Henry Berchmans

Still life with flowers, 1878

Oil on canvas. Signed and dated in the lower right. In the composition appears a pottery vase painted with little roses in pink and white; next to this on the table, a book and a pair of long gloves for women. It is presented in the frame of the end '800.

Landscape with figures

Oil on canvas. Set in a hilly countryside of central Italy, in front of the ruins of a building, the painting is vibrant and bright, it centers on the three figures of a family, in a break in the journey while you refresh with the fruits in the basket brought by the woman. Restored and ritelato. It is presented in a frame style.

Still life with flowers

Oil on canvas. The French school. The composition of dahlias in antique vase, with fruit plate, paper and ink on the table. Patch to the back. Presented in contemporary frame.

Portrait of Old woman

Oil on canvas. The lombard school. Restored and ritelato in the past. The face of the old woman, strict and austere, is inserted in the middle of a floral composition, very visible. The painting shows some loss of colour. And' in the golden frame of old.

Vincenzo Loria

Still life with fruit

Oil on plywood. Signed in the bottom left of the page. In the composition differ in terms of both the fresh fruit and dried fruit, walnuts and dates, and in the top right of a branch of chestnut tree with its fruits. A native of Salerno, Loria studied in Naples, where he was distinguished for his mastery in the use of watercolour. In Naples, he settled after shot in long Europe, dedicating to the city and its surroundings in goal a wide production; in particular, became a much-sought-after landscapes depicting views of pompeii and reproducing the wall paintings extant in the ashes, rediscovered during archaeological excavations (Loria illustrated in the opera “The houses and monuments of Pompeii”, published in Naples in 1887), as well as the works, depicting exotic scenes of the flavor oriental or in eighteenth century costume. In 1929, She moved to La Spezia, the city where he lived the last ten years, until his death: in the gulf of the Poets, the artist of salerno, he found the inspiration, after a period of inactivity. The work presented in the frame style.

Vincenzo Loria

Marina with boat of fisherman

Watercolor on paper. Signed and located in Naples in the bottom right. A native of Salerno, Loria studied in Naples, where he was distinguished for his mastery in the use of watercolour. In Naples, he settled after shot in long Europe, dedicating to the city and its surroundings in goal a wide production; in particular, became a much-sought-after landscapes depicting views of pompeii and reproducing the wall paintings extant in the ashes, rediscovered during archaeological excavations (Loria illustrated in the opera “The houses and monuments of Pompeii”, published in Naples in 1887), as well as the works, depicting exotic scenes of the flavor oriental or in eighteenth century costume. In 1929, She moved to La Spezia, the city where he lived the last ten years, until his death: in the gulf of the Poets, the artist of salerno, he found the inspiration, after a period of inactivity. The work presented in the frame with the tank.

Male Portrait, Oil on Canvas, French School 19th Century

Oil on canvas. Dated 7bre 89 on the lower left corner ( September 1889). Good quality portrait af an old man wrappend in his overcoat bordered with fur and wearing an hat with wide brim; the dark outfit is oppesed to the wide and thick white beard thet underlines the intense gaze. Displayed in coeval frame.

Edoardo Dalbono

Marina with fishing

Oil on tablet. On the back there is a label of provenance from the famous "Galleria Pesaro", and the timbre of the participation of a postumous exhibition dedicated to the artist. Neapolitan painter, but also a museologist and professor of visual arts, Dalbono was formed in the context of the movement of verismo in neapolitan that made reference to the School of Resin. Loved the landscape, which portrayed from real life, preferring the hours of the dawn with its play of light; but also produced many of the genre scenes, subject-bourgeois, who have always background Naples, its scenery and its landscapes, told with soft atmospheres, steeped in poetry. The picture proposed is presented in the frame style.

