a mano nei villaggi greci alle passerelle lasciate libere di fluttuare, dalla funzione dei paraventi giapponesi al senso di libertà che caratterizza le piazze italiane, dalla magistrale manipolazione delle forme di Frank Lloyd Wright alle mutazioni poetiche di Carlo Scarpa, ogni volta abbiamo a che fare con esperienze molto diverse, di passaggio da un livello a quello successivo, ognuna delle quali influenza la nostra esperienza dello spazio. Integrando sapientemente testo e immagine, ogni capitolo si concentra su un aspetto diverso delle nostre interazioni quotidiane con l'architettura, prendendo in considerazione scale, pavimenti, percorsi, spazi interni, percezione e prospettiva, e il rapporto tra un edificio e l'ambiente che lo circonda. Un volume che in un originale confronto con poeti, filosofi e psicoanalisti ripensa le basi e la storia dell'architettura, rivolgendosi non solo agli specialisti impegnati nell'ideazione di nuovi spazi, ma soprattutto a quanti cercano di comprendere meglio il loro posto nel mondo per come è stato e viene costruito dagli uomini.