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31 cm 260 cm

35 cm 393 cm

2 cm 550 cm
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The Deer Hunting Oil on Canvas Painting 18th Century
ARTPIT0001540

The Deer Hunting Oil on Canvas Painting 18th Century

ARTPIT0001540

The Deer Hunting Oil on Canvas Painting 18th Century

Oil on canvas. The scene depicts two watchdogs assaulting a deer who - already dying - is collapsing to the ground. Strong impact. Restored and relined, it requires cleaning and adjustments. Revival gilded frame. 18th century.

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1,750.00€

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The Puma's Assault Oil on Canvas Painting 18th Century
ARTPIT0001538

The Puma's Assault Oil on Canvas Painting 18th Century

ARTPIT0001538

The Puma's Assault Oil on Canvas Painting 18th Century

Oil on canvas. Bloody scene depicting a puma assaulting two watchdogs. The dogs are free from their chains, but they are succumbing to the puma. Restored and relined, it requires cleaning. Revival gilded frame. 18th century.

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1,750.00€

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Large Landscape Wild Boar Hunting Oil on Canvas 18th Century
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ARTPIT0001449

Large Landscape Wild Boar Hunting Oil on Canvas 18th Century

Wild boar hunting

ARTPIT0001449

Large Landscape Wild Boar Hunting Oil on Canvas 18th Century

Wild boar hunting

Oil on canvas. The scene is set at the feet of a mountain on the river bank where a fisher is fishing and the focus is on a group of hunters dressed like knights and armed with swords and lances who are delivering the final blow to the already wounded and dying wild boar with the help of dogs. The large format highlights the important commissioner. Restored and relined. Revival frame.

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9,800.00€

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Glimpse of Milan by Natale Addamiano
ARTCON0000672

Glimpse of Milan by Natale Addamiano

Castello Sforzesco, 1987-'88

ARTCON0000672

Glimpse of Milan by Natale Addamiano

Castello Sforzesco, 1987-'88

Oil painting on canvas. Signed bottom right. On the back further signature with the date, 1987-'88. Addamiano, born in Bari, trained artistically in Milan, where he studied at the Academy of Fine Arts of Brera, where he tought Painting for several years. He has participated in several exhibitions, shows and awards, both Italian and international, in particular in Japan for his collaboration with an important Tokyo gallery. In 2018 in the exhibition entitled "Addamiano, a painting that tells the light", he was the protagonist of his first personal exhibition in Rome. He lives and works in Milan, to which he has dedicated several works, such as this small but intense glimpse of the Castello Sforzesco.

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500.00€

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Landscape With Horses Resting
ARARPI0117714

Landscape With Horses Resting

ARARPI0117714

Landscape With Horses Resting

Oil on canvas. The large scene is set at the entrance of a village near a stop for horses: numerous horsemen are standing with their animals, which are looked after by the servants and the peasants who fill the manger with hay; one of the servants, on the right, lets the animals drink in the nearby stream. In the background, the houses of the village arranged along the river, which then flows into the hilly landscape on the right. It probably is a piece by a Flemish author working in Lombardy. Some references to clothing and construction certainly indicate the Northern European contamination, while other details indicate it was realized in a Lombard location. The painting comes from a prestigious historical residence of a Lombard noble family Still on the first canvas, it has some cuts in the lower band. It is presented in a thin coeval frame.

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Large Painting Of Noblewoman Oil On Canvas Late '800 Early '900
ARARNO0117731

Large Painting Of Noblewoman Oil On Canvas Late '800 Early '900

ARARNO0117731

Large Painting Of Noblewoman Oil On Canvas Late '800 Early '900

Oil on canvas. The young woman, elegantly dressed, is represented in life size standing in a garden, presumably the one of her noble residence. The painting in fact comes from an important Lombard noble family, to which the girl belonged. The painting is presented in a coeval wooden frame enriched with friezes in gilded leather, leaves and racemes.

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4,800.00€

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Still Life With Flowers Oil On Canvas 18th Century
ARARPI0107500

Still Life With Flowers Oil On Canvas 18th Century

ARARPI0107500

Still Life With Flowers Oil On Canvas 18th Century

Oil on canvas. The floral composition is part of the large production of this subject that spread in Italy and Europe starting from the seventeenth century, with purely decorative purposes. The painting proposed here has traces of previous restorations and has been relined, but needs further cleaning. It is presented in an antique relacquered frame.

