Male Portrait by Luigi Brignoli Oil Painting 1924

Portrait man,1924

Oil painting on canvas. Signature and date (924) in the lower right corner. Pleasant and refined portrait of rich men: his ring bearing - probably - a crest stands out as well as the antique furniture behind him. The artist is Luigi Brignoli, painter from Bergamo who studied at Carrara Academy with Tallone at first and at Brera Academy then. He was appreciated for his landscapes of Lombard tradition and was an esteemed portraitist. On the back, label belonging to Galleria Pesaro in Milan. The painting is presented in beautiful coeval gilded frame. 1924.

Female Portrait by Luigi Brignoli Oil Painting 1924

Portrait of a female, 1924

Oil painting on canvas. Signature and date (924) in the lower right corner. Pleasant and refined portrait of rich woman wrapped in her fur coat. The hand on her lap is holding a magnifying glass. The artist is Luigi Brignoli, painter from Bergamo who studied at Carrara Academy with Tallone at first and at Brera Academy then. He was appreciated for his landscapes of Lombard tradition and was an esteemed portraitist. On the back, label belonging to Galleria Pesaro in Milan. The painting is presented in beautiful coeval gilded frame. 1924.

Portrait of Old Woman by Luigi Brignoli Oil Painting 1932

The portrait of a lady, 1932

Oil painting on canvas. Signature and date in the lower right corner. Double date in Roman number X of the Fascist period and Arabian numbers 1932. Pleasant and refined portrait depicting an old woman: she is smiling and sitting on a beach chair on a terrace overlooking a fluvial landscape. The artist is Luigi Brignoli, painter from Bergamo who studied at Carrara Academy with Tallone at first and at Brera Academy then. He was appreciated for his landscapes of Lombard tradition and was an esteemed portraitist. On the back, label belonging to Galleria Pesaro in Milan. The painting is presented in beautiful coeval gilded frame. 1932.

Landscape with Figures Oil Painting on Canvas 17th Century

Oil on canvas. The landscape is crossed by a river flowing through the woods at the base of a mountain. There are some figures of fishers on the foreground to the left; they are fishing with a small net from the wooden gangway above the river. To the right, in the background a shepherd is watching over the sheep. The works, already restored and relined, shows some color losses especially along the edges. Presented in antique amended frame with some defects. 17th century.

Graphic Project by Kim Hamisky Contemporary Art 1993

Project for sculpture,1993

Project for a sculpture which includes the drawing of the project, signed and dated in the lower part, and the picture of the final work. The work belongs to the series of 'Nodi' realized both as sculptures and drawings. This sculpture was firstly made of bronze in 1987 and exhibited at Ministry of Economy and Finances in Paris. The project here presented was made in 1993 and proposes the same work, but made of forged and lacquered steel and it is exhibited in Monaco. A third 'Grand noeud' made of bronze is exhibited in Kansan City. Contemporary art.

Still Life with Flowers and Parrot Oil Painting Early 1700s

Oil painting on canvas. The painting - for its stylistic affinities - recalls the works of the anonymous painter of still life known for the monogram A.V. (active in Emilia Romagna in the first half of the 18th century). His compositions were characterized by a recurrent vase of flowers depicted outdoor and mostly associated with fruit or domestic animals, sometimes exotic ones. The painting has small diffuse color losses. In antique frame. Early 18th century.

Still Life with Flowers, Guinea Hen and Asparagus Early 1700s

Oil painting on canvas. On the back of the canvas there are some monograms: B.M. and A.C. The painting - for its stylistic affinities - recalls the works of the anonymous painter of still life known for the monogram A.V. (active in Emilia Romagna in the first half of the 18th century). His compositions were characterized by a recurrent vase of flowers depicted outdoor and mostly associated with fruit or domestic animals, sometimes exotic ones. The painting has small diffuse color losses. In antique frame. Early 18th century.

Glimpse by Riccardo Viriglio Milan The Canal in Via S. Damiano 1929

Milan, The Naviglio in via S. Damiano, 1929

Oil on plywood. Signed in the lower left corner. On the back further signature and title. In frame. 1929.

Sanguine Attributed to Carlo Maratti Young Couple 17th Century

Young couple

Sanguine on paper. On the lower part of the back frame there is a label of the late 1800s and early 1900s with attribution. Presented in coeval gilded frame. 17th century.

