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20 cm 239 cm

21 cm 560 cm

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Paintings, drawings, collages, serigraphs, lithographs, sculptures, posters by Italian and international artists: in this section all the works of Contemporary Art for sale in our online catalog.

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P. Fiorentino Oil on Wooden Board Italy 1993
News
ARARCO0186953
P. Fiorentino Oil on Wooden Board Italy 1993

Hanging Clouds 1993

ARARCO0186953
P. Fiorentino Oil on Wooden Board Italy 1993

Hanging Clouds 1993

Oil on wooden board. On the back you have the signature, the date, the title of the work and its technical characteristics. The work is well representative of the production of the Roman artist Paolo Fiorentino, whose pictorial research was always attentive to the form, buildings, architecture with particular attention to the suggestions of that produced in Italy, and beyond, between the two wars . His buildings with geometric lines and opaque or glossy surfaces stand out suspended against solid-coloured backgrounds. They are the urban elements of the collective imagination, which in Fiorentino's paintings appear real and dreamlike at the same time, if not metaphysical.

In Cart

800.00€

In Cart
P. Fiorentino Before Sunset Oil on Hardboard Italy 1993
News
ARARCO0186952
P. Fiorentino Before Sunset Oil on Hardboard Italy 1993

Before Sunset 1993

ARARCO0186952
P. Fiorentino Before Sunset Oil on Hardboard Italy 1993

Before Sunset 1993

Oil on wooden hardboard. On the back you have the signature, the date, the title of the work and its technical characteristics. The work is well representative of the production of the Roman artist Paolo Fiorentino, whose pictorial research was always attentive to the form, buildings, architecture with particular attention to the suggestions of that produced in Italy, and beyond, between the two wars . His buildings with geometric lines and opaque or glossy surfaces stand out suspended against solid-coloured backgrounds. They are the urban elements of the collective imagination, which in Fiorentino's paintings appear real and dreamlike at the same time, if not metaphysical.

In Cart

900.00€

In Cart
Coke Copy from M. Schifano Mixed Media on Canvas Italy XX Century
ARARCO0184895
Coke Copy from M. Schifano Mixed Media on Canvas Italy XX Century

Coke from Mario Schifano

ARARCO0184895
Coke Copy from M. Schifano Mixed Media on Canvas Italy XX Century

Coke from Mario Schifano

Mixed technique on canvas. Signature lower right that emulates that of Mario Schifano. Further signature with title on the back. It is actually an emulation of the work of the famous exponent of Italian Pop Art, who used the brand of the famous drink as a recurring subject of his productions, making it a symbol of consumerism. It was typical of Schifano's production to choose some commercial subjects, among the best known and immediately recognizable ones (Coca Cola together with the Esso brand are the most popular), to re-propose only a small part of them in a poor and uncertain interpretation, full of drops . The work is presented in a frame.

In Cart

360.00€

In Cart
L. Caccioni Mixed Technique on Paper Italy 1992
ARARCO0183628
L. Caccioni Mixed Technique on Paper Italy 1992

ARARCO0183628
L. Caccioni Mixed Technique on Paper Italy 1992

Mixed technique on paper. On the back the artist's stamp with the signature and the date of the work. Caccioni, an artist who was born, trained and still lives in Bologna, is one of the protagonists of a generation that has now reached a definitive linguistic maturation and occupies a prominent space within the contemporary art scene. His research mainly uses unusual materials such as acetates, pvc and, more recently, scenic backdrops from nineteenth-century theatrical works, on which he intervenes by painting shapes drawn from a personal memory and from suggestions coming from different cultures and historical periods. A recurring element in Luca Caccioni's work is writing, a self-signifying sign that draws the work and is capable of narrating thoughts; working by superimposition, the images are built by adding or subtracting the color on the various supports. Framed work.

In Cart

480.00€

In Cart
L. Caccioni Mixed Technique on Paper Italy 1991
ARARCO0183626
L. Caccioni Mixed Technique on Paper Italy 1991

ARARCO0183626
L. Caccioni Mixed Technique on Paper Italy 1991

Mixed technique on paper. On the back the artist's stamp with the signature and the date of the work. Caccioni, an artist who was born, trained and still lives in Bologna, is one of the protagonists of a generation that has now reached a definitive linguistic maturation and occupies a prominent space within the contemporary art scene. His research mainly uses unusual materials such as acetates, pvc and, more recently, scenic backdrops from nineteenth-century theatrical works, on which he intervenes by painting shapes drawn from a personal memory and from suggestions coming from different cultures and historical periods. A recurring element in Luca Caccioni's work is writing, a self-signifying sign that draws the work and is capable of narrating thoughts; working by superimposition, the images are built by adding or subtracting the color on the various supports. Framed work.