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1,100.00€

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Portrait of a Child
ARARNO0120462

Portrait of a Child

ARARNO0120462

Portrait of a Child

Oil painting on canvas. Not signed. On the back generic attribution to Gerolamo Induno. Realistic depiction of a poor ragged boy who, sitting on the outside step of a house, eats his soup; the expressive rendering of the sadness and resignation of the child is intense, also underlined by the dull colors. Presented in a coeval golden frame, mounted inside another frame.

Reserved

800.00€

Reserved
Oil on Canvas Attributed To Attilio Pratella 19th Century
ARARNO0093748

Oil on Canvas Attributed To Attilio Pratella 19th Century

Costal View of Naples Bay

ARARNO0093748

Oil on Canvas Attributed To Attilio Pratella 19th Century

Costal View of Naples Bay

Oil on canvas. Signed Att. Pratella at the bottom right. On the back there is a declaretion of belonging to the neapolitan artist. The subject is close to Pratella's production who preferred marine landscapes of the Naples Bay, his home town. It is part of a wide group of painting of uncertain attribution that for a stylistic quality that does not conform to the hand of Pratella. Good qualiti and pleasant atmosphere. The painting comes with frame.

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460.00€

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Portrait Of A Scottish Monarch Oil On Canvas 19th Century
ARARPI0096279

Portrait Of A Scottish Monarch Oil On Canvas 19th Century

ARARPI0096279

Portrait Of A Scottish Monarch Oil On Canvas 19th Century

Oil on canvas. Intense and high quality, the painting depicts a monarch of the royal house of Scotland. Around the portrait, in a painted oval frame, there are some writings: the name Rober(t) appears at the top left, the title Rex at the bottom left and the abbreviation Scot, which stands for Scotorum, on the right; the writing at the top right is not identifiable, but it seems to be an acronym. The man portrayed wears a hat and a coat adorned with ermine fur, which is considered the noblest fur, reserved for royalty. He wears a golden pendant around his neck, which depicts two leaves with the fruit of the thistle, which, in heraldry, symbolizes Scotland. The writing and the pendant therefore refer to a Robert of Scotland, probably from the dynasty that reigned in the fourteenth century. The portrait was however executed in the romantic nineteenth-century period, probably using some ancient engravings for inspiration. Restored and relined, it is presented in a frame in style.

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8,000.00€

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Praying Madonna
ARARNO0120541

Praying Madonna

ARARNO0120541

Praying Madonna

Oil painting on canvas. Monogram at the bottom. On the back at the top of the frame there is the name of the author, an amateur painter, with the date of realization, the dedication to a friend and the reference of inspiration, a Madonna by Luca della Robbia. In fair condition, the painting is presented in a gilded frame from the end of the 19th century.

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200.00€

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Port view
ARARNO0118043

Port view

ARARNO0118043

Port view

Oil painting on canvas. Signed S. Ronzoni lower right. The artist offers a view at the port, with boats moored at the quay and the sailors busy carrying goods on their shoulders; the pictorial strokes are in broad brushstrokes and without outlines, the colors in a few ranges that blend into each other to create a suspended atmosphere. The painting is presented in a styled frame, with shortcomings.

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540.00€

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Alessandro Papetti Dock Contemporary Art 12 2014
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ARTCON0000751

Alessandro Papetti Dock Contemporary Art 12 2014

Pier 12, 2014

ARTCON0000751

Alessandro Papetti Dock Contemporary Art 12 2014

Pier 12, 2014

Oil painting on canvas. Signature and date in the lower right corner. Further signature and title on the back. Alessandro Papetti was born and studied in Milan where he currently works. He began to exhibit his works in the 80s. He exhibits both in Italian and foreign galleries, in Europe and in the United States. Since 1995 he has been working between Milan and Paris. Papetti's artistic production is divided into main themes: he painted a series of portraits during the 80s-90s, then he dedicated himself to the finds, the industrial archaeology and the water cycle in the 21st century. Lastly, he painted landscapes, interiors and a series of shipyards. This painting belongs to the last works. Industrial harbors, big boats and ships depicted in their greatness and fragility with frenetic and mushy brush strokes. Presented in frame.

