Lombardo-Veneto

Sculpture in linden wood, painted in polychrome and depicting Saint Paschal Baylon (1540-1592) in adoration of the Eucharist, which he holds in his left hand in a monstrance now without the sunburst case. Recognizable, as well as for the typical attitude of his iconography, also for the Franciscan habit and beardless face. The proclamation to Blessed in 1618 constitutes a post quem term for the realization of the sculpture, confirmation also given by the stylistic code of the carving, in particular by the thick locks of hair, the fleshy mouth and the heavy eyelids, characteristics of the sculpture of the first half of the Six hundred.

Italy, first quarter of the nineteenth century

Empire psyche in walnut, Italy, first quarter of the 19th century. Tilting mercury mirror framed by semi-columns with gilded and chiseled bronze applications. Equipped with 1 drawer. Walnut interior.

19th Century marble sculpture representing a roman matron; the figure stands on the left leg and is wearing a long robe that leaves her breast free; the left arm is hidden by the cloth and is folted while in the opposite hand she is holding a corrispondence. Her face is austere with a pointed chin; her hair har divided by a central parting and collected in a bun behind her head.

Italy, Late XIX Century

Pair of Neoclassical-style lacquered wood armchairs. Floral carvings and gilded moldings, turned and carved legs, padded backrest, armrests, and seat. Italy, late 19th century.

Italy, Mid XIX Century

Mahogany biscuit-shaped table. Turned and carved central leg rests on four curved feet culminating in casters. Italy, mid-19th century.

England, Late XIX Century

Mahogany mirror with maple trim and inlays. The central oval mirror is beveled, as are the four trapezoidal mirrors on the four sides. Engalnd, XIX Century

Italy Early 18th Century

Mirror in molded and gilded wood. Dimensions have been modified, the gilding has been completely restored. Italy, early 18th century.

Italy, Late XIX Century

Neoclassical-style lacquered vase stand. Floral carvings, gilded festoons and plume, and feral feet. Italy, late 19th century.

Italy, Early XX Century

Neo-Baroque style wardrobe, lacquered and gilded. Front with a pair of paneled doors, matching the sides, carved and gilded top and base moldings, and feral feet. Adjustable internal shelves with a rack. Italy, early 20th century.

Bookcase

Double-body bookcase Italy style. Cabinet with open top, made of walnut with antique woods; doors with carved panels and elaborate frame.

Italy, XIX Century

Lacquered wood mirror, carved scrollwork pediment with a central shell. Italy, XIX century.

Italy, Early XX Century

Pair of walnut-stained beech poufs, burgundy leather upholstered seat, turned legs. Italy, early 20th century.

Italy, XIX Century

Semicircular walnut etagere, composed of four elements stacked in staggered order, supported by turned columns. The two central elements have semicircular balustrades, while the upper shelf has a triangular balustrade. Turned legs. Italy, 19th century.

Italy

A richly decorated plaster vase with high reliefs of vines, supported by four curly feet. Italy, 19th century.

Italy, Late XIX Century

Ceramic table lamp painted with floral motifs. Four lights supported by curved arms in gilded bronze. Glass bobeches, pendants, and necklaces. Four E14 bulbs.

Italy, XIX Century

Plaster sculpture of a seated lion. Italy, 19th century.

Italy, Mid XX Century

Bust of a Roman emperor in white marble and alabaster, Italy, mid-20th century. Alabaster gown. Base in black marble.