Antique Prayer Desk Baroque Cherrywood Italy XVII Century - Central Italy, XVII Century
Features
Central Italy, XVII Century
Style: Baroque (1630-1730)
Age: 17th Century / 1601 - 1700
Origin: Italy
Main essence: Chestnut , Cherry
Description
Baroque cherrywood prayer desk with chestnut interior. The upper shelf is supported by a pair of pierced and molded legs and apron, resting on a base with a drop-down top concealing an open compartment. Bracketed legs. Central Italy, 17th century.
Product Condition:
This item requires restoration and polishing due to age and wear. We strive to present the actual condition of the piece as accurately as possible with the photos. If any details are unclear from the photos, the description will prevail.
Dimensions (cm):
Height: 84
Width: 56
Depth: 41
Additional Information
Style: Baroque (1630-1730)
Read more
The term derives from the Spanish barrueco phoneme or Portuguese barroco and literally means "shapeless pearl".
Already around the middle of the eighteenth century in France it was synonymous with uneven, irregular, bizarre, while in Italy the term was of Medieval memory and indicated a figure of the syllogism, an abstraction of thought.
This historical period was identified with the derogatory term baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.
Baroque, seventeenth-century and seventeenth-century were synonymous with bad taste.
As regards furniture, freedom of ideation, need for pomp and virtuosity gave rise to a synergy destined to produce unsurpassed masterpieces.
The materials used were worthy of competing with the most astonishing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more dressed the furnishings that in shape and imagination virtually gave life to the Arabian Nights of many of our powerful people.
Typical of the period were load-bearing or accessory parts resolved with twisted column motifs, clearly inspired by Bernini's canopy of St. Peter's, parts with rich sculptural carving in high relief and even in the round within a vortex of volutes, scrolls and spirals, curved and broken profiles, cymatiums agitated by gables of articulated shape, aprons adorned with ornaments, corbels, buttresses and so on. necessary to enliven shapes and structures.
The Baroque is also the century of illusionism: lacquers and thin temperas crowd furniture and furnishings to imitate with the marbling effects of marble veining or games of veining of precious briar roots.
Find out more about the Baroque with our insights:
Classic Monday: a double-body sideboard, late Venetian Baroque
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Age: 17th Century / 1601 - 1700
17th Century / 1601 - 1700Main essence:
Chestnut
It is a hard, yellow-white wood, mostly used for rustic furniture. Since the Middle Ages it has been used in Europe, mainly in Spain, France and Italy. Particularly resistant, it was sometimes used to manufacture the supporting structures of fine furniture. It tends to darken over time and has good resistance to woodworms.Cherry
Obtained from prunus cerasus , a plant of oriental origin, it is a hard wood with a light and delicate color, with a reddish vein. Due to its diffusion and availability it was used in Europe in popular furniture. In cabinet making, in the seventeenth century, it was widely used in France and England for inlay work. In Italy it was very successful in Lucca. It was also very popular in the United States for the manufacture, from the late 1600s, of commonly used furniture.The dictionary of antiques: Eclecticism
Classic Monday: a sofa from the 1800s example of eclecticism
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Product availability
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Immediate availability
Ready for delivery within 2 working days from ordering the product.












