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29 cm 253 cm

36 cm 393 cm

2 cm 11 cm
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Oil on Cardboard by Lino Baccarini Italy XX Century
ARARNO0133338
Oil on Cardboard by Lino Baccarini Italy XX Century

The Wanderers

ARARNO0133338
Oil on Cardboard by Lino Baccarini Italy XX Century

The Wanderers

Oil on pressed cardboard. Signed lower right. On the back the title. Originally from Mantua but artistically trained at the Brera Academy, as a pupil of Cesare Tallone, Lino Baccarini exhibited at the Milanese Biennale and then throughout Italy, distinguishing himself above all as a portraitist, even with famous personalities. The work proposes a landscape of cultivated plain, with a line of wagons of wanderers that advance slowly on the road in the middle of the fields. It is presented in a stylish frame.

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480.00€

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Mentore Silvani Oil on Canvas Italy 1872
SELECTED
SELECTED
ARAROT0147772
Mentore Silvani Oil on Canvas Italy 1872

Snowy Landscape with Figures 1872

ARAROT0147772
Mentore Silvani Oil on Canvas Italy 1872

Snowy Landscape with Figures 1872

Oil on canvas. Signed, dated 1872 and located in Parma in the lower right corner. It is a large winter landscape with a strong scenic impact, which fits well into the scenographic traditionalism of the painting of Mentore Silvani, a native artist of Traversetolo (Parma), a landscape painter but also known as a set designer. In the scene, sprinkled with the white of a short snowfall that creates that typical rarefied and silent winter atmosphere, between bare and dry trees, a dirt road winds its way through by a traveler; on the right a dilapidated building with a wash house where a woman draws water; in the center a small column on which a sacred image is mounted. Trained in his hometown, Silvani participated in the exhibitions of the Encouragement of Parma starting from 1864, and it is mainly in his city that his works are found today (at the Municipality of Parma, the National Gallery, the Paolo Toschi artistic high school ); however, he also exhibited in Milan (1872) and Florence (1875). Trained as a scenographer at the school of Gerolamo Magnani, Silvani held this position in Parma but also in Venice starting from 1871. His pictorial production, which includes mainly rural landscapes of the Parma countryside, is always characterized by fidelity to reality. The work proposed here is presented in a contemporary frame.

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Oil on Canvas by Antonio Peruzzini Italy XVIII Century
ARARPI0131571
Oil on Canvas by Antonio Peruzzini Italy XVIII Century

Landscape with Figures at the River

ARARPI0131571
Oil on Canvas by Antonio Peruzzini Italy XVIII Century

Landscape with Figures at the River

Oil on canvas. The wide landscape is centered on the river that flows into the valley rich in vegetation. Along its course, in the foreground, some women are washing clothes. The pictorial features, fast and not very aggregated, refer to the production of Antonio Francesco Peruzzini, belonging to a family of painters originally from Pesaro, including his father Domenico and his sons Giovanni, Antonio Francesco and Paolo, active in the Marche region and in Italian cities such as Rome. Bologna, Turin and Milan, during the seventeenth century and the first quarter of the eighteenth. Antonio Francesco's production is often associated with that of his brother Giovanni, having the two worked together. Antonio Francesco specialized in landscape painting, under the influence of Salvator Rosa and landscape architects such as Pietro Montanini and Pandolfo Reschi, and further influences also came from Nordic painters active in Italy, especially from Pieter Mulier known as il Tempesta. In his first works the originality of his painting is already distinguished given a rapid drafting and an intense and brilliant chromatic stamp. From the beginning of the nineties the long artistic bond between Antonio Francesco Peruzzini and Alessandro Magnasco began, following their meeting in Milan, where Peruzzini had settled; from this period onwards his painting seems to fall apart, through forms that become more dynamic and light, almost fantastic, to finally arrive at a style marked by an ever greater disintegration of the forms of nature and their movement. Restored and relined, the work is presented in an early 20th century frame.