In Cart

480.00€

In Cart
S. Cissé Mixed Technique on Canvas Senegal 2007
ARARCO0182797
S. Cissé Mixed Technique on Canvas Senegal 2007

Copinage 2007

ARARCO0182797
S. Cissé Mixed Technique on Canvas Senegal 2007

Copinage 2007

Mixed technique on canvas. On the back present the signature, the date and the title. Senegalese artist Soly Cissé creates works that are both pictorial and graphic, rooted in the culture of his hometown and full of autobiographical content. Cissé creates fantastic worlds where figures emerge from chaos and disharmony. His figures blend animal and human forms into strange, unlikely hybrids who wear death masks as if they were deities from a magical world. Sequences of numbers and letters are often inserted, referencing both barcodes and mystical numerology. The work proposed here presents all these elements, which surround a scene of nepotism/favoritism, as the title suggests.

In Cart

3,400.00€

In Cart
I. Kodra Mixed Technique on Canvas Italy XX Century
ARARCO0176124
I. Kodra Mixed Technique on Canvas Italy XX Century

ARARCO0176124
I. Kodra Mixed Technique on Canvas Italy XX Century

Mixed technique on canvas. Signed lower right. The painting of Kodra, an Albanian painter trained artistically in Italy and active in the Milanese context, consists of a personal interpretation, of a fantastic kind, of Cubism, with the peculiarity that the decompositions typical of analytical cubism are proposed according to an approach of its own more than synthetic cubism. The seascape depicted here, with sailboats sailing close to a coast, is part of the later production, in which the native country is often evoked.

In Cart

500.00€

In Cart
P. Ponti Oil on Hardboard Italy 1940
ARARCO0172731
P. Ponti Oil on Hardboard Italy 1940

Venetian glimpse 1940

ARARCO0172731
P. Ponti Oil on Hardboard Italy 1940

Venetian glimpse 1940

Oil on hardboard. Signed and dated lower right. The painting is part of the realist production of the 1930s-1940s by Pino Ponti, a Venetian artist who trained at the Academy with Virgilio Guidi. In this phase, his painting proposes an apparently light and improvised representation of reality, which is instead studiously elaborated and ambiguous. After the war, in which Pino Ponti participates as a partisan, his painting becomes dramatic, of denunciation, characterized by the presence of sparse forms, but pervaded by a certain restlessness and grotesque accents. The painting is presented in a frame.

In Cart

600.00€

In Cart
B. Artioli Mixed Technique on Wood Italy 1974
ARARCO0172891
B. Artioli Mixed Technique on Wood Italy 1974

Surreal Landscape 1974

ARARCO0172891
B. Artioli Mixed Technique on Wood Italy 1974

Surreal Landscape 1974

Mixed technique on wood. Signed and dated lower right. Further signature and date on the back (1973, not coinciding for one year with that on the reverse). Bruno Artioli, an artist originally from Nocera Umbra, was above all a landscape painter, who interpreted both with a classic naturalism and with a geometric purity in an abstract key. In this second interpretative key, Bruno Artioli's views go beyond phenomenal reality to acquire a completely objective character, devoid of any particularism, the elements of the landscape end up being reduced to pure forms and pure colors. The work presented is part of this conception of the landscape, sparse, geometric, clean in every line as well as in the subdivision of the colors, which each maintain their own identity and occupy a well-defined space. In frame.

In Cart

200.00€

In Cart
Pierluigi Rolando Sculpture Mixed Technique Contemporary
ARARCO0114351
Pierluigi Rolando Sculpture Mixed Technique Contemporary

