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32 cm 253 cm

32 cm 393 cm

2 cm 15 cm
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Portrait of a Lady Oil on Canvas Italy XIX Century
ARAROT0156630
Portrait of a Lady Oil on Canvas Italy XIX Century

ARAROT0156630
Portrait of a Lady Oil on Canvas Italy XIX Century

Oil painting on canvas. Nineteenth century. Dignified and severe lady, in a lightened black dress with a white collar. In a late 19th century frame.

Reserved

300.00€

Reserved
Female Portrait XIX Century
ARAROT0145752
Female Portrait XIX Century

ARAROT0145752
Female Portrait XIX Century

Oil painting on canvas. French school of the late 19th century. At the bottom left is the signature P. Detanger, unknown author. Intense portrait of a noblewoman, severe and distinguished. Restored and relined, the painting is presented in a gilded frame from the early 1900s.

Reserved

1,100.00€

Reserved
Still Life Oil on Canvas Italy XX Century
ARARNO0167061
Still Life Oil on Canvas Italy XX Century

ARARNO0167061
Still Life Oil on Canvas Italy XX Century

Oil on canvas. It is an effective composition in imitation of an ancient style, with a cascade of variegated flowers in a vase placed on a stone base. The painting was treated to be older: an artificial darkening of the canvas on the back was carried out, and an artificial crimp was made on the pictorial surface. The painting is presented in a styled frame.

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980.00€

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Male Portrait Oil on Canvas Italy XIX Century
ARAROT0163083
Male Portrait Oil on Canvas Italy XIX Century

ARAROT0163083
Male Portrait Oil on Canvas Italy XIX Century

Oil painting on canvas. Portrait of a hunter, taken in a moment of rest, sitting under a tree, with the rifle leaning on his arm, the horn held in one hand, while with the other he caresses the head of the faithful dog, resting on his lap. The painting is presented in a coeval gilt frame.

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850.00€

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G. Scapaticci Oil on Canvas Italy 1973
ARARCO0157876
G. Scapaticci Oil on Canvas Italy 1973

Insect in the landscape, 1973

ARARCO0157876
G. Scapaticci Oil on Canvas Italy 1973

Insect in the landscape, 1973

Oil painting on canvas. On the back you can find the signature, the title and the date of the work. It is the work of the Milanese painter Giulio Scapaticci, of the artists of the pictorial-political current who at the turn of the 1950s-1960s was defined as “Existential Realism”. Immediately considered an artist sensitive to existential issues, he began to paint the Milan of the 50s and 60s with its typical railing houses, the peeling windows that open onto a darkly colored urban landscape, the gray industrial suburbs and desolate, quartered oxen and fish hanging on nails. In the mid-1970s, he leaves Milan and moves to the Oltrepò Pavese, where his painting is transformed, goes beyond the previous dark and monochromatic introspective experiences and in his paintings appears a rural world made of more lively and luminous tones: farmhouses, still natures, still lifes, insects, rivers, resting sandy loops. Back in Milan, from the 1980s he returns to depict a more painful humanity, with insects that transform and settle to cover sensations of solitude and voluntary silences. The work proposed here is part of the production attributable to the years of Oltrepò Pavese, with the large Lombard farmhouse on the left, a glimpse of the sunny plain and, in the foreground, an insect. The work is presented in a frame.

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240.00€

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C. Joshua Chaplin Oil on Canvas France XIX Century
ARARNO0166256
C. Joshua Chaplin Oil on Canvas France XIX Century

Female Portrait

ARARNO0166256
C. Joshua Chaplin Oil on Canvas France XIX Century

Female Portrait

Oil painting on canvas. Signed lower left. The extremely sensual portrait of the woman in skimpy clothes and in a languid pose belongs to the peculiar portrait production of the French painter and engraver Charles Joshua Chaplin. Famous in the Parisian artistic environment, he received commissions from the Empress Eugenia. His great technical skills are well appreciated in his engravings, which are distinguished by thin lines and extreme graphic precision, while in the paintings he impresses his coloristic ability of "tone on tone" where the colors fade from white to silver-gray. to pink in portraits of ladies that match the great English portrait painters of the 18th century. The work is presented in a style frame.