Landscape with Shepherds and Herds, Oil on Canvas, 1842

Oil on canvas. North-European School. Not identifiable signature and date 1842 on the lower left corner. WIde romantic landscape: on the left, in the frontground , shepherds are resting at the wood's edge with their grazing animals; on the right the landscape opens up surmounted by a stormy sky, dark and gloomy, even if in the background a sunbeam creates plays of lights. The restored painting is displayed in a gilded frame.

Francesco Paolo Michetti, Oil on Canvas, 19th century

City Glimps with Figures

Oil on canvas. Signed on the lower left corner. The glimps of the village is seen from an external street where some popular figures are walking on the bridge; we can deduce that the place is close to the coast thanks to the brightness of the white houses and the light blue sjìky. Michetti was born in Abruzzo, studied painting at the Academy of Fine Arts in Naples where he built his realistic and naturalistic style, but the rural Abruzzo with its uncontaminated nature had always his main source of inspiration. The restored painting is displayed in a frame.

Consalvo Carelli, Watercolor on Paper, 19th Century

Glimps of Paestum with herd

Watercolor on paper. Signed and placed in Naples on the lower left corner. Consalvo Carelli belonged to the group of neapolitans painters of Posilipo's school that at the beginning of 19th century was exclusively focused on neapolitans landscapes painting. He painted a big amount of works, some oils, but mostly with watercolors and drawings that mostly represent neapolitan landscapes: phlegrean places, Sorrento and Amalfi coast; after being in Rome from 1837 to 1840 he painted from real life the beauty of the roman lands and scenes of popular life. the Verista Tendency combined with the love for the ancient times inspired by his teachers brought him to the prodution of landscapes an glimpses as the one in question where the solemnity of the temple that stands out in the Paestum plain is accompained with a group of figure, the shepherd with his armings, poor and dedicated to their daily life, anaware of the sacral place. The painting is displayed in a frame.

Vincenzo Loria

View of the promenade of Naples

Watercolor on paper. Signed and located in Naples in the bottom left of the page. A native of Salerno, Loria studied in Naples, where he was distinguished for his mastery in the use of watercolour. In Naples, he settled after shot in long Europe, dedicating to the city and its surroundings in goal a wide production; in particular, became a much-sought-after landscapes depicting views of pompeii and reproducing the wall paintings extant in the ashes, rediscovered during archaeological excavations (Loria illustrated in the opera “The houses and monuments of Pompeii”, published in Naples in 1887), as well as the works, depicting exotic scenes of the flavor oriental or in eighteenth century costume. In 1929, She moved to La Spezia, the city where he lived the last ten years, until his death: in the gulf of the Poets, the artist of salerno, he found the inspiration, after a period of inactivity. The proposed work is presented in the frame.

Vincenzo Loria

View of the gulf of Naples with fishermen

Watercolor on paper. signed and located in Naples in the bottom left of the page. A native of Salerno, Loria studied in Naples, where he was distinguished for his mastery in the use of watercolour. In Naples, he settled after shot in long Europe, dedicating to the city and its surroundings in goal a wide production; in particular, became a much-sought-after landscapes depicting views of pompeii and reproducing the wall paintings extant in the ashes, rediscovered during archaeological excavations (Loria illustrated in the opera “The houses and monuments of Pompeii”, published in Naples in 1887), as well as the works, depicting exotic scenes of the flavor oriental or in eighteenth century costume. In 1929, She moved to La Spezia, the city where he lived the last ten years, until his death: in the gulf of the Poets, the artist of salerno, he found the inspiration, after a period of inactivity. In the frame.

Vincenzo Loria

The face of the fisherman

Watercolor on paper. Signed in the lower right. A native of Salerno, Loria studied in Naples, where he was distinguished for his mastery in the use of watercolour. In Naples, he settled after shot in long Europe, dedicating to the city and its surroundings in goal a wide production; in particular, became a much-sought-after landscapes depicting views of pompeii and reproducing the wall paintings extant in the ashes, rediscovered during archaeological excavations (Loria illustrated in the opera “The houses and monuments of Pompeii”, published in Naples in 1887), as well as the works, depicting exotic scenes of the flavor oriental or in eighteenth century costume. In 1929, She moved to La Spezia, the city where he lived the last ten years, until his death: in the gulf of the Poets, the artist of salerno, he found the inspiration, after a period of inactivity. In the frame.