Citadel 2001

ARARCO0114351
Pierluigi Rolando Sculpture Mixed Technique Contemporary

Citadel 2001

Mixed technique sculpture: iron, wood and photographs. Pierluigi Rolando, an internationally renowned designer, graduated in textile engineering and established himself primarily in the cashmere textile industry in the family business, he creates garments that he himself defines as “cashmere sculptures modelled on the human body”. At the beginning of the 1970s, he switched to design with collections for active sports and he contributed to the birth of Fila. In his free time, he alternates his sculptural interests with pictorial interests; he makes up figures in expanded polystyrene and collages in wood, cardboard and various materials. However, sculpture has always been his great passion: for forty years, art has been "lived hysterically in the spare time", but since 1993, Rolando has chosen to devote himself entirely to it. Using different materials such as terracotta, recycled iron, wood, he proposes various subjects, with grotesque faces with tense and suffering expressions, strong and caricatured hands, symbols of ancient and heroic deeds from a distant era, with characters of religions and mythology. His visionary universe is populated by warriors, leaders and emperors, horse-totems and imaginary creatures; his art is suggestive, fairy-tale, enchanted. The citadel presented here, which well expresses this passion for mixing very different materials, was created after the tragic collapse of the Twin Towers in New York, in September 2001: the two towers, a symbol of modernity, still stand intact inside a twisted metal plate of decline and decay, created through a twisted metal plate. The sculpture is presented in a plexiglass case.

In Cart

2,100.00€

In Cart
Painted Glass on Picture by Marco Nereo Rotelli No Title 1990
ARTCON0000688
Painted Glass on Picture by Marco Nereo Rotelli No Title 1990

Untitled, 1990

ARTCON0000688
Painted Glass on Picture by Marco Nereo Rotelli No Title 1990

Untitled, 1990

Painted glass on paper. Signature and date on the back. Sold with authentication on picture with stamp of the atelier, signature of the artist and date. Marco Nereo Rotelli is a painter and sculptor from Venice who creates his works by engaging philosophers, photographers and interacting with poetry. Over time, poetry became a constant reference in his works; in fact he pursued mainly a research on light and poetical dimension. He realized or attended the realization of big installations bot in Italy and abroad. 1955.

In Cart

1,100.00€

In Cart
You You by Ugo Nespolo Contemporary Art 1967
ARTCON0000629
You You by Ugo Nespolo Contemporary Art 1967

You you 1967

ARTCON0000629
You You by Ugo Nespolo Contemporary Art 1967

You you 1967

A panel with colored acrylic inlays. Made by Ugo Nespolo (1941). Signed and dated at the bottom left. A further signature, date and title on the back. Early work belonging to Nespolo's debut as artist. 1967.

In Cart

3,100.00€

In Cart
Screen Printing by Luca Alinari 20th Century
ARARCO0094952
Screen Printing by Luca Alinari 20th Century

Billiard, 1990

ARARCO0094952
Screen Printing by Luca Alinari 20th Century

Billiard, 1990

Screen printing on paper. Signed at the bottom right; serie's number 57/125 at the bottom right. Luca Alinari is an artis from Florence that built his artistical production, both pictorical and graphical, on a deep search of the free combination of objects and figures within fantastic and suspended atmospheres, on the suggestion of Neodada research and Pop Art. He experienced different pictorical techniques in which he combied fluorescent colors, decalcomania, collage, photographic transpositions. He had exposed all over Italy and abroad. The art work comes with frame.

In Cart

150.00€

In Cart
M. Sturani Mixed Media on Paper Italy 1927
ARARCO0156084
M. Sturani Mixed Media on Paper Italy 1927

Naturalistic Composition 1927

ARARCO0156084
M. Sturani Mixed Media on Paper Italy 1927

Naturalistic Composition 1927

Mixed media on paper. Signed and dated lower left. The Turin artist Mario Sturani joined the Futurist Movement in his youth. From 1927 he began his collaboration with the Lenci ceramics factory, where he was able to renew the formal and decorative repertoire of Lenci ceramics in an anti-rhetorical key, avoiding the stylistic features of the art of the regime. Even in the field of serial reproduction, Sturani was able to express the inventive freedom of artistic inspiration: on the surfaces of the vases, for example, he transposed the naturalistic subjects dear to him, sometimes transfiguring them into fabulous tones; in other cases a certain déco taste, the dynamic rhythms of Futurist ancestry or the cubist decompositions, like the elegant twentieth century stylizations. Between 1928 and 1930 Sturani painted a series of small paintings, with intimate tones, depicting landscapes or still lifes. For over thirty years Sturani also worked as an entomologist, within the Institute of Agricultural Entomology of the Turin university, and his studies were also widely appreciated by the academic world for the scientific value and the methodological rigor with which they were conducted. . The small drawing presented here belongs to the early production of Sturani, even before the collaboration with the Lenci manufacture. In this small drawing from his early years, Sturani is still affected by his closeness to futurism. In frame.