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2,100.00€

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Female Portrait Oil on Canvas Italy XIX Century
ARAROT0154901
Female Portrait Oil on Canvas Italy XIX Century

ARAROT0154901
Female Portrait Oil on Canvas Italy XIX Century

Oil painting on canvas. An elegant lady in black, with refined white lace at the neck and wrists that lighten her outfit, is sitting on a red armchair and leaning on the marble top of a round table, flaunting the rings on her hand. The work is presented in a coeval redorated frame.

Reserved

950.00€

Reserved
Large Landscape Wild Boar Hunting Oil on Canvas 18th Century
ARTPIT0001449
Large Landscape Wild Boar Hunting Oil on Canvas 18th Century

Wild boar hunting

ARTPIT0001449
Large Landscape Wild Boar Hunting Oil on Canvas 18th Century

Wild boar hunting

Oil on canvas. The scene is set at the feet of a mountain on the river bank where a fisher is fishing and the focus is on a group of hunters dressed like knights and armed with swords and lances who are delivering the final blow to the already wounded and dying wild boar with the help of dogs. The large format highlights the important commissioner. Restored and relined. Revival frame.

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9,800.00€

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The Puma's Assault Oil on Canvas Painting 18th Century
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ARTPIT0001538
The Puma's Assault Oil on Canvas Painting 18th Century

ARTPIT0001538
The Puma's Assault Oil on Canvas Painting 18th Century

Oil on canvas. Bloody scene depicting a puma assaulting two watchdogs. The dogs are free from their chains, but they are succumbing to the puma. Restored and relined, it requires cleaning. Revival gilded frame. 18th century.

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1,600.00€

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Landscape with Figures Oil on Canvas Italy XX Century
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ARARNO0104208
Landscape with Figures Oil on Canvas Italy XX Century

ARARNO0104208
Landscape with Figures Oil on Canvas Italy XX Century

Oil painting on canvas. Italian school. Signed G. Bossi lower right. The large landscape offers on the right the glimpse of a pond with swans, in the middle of a verdant countryside; on the left, a couple on the path is accessing an architectural structure, an outbuilding of the villa of which you can only glimpse an upper corner. Suggestive and with a bucolic atmosphere, the painting is presented in a coeval gilded frame.

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580.00€

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Giovanni Boni Oil On Canvas 19th Century
ARAROT0116058
Giovanni Boni Oil On Canvas 19th Century

Siege Scene

ARAROT0116058
Giovanni Boni Oil On Canvas 19th Century

Siege Scene

Oil on canvas. Outside the fortifications of a city, a commander, surrounded by his soldiers, is about to light the fuse of the cannon. The army defends the citadel outside the walls and the soldiers scan the horizon looking downwards: this leads us to place the scene on the fortifications of a city, in particular those of Genoa, that rise on the mountains behind it and from which the Genoese defended the city from attacks from the sea; the Genoa setting is also supported by the banner that flies over the walls, the Saint George Cross (red cross on a white background), flag of the Republic of Genoa. The shape of the armor, weapons and clothing would refer to the siege of Genoa in 1522. It is therefore the nineteenth-century representation of a historical episode, which is then part of that pictorial production widespread in Italy in the nineteenth century, inspired by the new historical novel popular in literature. On the back of the frame there is the name G. Boni, together with a number that refers to participation in an official exhibition. Giovanni Boni was a pupil of the Brera Academy, in particular a follower of Giuseppe Sogni, an artist who was among the first to favour historical painting in its innovative romantic declinations. Not much is known about Boni, neither from a biographical point of view nor from his production. Of his certain attribution we know only the Nude of Man (painted Academy) with which he won the first prize for the Scuola del Nudo in Brera in 1852. The piece expresses the figures and the pathos of the scene with expressive efficiency; the characters in the foreground are very well characterized in their poses, expressions, in the details of the clothes and weapons, while the other figures fade into the background, suggesting the presence of a large army. The painting, still on the first canvas, shows small widespread losses of colour. It is presented in a frame in style.

