Vintage Glasses Set Chambord Saint Louis France 1970s - France, 1970s

Sweden, 1957

Clear glass "Apple"vase Ingeborg Lundin for Orrefors. Pointed signature of the designer and manufacturer under the base.

Female Portrait

Oil on canvas. Signed on the right, halfway up the canvas. It is the portrait of a woman in mourning, a young widow, as can be deduced not only from her black dress, but rather from her headdress and especially from the cameo with a male portrait, which she wears hanging from her neck. Achille Zo was a French artist (from Bayonne, a town in the Pyrenees that was culturally influenced by the Basque Country), who despite having repeatedly stayed in Paris and Bordeaux, where he trained artistically, then made several trips to Spain, both to Madrid (in 1856) and to Andalusia (1860), producing for several years works with historical subjects or Spanish genre scenes. At the end of the 1860s, he turned instead to Orientalism. There are also several portraits in his production. The painting proposed here, on the first canvas, is presented in a beautiful contemporary frame from the second half of the 19th century.

Italian-made dining table from the 1950s-1960s, featuring an exotic wood frame and a back-treated glass top, adding a touch of elegance and visual lightness. The restoration, carried out in our workshops, preserved the original integrity of the piece, ensuring all finishes and details are in perfect condition. The clean lines and understated design make this table highly versatile, suitable for a variety of living spaces.

Italy, Mid XVIII Century

A mid-18th century Baroque drop-leaf chest of drawers. Made of fir and poplar and clad in walnut with large burl veneer inserts. Curved at the front and supported by curved feet, it features two drawers and a drop-leaf door containing a cabinet with four smaller drawers and an open compartment concealing a secret. The back has been replaced, but the locks are original.

Italy, XX Century

Bronze sculpture depicting "The Painter" by Vincenzo Gemito, Chiurazzi Foundry, Naples. Manufacturer's mark engraved on the base.

Oil on canvas from the late 19th century depicting a naval battle scene, with a Renaissance-style oared galleon at its center. The work, clearly historically inspired, features an allegorical female figure in the upper right corner, surrounded by cherubs, waving a tricolor flag (red, white, and presumably green) and holding a commander's baton surmounted by an eagle (symbol of imperial power). These iconographic elements recall the symbolism common in celebratory depictions of naval battles, where the female figure appears in the heavens as an emblem of victory and glory. She is gliding toward the armored soldier lying wounded on a rock in the lower left, gazing toward the celestial figure who is coming to recognize her patriotic value. The use of color and light emphasize the dramatic atmosphere. The arrangement of the elements with poorly defined outlines despite the richness of the details, harks back to the production of the late nineteenth century. The canvas has widespread loss of paint and requires restoration. It is presented in a period frame.

Italy, XX Century

A black marble top inlaid with semiprecious stones, featuring an elaborate central polychrome floral and leaf motif. The precision-crafted inlay continues along the frame, creating a harmonious and seamless effect. The double border enclosing the design adds a further element of elegance and definition to the piece. Made in Italy in the second half of the 20th century, this top is an example of high-quality craftsmanship, ideal for enhancing a space with a touch of refined artistic decoration.