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5,800.00€

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Landscape with Horses Oil on Canvas - Italy XVIII Century
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SELECTED
ARARPI0117714
Landscape with Horses Oil on Canvas - Italy XVIII Century

ARARPI0117714
Landscape with Horses Oil on Canvas - Italy XVIII Century

Oil on canvas. The large scene is set at the entrance of a village near a stop for horses: numerous horsemen are standing with their animals, which are looked after by the servants and the peasants who fill the manger with hay; one of the servants, on the right, lets the animals drink in the nearby stream. In the background, the houses of the village arranged along the river, which then flows into the hilly landscape on the right. It probably is a piece by a Flemish author working in Lombardy. Some references to clothing and construction certainly indicate the Northern European contamination, while other details indicate it was realized in a Lombard location. The painting comes from a prestigious historical residence of a Lombard noble family Still on the first canvas, it has some cuts in the lower band. It is presented in a thin coeval frame.

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Still Life Oil on Canvas - Italy XVIII Century
ARARPI0141151
Still Life Oil on Canvas - Italy XVIII Century

ARARPI0141151
Still Life Oil on Canvas - Italy XVIII Century

Oil on canvas. The composition is not a traditional still life because the fruit (grapes and apples) and the bird are inserted in a large landscape, as its added elements in the foreground; Behind them opens a verdant countryside with a village on the hill. Restored and relined, the painting is presented in a period frame.

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4,000.00€

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Landscape with Figures Oil on Canvas Italy 18th Century
ARARPI0126908
Landscape with Figures Oil on Canvas Italy 18th Century

ARARPI0126908
Landscape with Figures Oil on Canvas Italy 18th Century

Oil on canvas. A seduction scene is described on a country path: a standing young woman shows her body to the man sitting to rest with her partner; while he looks away, his wife looks sorrowfully at the young harlot, holding her partner by the hand. Other travelers appear on the path. Perhaps of allegorical significance, the painting underlines the contrast between the freshness, brightness and ardor of the young female body, whose beauty is flaunted, and the ill-defined, bundled, almost hidden shape of the two elderly bodies. On the back of the painting there is a hypothesis of attribution to Giuseppe Gambarini (1680-1725) in pencil. Despite the dubious attribution, the painting is well done in the pictorial quality and in the rendering of the subject. Restored and relined, it is presented in a re-adapted antique frame.

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2,200.00€

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Large Landscape Wild Boar Hunting Oil on Canvas 18th Century
SELECTED
SELECTED
ARTPIT0001449
Large Landscape Wild Boar Hunting Oil on Canvas 18th Century

Wild boar hunting

ARTPIT0001449
Large Landscape Wild Boar Hunting Oil on Canvas 18th Century

Wild boar hunting

Oil on canvas. The scene is set at the feet of a mountain on the river bank where a fisher is fishing and the focus is on a group of hunters dressed like knights and armed with swords and lances who are delivering the final blow to the already wounded and dying wild boar with the help of dogs. The large format highlights the important commissioner. Restored and relined. Revival frame.

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7,840.00€

9,800.00€

-20%
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Raoul Viviani Landscape with Figures Italy XX Century
ARARNO0146524
Raoul Viviani Landscape with Figures Italy XX Century

The Country Road

ARARNO0146524
Raoul Viviani Landscape with Figures Italy XX Century

The Country Road

Oil on hardboard. Signed lower left. Having moved as a child with his family to Milan in 1898, still very young, Raoul Viviani enrolled at the Brera Academy, where he studied under the guidance of Giuseppe Mentessi (1857-1931). At the same time he attended the nude school of the Artistic Family, with which he exhibited for the first time at the age of 17, immediately enjoying great success with the public and critics, as a landscape painter with a strong personality and modernity and for his highly original style characterized from strong chromatic experiments. In 1912 he participated in the Venice Biennale and subsequently participated in numerous national and international exhibitions. From 1926 he began his career in the field of art criticism, writing for various newspapers, but his opposition to fascism led him to choose voluntary exile: in 1931 he moved to Uruguay, where he founded and directed the Academy of Montevideo Fine Arts. Returning to Milan in 1937, he resumed his activity as a painter and as a critic. In the 1950s he moved to Rapallo for health reasons and remained there until his death. Extremely original landscape painter, who engages in oil painting but also in watercolor and engraving, is very close to pointillist painting, however, developing his own personal technique, characterized by very thin filaments of color in the form of thin commas, which define the structures of the its landscapes. With his transfer to Liguria, the Ligurian landscape becomes the protagonist of his works and also his mute technique, moving away from the original pointillism to open up to a broad and summary brushstroke, which finally leads to a production of still lifes from violent and contrasting colors. In this work in which the technical characteristic of Viviani is well appreciated, along the country path that runs along the canal, a figure of a woman appears, which constitutes an exception in his production, usually lacking in figurative elements. Work in frame.