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Giovanni Boni Oil On Canvas 19th Century
ARAROT0116058

Giovanni Boni Oil On Canvas 19th Century

Siege Scene

ARAROT0116058

Giovanni Boni Oil On Canvas 19th Century

Siege Scene

Oil on canvas. Outside the fortifications of a city, a commander, surrounded by his soldiers, is about to light the fuse of the cannon. The army defends the citadel outside the walls and the soldiers scan the horizon looking downwards: this leads us to place the scene on the fortifications of a city, in particular those of Genoa, that rise on the mountains behind it and from which the Genoese defended the city from attacks from the sea; the Genoa setting is also supported by the banner that flies over the walls, the Saint George Cross (red cross on a white background), flag of the Republic of Genoa. The shape of the armor, weapons and clothing would refer to the siege of Genoa in 1522. It is therefore the nineteenth-century representation of a historical episode, which is then part of that pictorial production widespread in Italy in the nineteenth century, inspired by the new historical novel popular in literature. On the back of the frame there is the name G. Boni, together with a number that refers to participation in an official exhibition. Giovanni Boni was a pupil of the Brera Academy, in particular a follower of Giuseppe Sogni, an artist who was among the first to favour historical painting in its innovative romantic declinations. Not much is known about Boni, neither from a biographical point of view nor from his production. Of his certain attribution we know only the Nude of Man (painted Academy) with which he won the first prize for the Scuola del Nudo in Brera in 1852. The piece expresses the figures and the pathos of the scene with expressive efficiency; the characters in the foreground are very well characterized in their poses, expressions, in the details of the clothes and weapons, while the other figures fade into the background, suggesting the presence of a large army. The painting, still on the first canvas, shows small widespread losses of colour. It is presented in a frame in style.

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6,200.00€

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Landscape with Figures Oil on Canvas Roman School 19th Century
ARARPI0057278

Landscape with Figures Oil on Canvas Roman School 19th Century

ARARPI0057278

Landscape with Figures Oil on Canvas Roman School 19th Century

Oil on canvas. The scene takes place in a hilly countryside of CEntral Italy, in front of the ruins of a building; the lively and bright painting focuses on the 3 figures of a family who are resting on the way refreshing with fruits from the basket brought by the woman. Restored and displayed in frame.

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455.00€

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Great Floral Composition
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ARARNO0122626

Great Floral Composition

ARARNO0122626

Great Floral Composition

Oil painting on canvas. With an antique taste and a strong decorative impact, the composition offers a bright and multicolored bouquet of flowers of multiple varieties, in a vase. The painting is presented in a styled frame.

Reserved

700.00€

Reserved
Attilio Andreoli
ARARNO0120477

Attilio Andreoli

Female Portrait

ARARNO0120477

Attilio Andreoli

Female Portrait

Oil painting on canvas. Signed lower right. Trained at the Brera Academy as a pupil of Cesare Tallone and Vespasiano Bignami, Attilio Andreoli preferred historical and biblical subjects in his production, with which he built his fame, but also made several portraits. His technique was peculiar: he used only the spatula, to spread very thick and enameled color mixtures, which he then finished with small and precise touches of the steel blade. The portrait of a young woman presented here, in which the technique is clearly evident, is presented in a mid-20th century frame.

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600.00€

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Portrait of a Girl
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ARARPI0122039

Portrait of a Girl

ARARPI0122039

Portrait of a Girl

Oil painting on canvas. Portrait of a young girl holding something unidentified in her hand, perhaps a piece of bread. The painting has been restored and relined; it currently has small drops in color and a rather marked crimp. It is presented in a stylish frame.

Reserved

400.00€

Reserved
Portrait of a Young Woman 1858
ARAROT0118961

Portrait of a Young Woman 1858

ARAROT0118961

Portrait of a Young Woman 1858

Pencil, charcoal and white lead on paper. Signed (Amalia Bianchi?) And dated lower right. The use of different pictorial pigments is very effective, creating a play of light and dark and well underlining the elements of the figure. The portrait is presented in a nineteenth-century wooden frame, embellished with leather inserts in the shape of leaves and flowers, with some small falls and shortcomings.

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680.00€

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Landscape with Figures
ARARNO0104208

Landscape with Figures

ARARNO0104208

Landscape with Figures

Oil painting on canvas. Italian school. Signed G. Bossi lower right. The large landscape offers on the right the glimpse of a pond with swans, in the middle of a verdant countryside; on the left, a couple on the path is accessing an architectural structure, an outbuilding of the villa of which you can only glimpse an upper corner. Suggestive and with a bucolic atmosphere, the painting is presented in a coeval gilded frame.

in Cart

680.00€

in Cart

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