Alberto Trevisan

Four Venetian Night Glimpses

Watercolor on paper. Signed lower left. These are four delicate nocturnal views, in the moonlight, of Venetian corners, played on shades of blue. Alberto Trevisan is a valid Venetian watercolorist, specialized in glimpses of the lagoon city. In frame.

Charles Blondin

Glimpse of Paris

Oil painting on canvas. Signed lower left. Pleasant glimpse of the city of Paris taken from the bank of the Seine at the Alexander III bridge. The author is the Parisian artist Charles Blondin, of whom several glimpses of his hometown are known. Work presented in frame.

Carlo Perindani

Glimpse of the town (Capri)

Oil on plywood. Signed lower left. Painter and engraver, originally from Milan, Carlo Perindani visited the island of Capri for the first time in 1924 and there he met a large colony of artists (including the painters Carlo Siviero, Giuseppe Casciaro, Augusto Lovatti and Antonino Leto) of school and of different sensitivities, who usually went to the island attracted by the dazzling Mediterranean light, the wild nature of the rocks and the simple life of the inhabitants. He too let himself be seduced by the reality of the island, which became the privileged subject of his works. The painting is presented in a frame.

Lithograph by Rudolf Sieck

Summer Landscape

Color lithograph. Signed lower left. On the back there is a label with the name and title, and another label from the German Art Gallery. The landscapes of the German artist Rudolf Sieck are mainly known, glimpses of the countryside around Munich, his hometown; he also made many decorations for the Nymphenburg porcelain factory in Munich. The lithograph is presented in a contemporary frame.

Sergio Cirno Bissi

Nudino

Oil on the table. Signed lower left. On the back label of the Mazzoni Art Gallery in La Spezia, with the title and declaration of authenticity. Recurring in the Tuscan artist's production are female figures, a privileged subject together with scenes with figures. The painting is presented in a contemporary frame.

Watercolor by Virgilio Marchi Sketch 20th Century

Theatrical sketch

Watercolor on paper. Virgilio Marchi was an outstanding member of the late Italian Futurism, architect and set designer, particularly within the filming industry. The watercolor falls within this production: it depicts a throne room with the alcove in the right corner behind some impressive curtains. Antique style reinterpreted in a modern key. In frame. 20th century.

Portrait of Woman Oil Painting on Canvas 20th Century

Oil painting on canvas. Signed in the lower right corner and on the back (Verschafeldt). Light losses of color. In coeval frame with missing parts. Early 20th century.

Mountain Landscape by Luigi Bocca First Half of 1900s

Watercolor on paper. Signed at the bottom right. Luigi Bocca was one of the major representatives of Verism in Vigevano, which was part of the Social Art, also called the Art of the Humbles because of the depicted subjects belonging to the lower classes. Art was especially used to denounce their condition. The artist painted also other subjects such as portraits and he was also an interior designer. He studied in Milan and he moved to Chiavari where he frescoes churches and villas. The depicted landscape is an effective view of the mountains with some cows grazing. Fluid and wide brush strokes with blurred outlines. Coeval frame.

Watercolor by Nicola Aleksandrovic Benois

The garden of the house of Camerano Casasco

Watercolor and ink on paper. Signed and dated September 14, 1952 in the lower left corner; location at the bottom right. On the back this title of the work of the famous Russian set designer, painter and draftsman, who since 1935 was the main scenographer of the Teatro Alla Scala in Milan. In an exposed frame.

Landscape by Raul Viviani

Romagna

Oil on cardboard. Signed lower left. Writer and art critic, as well as painter, draftsman and engraver, Raul Viviani trained artistically in Milan, where he made his debut at a very young age, gaining critical acclaim. He was mainly a landscape painter: while approaching the pointillist technique, Viviani pervaded his landscapes with an intimate poetry and an atmosphere of temporal suspension, which conferred an absolutely personal mark on his works. The work is presented in a frame.

Landscape by Raul Viviani

Sorrento

Oil on cardboard. Signed lower left. Writer and art critic, as well as painter, draftsman and engraver, Raul Viviani trained artistically in Milan, where he made his debut at a very young age, gaining critical acclaim. He was mainly a landscape painter: while approaching the pointillist technique, Viviani pervaded his landscapes with an intimate poetry and an atmosphere of temporal suspension, which conferred an absolutely personal mark on his works. The work is presented in a frame.