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800.00€

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Jean-Pierre Thènot Lithograph 19th Century
ARAROT0124718
Jean-Pierre Thènot Lithograph 19th Century

Swiss Landscae

ARAROT0124718
Jean-Pierre Thènot Lithograph 19th Century

Swiss Landscae

Colour lithograph. Signed at the bottom right. Jean-Pierre Thénot was a French painter, draughtsman and engraver, author of treatises on painting. The lithograph shows a view of a mountain landscape: in the foreground on the right is a chalet offering refreshment to travellers passing along the path. The landscape then sweeps over a large mountain range, presumably the Alps, with a lake between its peaks. The lithograph is part of a series of landscapes of Switzerland. The art work comes in a coeval gilded frame.

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480.00€

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Jean-Pierre Thènot Lithography 18th Century
ARAROT0124717
Jean-Pierre Thènot Lithography 18th Century

Lucerna Lake

ARAROT0124717
Jean-Pierre Thènot Lithography 18th Century

Lucerna Lake

Colored lithography. Signed at the bottom left. Jean-Pierre Thènot was a french draftman and incisor that wrote several treatises painting. It shows a glimpse that opens up on the right with a wide lake, probably Lucerna Lake; on the left there is a rustic cottage with figures. It is part of a serie of Swiss landscapes. The lithography comes in a coeval gilded frame.

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480.00€

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Oil on Canvas Landscape XVII-XVIII Century
ARARPI0148396
Oil on Canvas Landscape XVII-XVIII Century

ARARPI0148396
Oil on Canvas Landscape XVII-XVIII Century

Oil on canvas. In the scene, set in a countryside near a watercourse, some lumberjacks are intent on cutting tree trunks, to entrust them to the watercourse; on the left, in the background, women and children bring the meal. The canvas offers a well-defined landscape rich in elements, in which human figures instead rather nuanced, almost monochrome those on the left, are inserted as accessory elements in the scene. Restored and relined, the painting is presented framed with a strip.

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950.00€

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Large Landscape with Hunting Scene Oil on Canvas 18th Century
SELECTED
SELECTED
ARTPIT0001457
Large Landscape with Hunting Scene Oil on Canvas 18th Century

Deer hunting

ARTPIT0001457
Large Landscape with Hunting Scene Oil on Canvas 18th Century

Deer hunting

Oil on canvas. The painting is set in the woods near some architectural ruins and the focus is on the lively group of hunters dressed like knights and armed with swords and lances. They are delivering the final blow to the already wounded and dying deer with the help of dogs. The large format highlights the important commissioner. Restored and relined, it is presented in revival frame. 18th century.

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7,840.00€

9,800.00€

-20%
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Landscape Oil on Canvas Italy XX Century
ARARPI0159214
Landscape Oil on Canvas Italy XX Century

ARARPI0159214
Landscape Oil on Canvas Italy XX Century

Oil on canvas. The painting, made in the first half of the 1900s, takes up the landscape works in the subject and in the pictorial mode: in a landscape rich in vegetation and with peaks in the background, a young commoner asks for charity from some travelers who rest on the roadside , near a stone arch. The canvas has undergone aging and is presented in a late 19th century frame.

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350.00€

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Religious Subject Oil on Canvas Italy XVII-XVIII Century
ARARPI0169132
Religious Subject Oil on Canvas Italy XVII-XVIII Century

Sant'Antonio Abate e San Paolo l'Eremita

ARARPI0169132
Religious Subject Oil on Canvas Italy XVII-XVIII Century

Sant'Antonio Abate e San Paolo l'Eremita

Oil on canvas. It is a large Nordic landscape, dominated by rocky peaks on the left and a lake with a central island on the right; in the foreground some figures that tell the legend of San Paolo Eremita, on the left, and Sant'Antonio abate, on the right with a centaur. The Golden Legend of Jacopo da Varagine tells that Saint Anthony the Abbot visited Paul the hermit, who for forty years had lived in solitude fed by a crow who brought him bread every day. Sant'Antonio asked for news from a centaur, who also in this scene shows him the way to follow with his arm. The restored and relined work is presented in a period frame.