In Cart

280.00€

In Cart
G. Bellandi Group of 4 Mixed Techniques on Paper Italy 1964
ARARCO0154934
G. Bellandi Group of 4 Mixed Techniques on Paper Italy 1964

Studi per le "Persecuzioni" 1964

ARARCO0154934
G. Bellandi Group of 4 Mixed Techniques on Paper Italy 1964

Studi per le "Persecuzioni" 1964

Group of four mixed techniques on paper, individually signed and dated 8/10/64, and further signature with title under the framed composition. These are preparatory sketches for the works that the artist exhibited at the exhibition, designed and created in 1967-68 with his friend Amilcare Rambelli at the Galleria del Grattacielo in Milan. Giorgio Bellandi, born in Milan in 1931, was a very talented set painter. Passionate about art from a very young age, he attended the Brera Academy and became an active part of the Milanese artistic environment of those years. Bellandi worked as a set designer at the Teatro alla Scala in Milan and made his debut as a painter in the 1950s by joining the existential realism, a very active artistic movement in Milan in the second half of the 1950s, becoming one of the exponents of this current. Existential Realism was originally based on the search for something different, an alternative both to informal painting and to the effects of existentialism, especially political, which had taken hold due to the damage caused by World War II. Ideologically these artists had in common the refusal towards authoritarianisms and towards social and political conformisms, in an environment oriented overall to the left. Bellandi is an artist gifted with talent and creativity, a lover of freedom of expression and beauty, and performs works of interesting reading with intense but harmonious chromatic tones. Passionate about Lake Como, he often came to the Lario in search of relaxation and inspiration. In '64 he participated in the Venice Biennale and in '65 he was invited to the IX Quadriennale in Rome. Very active painter, he realizes many exhibitions in national and international territory, up to the illness which unfortunately was fatal to him, in 1976.

In Cart

700.00€

In Cart
M. Francesconi Oil on Canvas Italy 1958
ARARCO0154374
M. Francesconi Oil on Canvas Italy 1958

Untitled 1958

ARARCO0154374
M. Francesconi Oil on Canvas Italy 1958

Untitled 1958

Oil on canvas. Signed and dated lower right. The work of strong emotional impact proposes an almost monochromatic purple background, in which a few black and white strokes are inserted to define a silhouette curled up on the left, perhaps a human form, collected and closed in on itself. Born in 1934 in Viareggio, where he still lives, the painter and sculptor Mario Francesconi is considered one of the few survivors of Dadaism, which since the end of the 1950s has gone through the seasons of Italian and European art in a distinctly personal search for forms and techniques. Starting from his first solo show in 1959 he develops an artistic path that goes through different phases, often attributable to a passion for poor and recycled materials. His artistic activity moves between the areas of painting, sculpture, collage and installation and borders on the adjacent areas of poetry and literature, also thanks to friendships and professional relationships with some of the most significant figures of the intellectual world. Italian of the second half of the last century, from Emilio Villa to Cesare Garboli, from Leonardo Sciascia to Mario Luzi, from Cesare Zavattini to Pier Paolo Pasolini, from Alfonso Gatto to Sandro Penna to Venturino Venturi. The work is presented in a frame.

In Cart

900.00€

In Cart
Anti-Racist Manifesto Italy 1968
ARARCO0154941
Anti-Racist Manifesto Italy 1968

ARARCO0154941
Anti-Racist Manifesto Italy 1968

Print on paper. Rare anti-racist poster which, as indicated below, was published as a supplement to the magazine "MAI" of June '68, in the series "I manifesti di MAI di Giò" (Giorgio Tavaglione). It is a manifesto of the beat movements that spread in Italy in the years 1967-1968: thanks to the use of the mimeograph, which allowed the printing of numerous flyers, posters, poetic anthologies, small plaquettes and especially magazines, the young beatniks they created an alternative information channel that represented the primary vehicle for disseminating the principles that animated the beat movement, as opposed to the official cultural and communication circuits. Within the magazines, and in general in the various beat activities, poetic writing assumed an essential role as an integral part of the practice of dissent, since it represented one of the main forms of expression and affirmation of a different ideal of life, as well as of a different idea of collectivity. Giorgio Tavaglione was one of the best-known artistic exponents of the beat movement: as a complete self-taught Giò he designed the posters, flyers and covers of the first Italian underground magazines of the 1960s; disappeared for years after a trip to India, he subsequently reappeared as a draftsman of tarot cards and talismans in the creation of which he transferred his excellent graphic quality, his typical meticulous and imaginative, esoteric and visionary style. Work in frame.

