Vintage Wall Lamp White Ceramic Design Italy 1950s

Italy, 1950s-1960s

Copper and enamel plate by Studio Del Campo, Turin, depicting fantastical characters and animals. The back bears the manufacturer's incised mark.

Polychrome colored glazed terracotta vase with stylized figures in relief. Signature of the author under the base.

Italy 1950s

Cachepot vase in earthenware glazed in shades of blue and worked with a square pattern. Under the Richard Ginori San Cristoforo trademark.

Italy, 1950s-1960s

Set of six ceramic plates with a sailing ship decoration on the hollow and a polylobed rim. Solimene Artistic Ceramics Factory, CAS, Vietri. Manufacturer's mark on the back.

Italy, 1950s

Professional laboratory optical microscope with accessories and transformer. Original case with sliding and removable shelf. Officine Galileo metal plaques.

Italy, 1950s

Cast earthenware vase. Manufacturer's mark under the base.

Italy, 1958

"Ponza" model ashtray by Bruno Munari for Danese Milano. Ponza is a floor ashtray. Consisting of a sheet of aluminum folded and inserted into the square section metal tube, it can in turn be removed to be emptied. Maker's mark under the base.

Oil on canvas. Lombard-Venetian School, late 17th-early 18th century. A farmer is depicted in the foreground, half-length, carrying a hoe on his shoulder. The figure is characterized by meticulous detail, from the wrinkles on the face to the dirt on the hands, from the tattered clothes to the roughness of the hoe. The painting's style recalls the work of Pietro Bellotti, who introduced figures of a similar nature into his portraiture. The painting has been restored and relined in the past. Framed in period style.

Italy, XIX-XX Century

Portoro marble desk set consisting of a base, two metal ink holders with porcelain vials and a pad.

Oil on canvas. 19th-century French school. Portrait of a young woman, likely in mourning, given her black dress and serious, melancholic expression. The dark colors of her dress and hair blend into the background, from which her face, neck, and white lace shawl collar emerge, illuminating the portrait. The canvas has slight paint loss. It is presented in an early 20th-century frame.

Europe, XX Century

Bronze sculpture depicting a rearing horse. The artist's signature is unreadable on the base.