Landscape by Raul Viviani

Lake Como

Oil on cardboard. Signed lower left. Writer and art critic, as well as painter, draftsman and engraver, Raul Viviani trained artistically in Milan, where he made his debut at a very young age, gaining critical acclaim. He was mainly a landscape painter: while approaching the pointillist technique, Viviani pervaded his landscapes with an intimate poetry and an atmosphere of temporal suspension, which conferred an absolutely personal mark on his works. The work is presented in a frame.

Landscape by Raul Viviani

Lake of Lecco

Oil on cardboard. Signed lower left. Writer and art critic, as well as painter, draftsman and engraver, Raul Viviani trained artistically in Milan, where he made his debut at a very young age, gaining critical acclaim. He was mainly a landscape painter: while approaching the pointillist technique, Viviani pervaded his landscapes with an intimate poetry and an atmosphere of temporal suspension, which conferred an absolutely personal mark on his works. The work is presented in a frame.

Madonna with Child

Oil on canvas cardboard. Undecrypted signature (R. Oggioni?) And dated at the bottom of the center. In this sacred maternity, very composed and essential, the dominance of white stands out, the unique color of the clothing of the mother and child, from which only the pink complexions (of the faces and hands) can be distinguished; all around a monochromatic background, from which emerge, however without particular prominence, the halo and the palm branch that Jesus holds in one hand. Frame in style.

Flowers 1949

Tapestry

Tapestry, made with a very fine sewing work. Below right is the signature P. Sacchi with the date of realization 1949. The work proposes a floral composition in a vase, characterized by the rich variety of flowers. In coeval frame.

Landscape by Raul Viviani

Valtellina

Oil on cardboard. Signed lower left. On the back the title. Writer and art critic, as well as painter, draftsman and engraver, Raul Viviani trained artistically in Milan, where he made his debut at a very young age, gaining critical acclaim. He was mainly a landscape painter: while approaching the pointillist technique, Viviani pervaded his landscapes with an intimate poetry and an atmosphere of temporal suspension, which conferred an absolutely personal mark on his works. The work is presented in a frame.

Landscape by Roul Viviani

Rapallo

Oil on cardboard. Signed in the lower center. On the back the title. Writer and art critic, as well as painter, draftsman and engraver, Raul Viviani trained artistically in Milan, where he made his debut at a very young age, gaining critical acclaim. He was mainly a landscape painter: while approaching the pointillist technique, Viviani pervaded his landscapes with an intimate poetry and an atmosphere of temporal suspension, which conferred an absolutely personal mark on his works. The work is presented in a frame.

Landscape by Raul Viviani

Romagna

Oil on cardboard. Signed lower right. Writer and art critic, as well as painter, draftsman and engraver, Raul Viviani trained artistically in Milan, where he made his debut at a very young age, gaining critical acclaim. He was mainly a landscape painter: while approaching the pointillist technique, Viviani pervaded his landscapes with an intimate poetry and an atmosphere of temporal suspension, which conferred an absolutely personal mark on his works. The work is presented in a frame.

Raul Viviani

Lake of Lecco

Oil on cardboard. Signed lower left. Writer and art critic, as well as painter, draftsman and engraver, Raul Viviani trained artistically in Milan, where he made his debut at a very young age, gaining critical acclaim. He was mainly a landscape painter: while approaching the pointillist technique, Viviani pervaded his landscapes with an intimate poetry and an atmosphere of temporal suspension, which conferred an absolutely personal mark on his works. The work is presented in a frame.

Luigi Timoncini

Allegory 1987

Pastels on paper. Signed and dated lower right. Further signature, date and title on the back. Luigi Timoncini, born in Faenza but artistically trained and raised in Milan, after a first pictorial phase linked to existential realism in which he proposed the dramatic loneliness of the man of the urban suburbs, then moves on to a painting of landscapes and religious works (including numerous stained glass windows for the Milanese churches) in which a more serene and sometimes even ironic vision of the difficult human condition takes over. The presented drawing proposes two nude figures, a man and a woman who, although surrounded by a rich production of vegetables (the fruits of the earth!), Turn their backs to each other, each lost in his solitude. The work is presented in a frame.