Group of 10 Glasses Various Colours Italy XIX-XX Century - Europe, XIX-XX Century

Antique Ethnic Table

Table made by the artist Rino Galbiati, in carved wood of ethnic taste, two pillars enclosed in two carved mermaids connected by a crosspiece support the table top, decorated with different Greek frets and on the top, the leg panels are carved with motifs related to the fountain of life with peacocks and flowers. the bas-relief carving is painted in green.

Italy, Late XIX Century

A pair of similar six-light chandeliers. Burnished iron frame decorated with curls and scrolls, clear glass bobeches, necklaces, flowers, and pendants, and blue glass drops. Italy, late 19th century.

France, XX Century

Bronze sculpture on a wooden base depicting whispering children. The base bears the artist's incised signature. Posthumous copy.

Italy, XIX Century

Louis Philippe console table. White marble top resting on a molded structure supported by a pierced front panel, carved with scrolls, curls, and a central coat of arms. Molded base, carved bracket feet. Italy, second quarter of the 19th century.

France, First Half XIX Century

Neoclassical-style table clock in gilded and chiseled bronze. A pair of turned columns support the enameled metal dial with Roman numerals. Finely chiseled frame with leaf and pine cone decoration. Solar pendulum. Wooden base.

Europe, Late XIX Century

Blue porcelain oil lamp with pure gold decorations and gilded bronze elements. The lamp base is shaped like a cup with leafy scroll handles, while the base is elegantly decorated with a romantic scene and a stringed musical instrument with score. The boiler is marked Kosmos Brenner. The lampshade is made of clear and frosted glass.

19th Century / 1801 - 1900

Pair of small candelabras in turned, carved, and gilded wood. Italy, late 19th century.

Italy, Early XX Century

Pair of majolica plates decorated with mythological scenes.

Tuscany, Mid XIX Century

Empire mahogany bedside table. Projecting drawer under the top supported by turned and ebonized half-columns, central door, turned and ebonized legs with gilded detailing. White marble top, fir and poplar interior. Tuscany, mid-19th century.

Crayons on paper mounted on canvas. Portrait in walking dress, with her cloak draped over her shoulders, of Queen Marie Antoinette of Habsburg-Lorraine (1755-1793), the last queen of France before the French Revolution, known for her lavish lifestyle and tragic fate. The work is presented in an early 20th-century gilded frame, which shows several signs of damage and missing stucco (very brittle).

Portrait of a Boy

Crayons on cardboard. Signed upper right. Piero Galanti, an artist from Brescia, primarily painted landscapes, still lifes, and portraits. In his portraiture, Galanti favored depicting his subjects in solemn poses, in keeping with the tradition of official portraiture, taking pleasure in the preciousness of silks and velvets. Contemporary frame.

The Shepherdess

Oil on canvas. A beautiful figure of a young girl in traditional pastoral costume, elegant in her gold-fringed vest, her hat with a peacock feather, her earrings, her water bottle on her belt, and her hooked staff held firmly in her hands: it seems more like a portrait in folk costume than a real figure of the people. Pesenti became famous for his views of interiors, often of churches, but also for genre scenes with popular figures. The painting has been restored in the past. It is presented in a period frame.