Portrait of Dame Painting on Cardboard 19th Century

Mixed technique on cardboard. Small hole on the cardboard to the left in correspondence of the background landscape. Presented in beautiful coeval gilded frame lacquered in red and gold decorated with garland, tragically damaged. 19th century.

Glimpse of Milan Porta Garibaldi Oil on Plywood 1929

Milan, Porta Garibaldi, 1929

Oil on plywood. Signed on the lower left corner. Title and further signature of the artist written in pencil on the back. In frame. 1929.

Wooden Sculpture of Young Man Northern Europe 17th Century

Wooden sculpture depicting a young man. Probably the statue was lacquered in polychromy. Manufactured in Northern Europe, 17th century.

Pair of Still Lives with Flowers Oil Paintings 18th Century

Oil painting on canvas. Two beautiful compositions of different kinds of flowers. The flowers are scattered creating color contrasts within a barely visible basket. The flowers - with their bright colors, even if the outlines are nuanced - recall some elements of Veneto Region and Lombardy. Coeval frames. Some colors losses. 18th century.

St. Peter the Martyr Oil Painting 16th Century

Oil painting on canvas. St. Peter Martyr or Saint Peter of Verona joined the Order of the Friars Preachers (Dominicans). He lived in the 13th century and devoted himself to the fight against heresies. He was killed by some assassins in the forest of Seveso while he was walking from Como to Milan, cities where he served as Inquisitor. He is traditionally depicted - as in this painting - with the Dominican habit, a book in one hand and the palm of martyrdom in the other and an axe stabbed in his head. Two Angels are crowning him Martyr. The painting is presented in frame of the 18th century.

Abstract Composition by Phelipe Traco Contemporary Art 2016

Oil painting on canvas. Signature (Phelipe) and date 2016 on the back. The young artist Phelipe Traco was born in Trieste and studied in Milan, Valencia and Naples, where he currently lives and where he has aroused interest and enthusiasm for the redevelopment of San Domenico Maggiore Gateway. He has already attended many exhibitions in Italy and abroad. He is a painter, but also street artist and musician and he considers his artistic goal to make art free to everyone. Contemporary art.

Graphics by Gianni Colombo Contemporary Art 1970

Indian ink on silver paper. Signature in the lower right corner. The work is sold with authentication on picture issued by the Artistic Commission of Gianni Colombo's Archive (Authentication N. 1333), which places the work within the series of graphics "Without title" made by the artist approximately in 1970. Gianni Colombo was born in Milan and studied at Brera Academy. Since he was young, he used different materials and languages from pottery to graphics, from photography to cinema. In 1959 he was one of the Group T founders, whose mass and personal demonstrations had a common program and aimed at saving the main historical avant-gardes' themes - especially futurist, dadaist and constructivist's ones - in order to revise them on the basis of more recent experiments and artistic research. Since the 60s, he experimented himself with the first kinetic works with new perceptive structures through game of lights using Plexiglas, light projections on mirrors, virtual shapes and movements, structures and habitable settings. Presented in frame.

The Ford Oil Painting on Canvas 19th Century

Oil painting on canvas. Beautiful subject, exotic setting, it probably refers to a literary episode from a 19th century novel. Restored, it is presented in a carved and gilded contemporary wooden frame with leafs and palms. On the back, an origin label by 'Antinori'.

Madonna with Child and St. Anthony from Padua 19th Century

Oil painting on canvas. Large painting depicting Virgin Mary with Child surrounded by Angels and worshiped by St. Anthony from Padua who is holding a lily, symbol of purity and the fight against evil. Remarkable is the difference between the figure of the Saint, well-defined in lines and with more intense colors compared to the other figures which are more nuanced and delicate, almost ethereal. The painting is restored and relined and in good condition. 19th century.

Drawing by Alberto Magnelli Greeting Card 1967

Greeting card, 1967

Marker on paper. It depicts some colored lines with a greeting card for year 1967 in the middle. Signed 'dai Magnelli' (from Magnelli). It was previously won by Della Rocca Auction House. Presented in frame.

Drawing by Gino Marotta No Title Ballpoint Pen on Paper

Without title

Ballpoint pen on paper. Signed in the lower right corner. Gino Marotta was born in Rome and was an innovator both of his idea of art and the search for exclusive materials. He took cue from the laboratories of chemical industries and wanted to experiment with new materials such as polyurethane and polyester at first and methacrylate then, using them as basis for sculptures made through industrial processes. Presented in frame. Contemporary art.