Lucio Fontana (2 Volumi in cofanetto) - Catalogo ragionato di sculture, dipinti, ambientazioni

Gimmi Stefanini, Roberto Crippa Jr.
Edizioni Galleria Pace

Pino Pascali
Galleria L'Attico

Michelangelo Pistoletto, Antonia Mulas
Galleria dell'Ariete

Pompeo Borra
G. Milani sas - Antonio Fenu spa editori

Franco Passoni
Industria pubblicazioni audiovisivi

Luciano Pelizzari
Edizioni Graphis Arte

Francesco Boni, Giovanni Granzotto, Dino Maragon
Giorgio Corbelli editore

Brian Sholis
Sterling and Francine Clark Art Institute

A survey of a unique archive of ephemera from one of the art world's splashiest events

Since 2007, the library of the Clark Art Institute in Williamstown, Massachusetts, has built an unparalleled archival collection related to the Venice Biennale--a global celebration of contemporary art, complete with national pavilions and thematic exhibitions in grand villas. In Art's Biggest Stage: Collecting the Venice Biennale, 2007-2019, readers can experience these art extravaganzas through related ephemera from the Clark's holdings: artist editions, books, posters, publicity materials, and miscellany (as diverse as pop-up books, tote bags, and wallpaper), much of it illustrated with new photography. By publishing this fascinating and ever-growing trove of memorabilia for the first time, Art's Biggest Stage will serve as an on-going companion to the Biennale and a resource on the Clark's collection. In addition, it uses the objects at the Clark as a lens to explore the same questions of nationhood, identity, and spectacle that are central to the experience of the Biennale itself.

Distributed for the Clark Art Institute

Exhibition Schedule:

Mario Schifano
Edizioni Telemarket Communication

Salvatore Quasimodo
Edizioni Galleria Santa Croce

Laura Smith
Whitechapel Gallery

Drawing on the avant-garde movements of both Expressionism and Surrealism, the women of Abstract Expressionism redefined artistic practice as an immersive arena for action, process and consciousness. Their paintings were regarded not as images but as events. Although the movement officially began in mid-century USA, it quickly - through myriad means - spread around the world and became a catalyst for redefining ideas around aesthetics, poetry, philosophy and politics.

This new publication, accompanying a major European touring exhibition, will include works by 40 artists from across the globe, from well-known practitioners such as Carmen Herrera, Etel Adnan, Sandra Blow and Helen Frankenthaler, to lesser-known names from countries such as Australia, China, Iceland, Japan, Mexico, Mozambique, Romania and Venezuela: women who took up the ideas and methodologies of the movement but endowed them with specific cultural and subjective dimensions.

The catalaogue will include essays by Christian Levett, Joan Marter, Agustin Perez Rubio and Elizabeth Smith, as well as full colour illustrations of all the works.

A cura di Francesco Boni, Gigi Montini
Giorgio Corbelli editore