In evidence
tipologia specifica
- altri mobili [20]
- angoliere [7]
- applique [5]
- armadi [4]
- arredi completi [3]
- arredi giardino [7]
- bauli [5]
- boiserie corami da tappezzeria [1]
- bronzi [11]
- camini [1]
- candelieri [4]
- cassapanche [6]
- cassettoni e comò [41]
- ceramiche [14]
- colonne [4]
- comodini [5]
- completi [1]
- consolle [25]
- copriletti [1]
- credenze [15]
- divani [15]
- ferri antichi [1]
- inginocchiatoi [1]
- lampada a soffitto [6]
- lampada da tavolo [3]
- lampada da terra [3]
- lenzuola [10]
- letti e testate [7]
- librerie [9]
- miniature [1]
- oggetti [30]
- oggetti arte [1]
- oggettistica [16]
- orologi [32]
- orologio a pendola [1]
- piatti [22]
- pietre antiche [8]
- poltrona [19]
- ribalte [16]
- scatole [3]
- scrittoi [5]
- scrivanie [7]
- sculture [32]
- secretaire [1]
- sedie [38]
- servizi da tavola [3]
- specchi e cornici [35]
- statue [12]
- strumenti musicali [1]
- strumenti scientifici [4]
- tappeti [78]
- tavoli [20]
- tavolini [20]
- tazze [7]
- vasi [53]
- vassoi [1]
- vetrine [4]
Price
Time
Dimensions
ApplyProduction country
- Afghanistan [1]
- Alto Lago di Garda, Italia [1]
- Alto Veneto, Italia [1]
- Austria [1]
- Bergamo, Lombardia, Italia [1]
- Brescia, Italia [6]
- Brescia, Lombardia, Italia [1]
- Capodimonte, Campania, Italia [1]
- Capodimonte, Italia [1]
- Caucaso [3]
- Cecoslovacchia [1]
- Centro Italia, Italia [9]
- Cina [38]
- Cremona, Italia [3]
- Cremona, Lombardia, Italia [2]
- Emilia Romagna, Italia [5]
- Est Europa [1]
- Europa [3]
- Ferrara, Italia [1]
- Firenze, Toscana, Italia [2]
- Francia [47]
- Genova, Italia [1]
- Genova, Liguria, Italia [2]
- Germania [7]
- Giappone [13]
- Hirado, Giappone [1]
- India [6]
- Inghilterra [17]
- Iran [32]
- Italia [284]
- Liguria, Italia [6]
- Lombardia, Italia [15]
- Londra, Inghilterra [1]
- Lucca, Italia [1]
- Mantova, Italia [2]
- Marocco [3]
- Marsiglia, Francia [1]
- Meissen, Germania [1]
- Milano, Italia [9]
- Milano, Lombardia, Italia [1]
- Murano, Italia [1]
- Napoli, Campania, Italia [1]
- Napoli, Italia [5]
- New York, U.S.A. [1]
- Nord Europa [5]
- Nord Italia, Italia [4]
- Nove, Italia [1]
- Olanda [4]
- Orvieto, Umbria, Italia [1]
- Padova, Italia [1]
- Padova, Veneto, Italia [1]
- Pakistan [7]
- Parigi, Francia [3]
- Persia [8]
- Piemonte, Italia [4]
- Provenza, Francia [1]
- Rolo, Italia [3]
- Roma, Italia [1]
- Romania [1]
- Russia [1]
- Savona, Italia [4]
- Sicilia, Italia [4]
- Siena, Italia [1]
- Stato Pontificio [1]
- Sud Italia, Italia [1]
- Sèvres, Francia [4]
- Tirolo, Italia [2]
- Torino, Italia [2]
- Torino, Piemonte, Italia [1]
- Toscana, Italia [15]
- Trapani, Sicilia, Italia [1]
- Turchia [9]
- Turkmenistan [1]
- Veneto, Italia [9]
- Vicenza, Veneto, Italia [1]
- Vienna, Austria [4]
Main essence
Style
- Altro [2]
- Barocchetto (1720-1770) [9]
- Baroque (1630-1750) [13]
- Biedermeier [1]
- Carlo X (1824-1830) [4]
- Direttorio (1790-1804) [6]
- Eclettismo (1870-1890) [1]
- [1]
- Impero (1804-1815) [20]
- In stile Barocchetto [2]
- In stile Barocco [4]
- In stile Boulle [1]
- In stile Eclettico [1]
- In stile Neoclassico [2]
- In the style of the Renaissance [1]
- Art nouveau (1890-1920) [1]
- Louis-Philippe (1830-1848) [8]
- Luigi XIV (1650-1720) [2]
- Luigi XV (1720-1770) [1]
- Louis XVI (1765-1790) [2]
- Napoleone III (1848-1870) [10]
- Neoclassical (1765-1790) [45]
- The neo-gothic [1]
- Neorinascimento (1820-1890) [4]
- Queen Anne (1702-1714) [1]
- Regency (1811-1830) [2]
- Restaurazione (1815-1830) [16]
- Rinascimento (1460-1630) [3]
- Late nineteenth-century (1870-1900) [1]
- Victorian (1830-1890) [1]
Ceramist
occasions
The passion and the pleasure to observe small details of furniture, seemingly insignificant, but able to slowly reappear in front of us the story of that object, usually have in common the restorers and appeals.
It's a fascinating research why more steeped in doubt and mysteries: it has continually the feeling of having read a particular path in most of the object in question, but without never come to know him completely.
Then leaves often room for fantasy: who commissioned the work? Where was placed? It contained objects? Because it changed of owner? What techniques were used in its construction? It's changed over the years?
These are the questions that accompanies the amazement every time we approach a new piece of furniture or objects of antiquity that arrives at our markets.
These questions give rise to a comparison, a search and a collaboration between us and with experts in the field to be able to offer our customers not only the object itself but that little bit extra that only those who practice a job with passion.
While it is true that "he who works with his hands is a laborer, who works with his hands and his head is a craftsman who works with his hands, head and heart is an artist" us, with good reason, we can consider ourselves artists of antiques!
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