Landscape by Lorenzo Gelati

View of Florence with ruins and figures

Oil on canvas. Signed in the lower right. The foreshortening, and executed with demonstrates a stretch of the tuscan hills, where stand the ruins of a castle; on the path adjacent to a figure of the people as the female is sitting to rest. You acknowledge that you background the profile of the city of Florence, is well recognizable by the dome and the bell tower of the Cathedral. Lorenzo Ice-cream, florentine by birth, he devoted himself primarily to landscape painting, preferring the views of rural and urban primarily in Florence and other places in tuscany (the Mugello, the Valdarno, the Versilia, Chianti), but also in Umbria (lake Trasimeno), in the Romagna region, in the surroundings of Rome and La Spezia. Of the same generation of macchiaioli historical (between 1848 and 1855 was one of the animators of the caffè Michelangelo in Florence, the venue of any such renewal artistic pictorial) , the Ice cream was the interpreter of the themes of naturalism typically the macchiaiolo, that with the use of the "spot" aimed to make the immediate and fresh impressions inspired by contact with nature, not idealized in a romantic way, but described faithfully, omitting, in the name of a precision objective, the emotional content. The work presented fits perfectly in this production, for its subject, technique and execution. Restored and ritelato, is presented in a beautiful frame style.

The subject and nature of Eugenio Scorzelli

The flock

Oil on canvas. Signed in the bottom left of the page. On the back label of the Galleria Bolzani in Milan with the title of the work. A native of Naples, to which the Academy is formed, a pupil of the great masters such as the Palizzi, Morelli, the Orchestra, then moved to the long in Paris and London, where he enriched his painting, still faithful to the last nineteenth century, a neapolitan, of new inspiration. In its production are landscapes and views of london and paris, but also naples; portraits, paintings of figure, and scenes of daily life. The work is presented in full frame style.

Eugene Hall, a Glimpse of Laveno, Lake Maggiore

Laveno, Lake Maggiore

Oil on canvas. Signed in the lower right. In the lower left, the name of the location: Laveno on Lake Maggiore. Pleasant lake landscape of the lombard painter Eugene Hall, brother of the more famous Paul Hall. The small patch. In frame carved and gilded, contemporary, that has a trace of restoration.

Display case with cornice Charles X

The beautiful wood frame encloses a composition in mixed media, depicting in the centre a small temple with a sacred fire, surrounded by flowers, animals and birds, and two initials above it, probably an allusion to the nuptial union. Small damages and flaws. With glass.

Still Life by Riccardo Pellegrini Autumn Sun 19th Century

Autumn sun

Oil painting on canvas, signed in the upper left corner. Further signature and title on the back. Riccardo Pellegrini, painter from Milan, was Domenico Morelli's student and studied during the Romanticism. He used to paint landscapes and genre scenes, but realized also pleasant still life as this one. As the title suggests, it depicts an autumn composition with grapes, pomegranates and persimmons. The drawing is precise and realistic with vibrant brush strokes. Unfortunately the canvas shows signs of use and losses of color. 19th century.

Genre scene of Ettore Solvegni

The figures in the venetian

Oil on plywood. Signature in the bottom left of the page. The four figures of the high venetian society engaged in conversation amiably. In the background the bell tower of the San Giorgio island and some boats: the gondolas and sailing boats. In the frame of guilloche of the time.

Still Life with Fruit and Oysters Painting 19th Century

Oil painting on canvas. Original composition with a plate of oysters in the foreground and the peculiarity of the overturned goblet to the right. Presented in frame of the early 20th century. 19th century.

Watercolor by Giano Scalatelli London Late 19th Century

London

Watercolor signed in the lower left corner. Pleasant view of London fin de siècle. There are carriages and passers-by on the streets. A cathedral and further buildings on the background. Scalatelli worked between the 19th and the 20th century and he specialized in glimpses of the capital of England. He preferred watercolors. In revival frame. 19th century.

Still Life with Fruit Goblets and Shells Painting 19th Century

Oil painting on canvas. Varied composition with a partially peeled lemon in the foreground, some shells and the variety of crystals to the left. In frame of the early 20th century. 19th century.