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1,900.00€

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Landscape with Figures Oil on Canvas 19th Century
ARAROT0105637
Landscape with Figures Oil on Canvas 19th Century

ARAROT0105637
Landscape with Figures Oil on Canvas 19th Century

Oil on canvas. Center-Italian School. The glimpse shows a river that flows fastlly crossing an hilly landscape; along the shore, at the left side, there are two women that are washing clothes and a wayfarer; on the right side of the river, in the background, ther is a small hamlet. The painting shows small drops of color. It comes in a 20th century frame that had been gilded again.

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580.00€

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Figure with Dog 18th Century
ARARPI0057306
Figure with Dog 18th Century

Painting Under Glass

ARARPI0057306
Figure with Dog 18th Century

Painting Under Glass

Painting under glass Countryside landscape with a men holding an oil lamp and a lance taht is going off the path followed by a dog maybe to go hunting. Nordic style landscape and building. Displayed in frame.

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360.00€

450.00€

-20%
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Oil on Cardboard by Carlo Balestrini Milan Italy '900
ARARNO0125579
Oil on Cardboard by Carlo Balestrini Milan Italy '900

Landscape with Shepherd and Flock

ARARNO0125579
Oil on Cardboard by Carlo Balestrini Milan Italy '900

Landscape with Shepherd and Flock

Oil on cardboard. Signed lower left. The Milanese artist Carlo Balestrini preferred two subjects in his impressionist production: views of Milan and its popular suburbs, and horses, depicted both in the countryside and in city parks. In this work, on the other hand, he offers a glimpse of the countryside in which a stream flows from which a flock is drinking. The work is presented in a contemporary frame.

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320.00€

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View of the Gulf of Naples Oil on Canvas Italy XIX Century
ARAROT0150206
View of the Gulf of Naples Oil on Canvas Italy XIX Century

ARAROT0150206
View of the Gulf of Naples Oil on Canvas Italy XIX Century

Oil painting on canvas. Neapolitan school of the nineteenth century. Typical example of Grand Tour painting, the painting offers a glimpse of the Gulf of Naples animated by numerous boats, of which in the foreground one of fishermen landing on the beach, where their wives and children await. In the background stands the smoking Vesuvius. The scene is lively for the vitality it expresses and for the colors, although the pink shades of the sky and Vesuvius recall the romantic note of the painting of the time. The canvas has small color drops. It is presented in a stylish frame.

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940.00€

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A. Gajoni Oil on Hardboard Italy XX Century
ARARNO0148368
A. Gajoni Oil on Hardboard Italy XX Century

Landscape with Ancient Style Figures

ARARNO0148368
A. Gajoni Oil on Hardboard Italy XX Century

Landscape with Ancient Style Figures

Oil on hardboard. Signed lower right. Born in Milan in 1913, and trained at the Brera Academy (of which he later became a teacher), Adriano Gajoni became passionate about the study of seventeenth-century Lombard painters and Dutch and Flemish painting of the seventeenth century, from whose meticulous realism he let himself be inspired. Of strict figurative observance, Gajoni preferred landscapes, portraits and above all still lifes, which he expressed in fairy-tale and allegorical compositions. He mainly practiced oil painting on wood and hardboard. Also this painting proposes a landscape of ancient taste: in the countryside, on the path that runs along a wide river, a pastoral figure passes on his donkey, followed by his small herd. The work is presented in a style frame.

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480.00€

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Landscape with Shepherds and Herds Oil on Canvas Italy XVII Century
ARARPI0139740
Landscape with Shepherds and Herds Oil on Canvas Italy XVII Century

ARARPI0139740
Landscape with Shepherds and Herds Oil on Canvas Italy XVII Century

Oil on canvas. The large scene, set in a hilly countryside, with a village and ruins in the background on the left, is completely occupied by the compact group of numerous living figures: the shepherd's family sitting in the center, observing the companion who holds the child in her arms in swaddling clothes; all around, the animals, from the faithful shepherd dog to the beasts of the flock, sheep, goats and cows, also at rest. The great naturalism of the animal figures stands out, which refers as a pictorial modality to the works of the school of Philipp Peter Roos, known as Rosa da Tivoli (1657-1706), the German painter considered one of the best painter of animals active in Italy in the seventeenth century, characterized by the peculiar ability to evoke the fleece and the looks of animals. The work, restored and relined, is presented in a gilded style frame.

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3,400.00€

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