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6,200.00€

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Oil on Canvas by Noel Quintavalle Italy XX Cent.
ARARNO0126880
Oil on Canvas by Noel Quintavalle Italy XX Cent.

Landscape 1927

ARARNO0126880
Oil on Canvas by Noel Quintavalle Italy XX Cent.

Landscape 1927

Oil on canvas. Signed and dated lower left. On the back there is a cartouche with the address of the artist's studio and the title of the work; there is also a pencil-made note from the owner (a painter too) "Gift of the author, 19-03-1930". Noel Quintavalle (known under the pseudonym Noelqui), a native of Ferrara but raised and artistically trained in Milan, was a multifaceted artist. Graduated in architecture, he was self-taught in the arts, but after the great war in which he actively participated, he quickly distinguished himself and exhibited in various national and international exhibitions; in the meantime he also carried out literary activities by publishing various volumes (satire, fairy tales, short stories, memories of the war) and also experimented with sculpture and xylography. His pictorial production, which began as a pointillist, was then influenced by the synthesis of modern painting. The subjects most dear to him were the portrait (with a preference for particular female figures, such as dancers) and the landscape. The landscape presented here - a hilly glimpse, with a wide view that opens from the path under the leafy tree - belongs to the period of Noelqui still close to Divisionism, in which he used a technique with small, almost point-like brushstrokes, giving a greater brightness and surrounding each element or figure with a magical aura. The work is presented in a contemporary frame.

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2,400.00€

in Cart
Oil on Canvas by Noel Quintavalle Italy 1948
ARARNO0126882
Oil on Canvas by Noel Quintavalle Italy 1948

Poppies in Vase 1948

ARARNO0126882
Oil on Canvas by Noel Quintavalle Italy 1948

Poppies in Vase 1948

Oil on canvas. Signed and dated lower left. Composition of poppies in vase, with ceramic Madonnina on the rear wall. Noel Quintavalle (known under the pseudonym Noelqui), a native of Ferrara but raised and artistically trained in Milan, was a multifaceted artist. Graduated in architecture, he was self-taught in the arts, but after the great war in which he actively participated, he quickly distinguished himself and exhibited in numerous national and international exhibitions; in the meantime he also carried out literary activities by publishing various volumes (satire, fairy tales, short memories of the war) and also experimented with sculpture and xylography. His pictorial production, which began as a pointillist, was then influenced by the synthesis of modern painting. The subjects most dear to him were the portrait (with a preference for particular female figures, such as dancers) and the landscape. His production of floral subjects dates back to the 1940s, linked to the period in which he recovered the need for interiority, approaching the aesthetic concepts of the art of the "twentieth century". The work is presented in a contemporary frame.

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1,100.00€

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Landscape with Figures Oil on Canvas Italy 18th Century
ARARPI0126908
Landscape with Figures Oil on Canvas Italy 18th Century

ARARPI0126908
Landscape with Figures Oil on Canvas Italy 18th Century

Oil on canvas. A seduction scene is described on a country path: a standing young woman shows her body to the man sitting to rest with her partner; while he looks away, his wife looks sorrowfully at the young harlot, holding her partner by the hand. Other travelers appear on the path. Perhaps of allegorical significance, the painting underlines the contrast between the freshness, brightness and ardor of the young female body, whose beauty is flaunted, and the ill-defined, bundled, almost hidden shape of the two elderly bodies. On the back of the painting there is a hypothesis of attribution to Giuseppe Gambarini (1680-1725) in pencil. Despite the dubious attribution, the painting is well done in the pictorial quality and in the rendering of the subject. Restored and relined, it is presented in a re-adapted antique frame.