John Robertson Reid Marine Landscape Painting 19th Century

Marina with pier and fishing

Oil painting on canvas. Signed in the lower right corner. Handwritten authentication by professor Edoardo Clerici Sella with stamp on the back. The painting was made by the Scottish painter who used to depict the landscapes of Surrey with figures. His painting production was influenced by the English rural naturalism and French realism with impressionistic features in the last years. This painting depicts a high cliff with a tower on it and a small pier for the landing of fishing boats. In the foreground to the right the old fisher is resting and smoking a pipe sitting on a stone wall near the road. The painting is presented in beautiful coeval gilded frame of the late 19th century.

Genre Scene Oil Painting 19th Century

Riding of the goat

Oil painting on canvas. Restored and relined. Pleasant scene of domestic life depicting a young woman in the yard outside the house. She is putting her child on the back of a goat while the older brothers are watching. On the back of the structure there is a printed inventory number. Revival frame within case. 19th century.

Glimpse of Venice by Ettore Solvenghi San Marco after the Mass 1800s

San Marco after mass

Oil painting on plywood. Title and signature on the back. Pleasant glimpse of San Marco in the 18th century. Some figures are standing in front of the cathedral after the Mass. Ettore Slovegni, painter from Venice, used to depict his city and citizen through genre scenes and pleasant glimpses. In frame. 19th century.

Glimpse of Venice by Ettore Solvenghi 19th Century

A venetian island

Oil painting on plywood. Signed in the lower right corner. Pleasant glimpse of a small island in the Venice lagoon with some fishing boats and houses in the background. It makes part of Solvegni's wide artistic production. He loved to paint his city. In frame. 19th century.

Landscape with grazing cows Painting Late 1800s

Oil painting on canvas. Unidentified signature in the lower right corner. Presented in beautiful coeval frame. Late 19th century.

Portrait of a Man Painting Mid 19th Century

Oil painting on canvas. Not signed. Italian school. The painting is the typical portrait of the nineteenth-century gentleman in Manzoni's style. He is probably a scholar, as the monocle he is holding suggests. Presented in revival frame. Mid 19th century.

Portrait of a Gentleman by Antonio Bignoli Mixed Technique 1800s

Portrait of a Gentleman

Mixed technique on paper. Portrait of gentleman by the famous painter of watercolors and portraitist from Milan. Signed in the lower left corner. Coeval frame of the late 19th century.

Female Portrait Oil Painting on Canvas 19th Century

Oil painting on canvas. Portrait of a mature woman holding a book. Italian school. Mid 14th century. The painting has been restored and relined. In gilded frame of the late 19th century.

Landscape by George C. Stanfield St. Goarshausen 19th Century

"St. Goarshausen"

Oil painting on canvas signed in the lower right corner. The English painter George Clarkson Stanfield - specialized in landscapes like his father - stood out particularly for the topographical glimpses of different places he visited in Europe: the Italian lakes, Switzerland, the Mosella valley and the Rhine valley. The glimpse here depicted belongs to this region. In fact, it depicts a small village on the banks of the Rhine in the Rhineland-Palatinate. The painting, in fair condition - with some color losses - is presented in coeval frame. 19th century.

Ecce Homo Copy of Guido Reni's Painting 19th Century

Copy by Guido Reni

Oil painting on canvas. Copy of the 19th century - good executive quality - of the famous painting by Guido Reni (1575-1642) exhibited at the Louvre of Paris.

Landscape by George Clarkson Stanfield Fluvial Landscape 1869

View of a river with a woodcutter,1869

Oil painting on canvas. Signature and date in the lower left corner. The English painter George Clarkson Stanfied - specialized in landscapes and marine landscape like his father - stood up for the topographical glimpses of many places of Europe he visited: Italian lakes, Switzerland, the Mosella valley and the Rhine valley. This landscape is a glimpse of a wide Nordic river band where a lumberjack is putting the cut and bound trunks into the water to transport them to the valley. The painting has some small color losses and a small hole in the lower left corner. Presented in coeval frame. 1869.