Vincenzo Loria

Flowers,1930

Watercolor on paper. Signed and dated 1930 lower right. A native of Salerno, Loria studied in Naples, where he was distinguished for his mastery in the use of watercolour. In Naples, he settled after shot in long Europe, dedicating to the city and its surroundings in goal a wide production; in particular, became a much-sought-after landscapes depicting views of pompeii and reproducing the wall paintings extant in the ashes, rediscovered during archaeological excavations (Loria illustrated in the opera “The houses and monuments of Pompeii”, published in Naples in 1887), as well as the works, depicting exotic scenes of the flavor oriental or in eighteenth century costume. In 1929, She moved to La Spezia, the city where he lived the last ten years, until his death: in the gulf of the Poets, the artist of salerno, he found the inspiration, after a period of inactivity. The watercolour proposed belongs to this later period of production. It is presented in a frame.

Rodolfo Morgari, Oil on Canvas, 19th Century

Female Nude

Oil on canvas. Signed on the lower left corner. Rodolfo Morganri, teacher at the Albertina Academy of Turin, his hometown, was widely known as interior decorator ( in 1858 was nominated "decorator and restorer by royal palaces") and restorer, but mostly recognizable as painter of historical and allegorical subjects; there were also several portrais in his prodution. In his late prodution there are also several female nude, related not just to the mythology, that express the sence of the spiritualization of the body through enphasized sensuality and elegance. In the painting in question the young woman is represented sleeping in a sensual,but elegant and relaxed, position on her bed, partially covered with a voile and a refined yellow fabric; the shene recalls an atmosphere of well-being and serenity thanks to the whole composition and to the choice of warm and embracing shades. Ther is an identical version of this painting with the addition of a fan and flowers in he left hand that had been auctioned at the Della Rocca in Turin in 2003 with the title "Sleeping Beauty". Displayed in a mid-20th century frame.

Portrait of a Young Woman, Oil on Canvas, 19th Century

Oil on canvas. Portrait of a young middle-class woman from the beginning of 19th century who's flaunting her rich jewels over the collar of the back dress. Restored. Comes with coeval gilded frame.

Portrait of Madame Sebatien Bottin, Oil on Canvas, 19th Century

Oil on canvas. On the back of the frame ther is a vintage title block that reports the identity of the woman portraited and her personal informatins. She's Marguerite Françoise Poincignon (1771-1831) that on August 20th 1794 merried the famous statesman and politician Sebastien bottin who took part in the French Revolution giving up his ecclesiastical vows for her (the marriage with the portraited woman is dated back to that time) and well known as an expert in statistics; the " Almanach du commerce de Paris et des principales villes du monde " belogs to him and from him was generally named "bottin". Comes with coeval gilded frame.

Raffaele Frigerio, Oil on Canvas, 19th Century

Street Musicians

Oil on canvas. Signed on the upper right corner. Genre scene of an old mandolin player next to a young man singing; dispite the abandoned clothes and the poor enviroment, both look happy of their musical performance. The theme of figures, street and popular figures is recurrent in the artist's production. Displayed in a guilloché frame from 1930s

Family tree of the earls of Charlemont

Mixed technique on paper. And' the family tree of the family Caulfields, noble, Charlemont, County Armagh), Peer of Ireland, and Barons of the United Kingdom. The genealogy part from 1620, the year in which Sir Toby Caulfields got the noble title of Baron, and reaches up to the second half dell'800. The house of nobility still belongs to the Pariah of Ireland: formerly the british crown continues to guarantee descendants of the noble families of the irish people their right of precedence, and the right to sit in the house of Lords. In the frame.