In Cart

500.00€

In Cart
Motomovimento Mondo Beat Paper Italy 1967
ARARCO0154939
Motomovimento Mondo Beat Paper Italy 1967

ARARCO0154939
Motomovimento Mondo Beat Paper Italy 1967

Poster printed in Cologno Monzese in 1967, in a limited edition of 500 copies. This is copy no. 7/500, enhanced by the dedication and autograph signature of the graphic designer Giorgio Tavaglione, author of the poster. It is the first manifesto of the beat movement and of the Italian underground culture, promoted in Milan since 1966. On that date, the magazine "Mondo Beat" was born, with director Melchiorre Gerbino, inspired by the pacifist protest movements of the Dutch PROVO, and close to the movements Italian anarchists. The young beatniks created an alternative information channel that represented the primary vehicle for disseminating the principles that animated the beat movement, as opposed to the official cultural and communication circuits. Within the magazines, and in general in the various beat activities, poetic writing assumed an essential role as an integral part of the practice of dissent, since it represented one of the main forms of expression and affirmation of a different ideal of life, as well as of a different idea of collectivity. Giorgio Tavaglione was one of the best-known artistic exponents of the beat movement: as a complete self-taught Giò he designed the posters, flyers and covers of the first Italian underground magazines of the 1960s; disappeared for years after a trip to India, he subsequently reappeared as a draftsman of tarot cards and talismans in the creation of which he transferred his excellent graphic quality, his typical meticulous and imaginative, esoteric and visionary style. The work is framed.

In Cart

600.00€

In Cart
M. Jori Acrylics on Board Italy 1990
SELECTED
SELECTED
ARARCO0150784
M. Jori Acrylics on Board Italy 1990

On the Inner Floor

ARARCO0150784
M. Jori Acrylics on Board Italy 1990

On the Inner Floor

Acrylics on board. Accompanied by authentication on autographed photo of the author, with stamp of the Verlato Gallery in Milan. The work presented here is part of the rich series of works called by the artist Cristalli, due to the reference to the geometries of these minerals, which he considers containers of energy and light. On a three-dimensionally shaped board with asymmetrical protruding points, recalling the structure of a crystal, Jori paints elements that emerge from the background, with chromatic choices that all refer to the same range but with different shades, to emulate the reflections of light. The work comes from an important Milanese private collection.

Reserved

5,600.00€

Reserved
Giorgio Bellandi Oil on Wooden Table Italy XX Century
ARARCO0154366
Giorgio Bellandi Oil on Wooden Table Italy XX Century

Painted decoration of wardrobe doors

ARARCO0154366
Giorgio Bellandi Oil on Wooden Table Italy XX Century

Painted decoration of wardrobe doors

Oil on wooden table. Signed on the first lower right door. It is the pictorial decoration of the eight doors of a wardrobe, made to measure for the client's family, which make up a large abstract scene - almost a scenography! - in very delicate pastel colors, in which deconstructed, dreamy, floating figures are glimpsed. Giorgio Bellandi, born in Milan in 1931, was a very talented set painter. Passionate about art from a very young age, he attended the Brera Academy and became an active part of the Milanese artistic environment of those years. Bellandi worked as a set designer at the Teatro alla Scala in Milan and made his debut as a painter in the 1950s by joining the existential realism, a very active artistic movement in Milan in the second half of the 1950s, becoming one of the exponents of this current. Existential Realism was originally based on the search for something different, an alternative both to informal painting and to the effects of existentialism, especially political, which had taken hold due to the damage caused by World War II. Ideologically these artists had in common the refusal towards authoritarianisms and towards social and political conformisms, in an environment that was generally oriented to the left. Bellandi is an artist gifted with talent and creativity, a lover of freedom of expression and beauty, and performs works of interesting reading with intense but harmonious chromatic tones. Passionate about Lake Como, he often came to the Lario in search of relaxation and inspiration. In '64 he participated in the Venice Biennale and in '65 he was invited to the IX Quadriennale in Rome. Very active painter, he realizes many exhibitions in national and international territory, until his illness which unfortunately was fatal to him, in 1976. It is possible to carry out the intervention of detachment of the doors from the cabinet from the structure and their reassembly on a unitary panel.

In Cart

3,200.00€

In Cart