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2,200.00€

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Still Life With Flowers Oil On Canvas 18th Century
ARARPI0107500
Still Life With Flowers Oil On Canvas 18th Century

ARARPI0107500
Still Life With Flowers Oil On Canvas 18th Century

Oil on canvas. The floral composition is part of the large production of this subject that spread in Italy and Europe starting from the seventeenth century, with purely decorative purposes. The painting proposed here has traces of previous restorations and has been relined, but needs further cleaning. It is presented in an antique relacquered frame.

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1,100.00€

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Landscape with Horses Oil on Canvas - Italy XVIII Century
ARARPI0117714
Landscape with Horses Oil on Canvas - Italy XVIII Century

ARARPI0117714
Landscape with Horses Oil on Canvas - Italy XVIII Century

Oil on canvas. The large scene is set at the entrance of a village near a stop for horses: numerous horsemen are standing with their animals, which are looked after by the servants and the peasants who fill the manger with hay; one of the servants, on the right, lets the animals drink in the nearby stream. In the background, the houses of the village arranged along the river, which then flows into the hilly landscape on the right. It probably is a piece by a Flemish author working in Lombardy. Some references to clothing and construction certainly indicate the Northern European contamination, while other details indicate it was realized in a Lombard location. The painting comes from a prestigious historical residence of a Lombard noble family Still on the first canvas, it has some cuts in the lower band. It is presented in a thin coeval frame.

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Harbour Glimpse Oil on Canvas 20th Century
ARARNO0118043
Harbour Glimpse Oil on Canvas 20th Century

ARARNO0118043
Harbour Glimpse Oil on Canvas 20th Century

Oil on canvas. Singed S. Ronzoni at the bottom right. The artist painted a view over the harbour with small boats moored at the quay and sailors loading goods on their shoulders. The pictorial strokes are broad and uncontoured, the colours in a few ranges fading into each other to create a suspended atmosphere. The painting is presented in a stylish frame, with some faults.

in Cart

540.00€

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Paola Dabbene Oil on Canvas Contemporary Art
ARARNO0064539
Paola Dabbene Oil on Canvas Contemporary Art

Portrait of Dogs 1998

ARARNO0064539
Paola Dabbene Oil on Canvas Contemporary Art

Portrait of Dogs 1998

Oil on canvas. Initials D.B. on the lower right corner. Signature and date on the back. Painting of Paola Dabbene expert of "dog painting"; she paints dogs, hourses, nature and "everything that is part of my life" using diffrent techniques (oil, acrylic, paste) even on commission

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900.00€

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Oil on Canvas Attributed To Attilio Pratella 19th Century
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ARARNO0093748
Oil on Canvas Attributed To Attilio Pratella 19th Century

Costal View of Naples Bay

ARARNO0093748
Oil on Canvas Attributed To Attilio Pratella 19th Century

Costal View of Naples Bay

Oil on canvas. Signed Att. Pratella at the bottom right. On the back there is a declaretion of belonging to the neapolitan artist. The subject is close to Pratella's production who preferred marine landscapes of the Naples Bay, his home town. It is part of a wide group of painting of uncertain attribution that for a stylistic quality that does not conform to the hand of Pratella. Good qualiti and pleasant atmosphere. The painting comes with frame.

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300.00€

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Portrait Of A Young Woman Pencil Charcoal Withe Lead On Paper 1858
ARAROT0118961
Portrait Of A Young Woman Pencil Charcoal Withe Lead On Paper 1858

ARAROT0118961
Portrait Of A Young Woman Pencil Charcoal Withe Lead On Paper 1858

Pencil, charcoal and white lead on paper. Signed (Amalia Bianchi?) and dated at the bottom right. Very effective is the use of different pigments that creates a play of chiaroscuri that underlines the figure. The portrait come in a 19th century wooden frame with leather leafy and floral inserts; it has missing parts and color drops.

in Cart

680.00€

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