The landscape of Antonio Pedretti

Mixed technique on paper. Signed in the lower right. Not allocated to any title, but recall the series of paintings titled "Swampy" for the subject. In the frame.

The Deer Hunting Oil on Canvas Painting 18th Century

Oil on canvas. The scene depicts two watchdogs assaulting a deer who - already dying - is collapsing to the ground. Strong impact. Restored and relined, it requires cleaning and adjustments. Revival gilded frame. 18th century.

The Puma's Assault Oil on Canvas Painting 18th Century

Oil on canvas. Bloody scene depicting a puma assaulting two watchdogs. The dogs are free from their chains, but they are succumbing to the puma. Restored and relined, it requires cleaning. Revival gilded frame. 18th century.

Landscape with Figures Oil Painting on Canvas 17th Century

Oil on canvas. The landscape is crossed by a river flowing through the woods at the base of a mountain. There are some figures of fishers on the foreground to the left; they are fishing with a small net from the wooden gangway above the river. To the right, in the background a shepherd is watching over the sheep. The works, already restored and relined, shows some color losses especially along the edges. Presented in antique amended frame with some defects. 17th century.

Madonna with Child Oil on Board 19th Century

Oil on board. Good quality, the tondo shows evident connections to the painting technique of 1500s typical of Emilia Romagna, but it was actually made later during the late 1800s. Mary is lovely focused on Baby Jesus on her lap and she is looking at him. The Baby is looking in front of him and is holding a small ball, symbol of the world. In frame.

Glimpse of Milan by Natale Addamiano

Castello Sforzesco, 1987-'88

Oil painting on canvas. Signed bottom right. On the back further signature with the date, 1987-'88. Addamiano, born in Bari, trained artistically in Milan, where he studied at the Academy of Fine Arts of Brera, where he tought Painting for several years. He has participated in several exhibitions, shows and awards, both Italian and international, in particular in Japan for his collaboration with an important Tokyo gallery. In 2018 in the exhibition entitled "Addamiano, a painting that tells the light", he was the protagonist of his first personal exhibition in Rome. He lives and works in Milan, to which he has dedicated several works, such as this small but intense glimpse of the Castello Sforzesco.

Set of Natural Compositions Attributable to Carlo Antonio Raineri

The group of three compositions, natural

Tempera on paper applied to canvas. The compositions depict different birds and butterflies flying above flowers. Good condition, small spots of moisture. Presented in coeval frames. 18th century.

Madonna with Child Copy Signed by Tozzi Painting 1924

Signed copy Tozzi,1924

Oil painting on board. Signed by M. Tozzi and date (1924) in the lower right corner. It's a copy of the original homonymous and larger painting (121 cm x 84 cm) exhibited at Galleria Civica di Arte Moderna in Milan. The Associazione Artistico Culturale Mario Tozzi was asked for an expert evaluation of the painting and claimed that "the strokes,... the technique and the colors can't be attributed to the painter Mario Tozzi". It's still an effective copy. Presented in frame.

Classical Landscape with Figures Oil on Canvas 18th Century

Oil on canvas. Classical style. View of a wide plain with towers of villages and bridges on the river; in the foreground ther is a couple of wayfares reasting along the path. It had alredy been restored and displayed in frame.

Portrait of a Gentleman, Oil on Canvas, Central-European School, 1700

Oil on canvas. Central-European School. Gentleman's portrait who's austere pose is liven up by the play of colors : the flowery silk of the waistcoat stands out whi the white lace jabot surounded by the other fabrics' colors, the green tail, the blue and ochre cape. Also the rosy face and the red lips stands out. Already restored. DIsplayed in a late-19th century frame.

Ubaldo Oppi, Oil on Plywood, 1930s

The Bagpipe Player

Oil on plywood. 1930s. Signed on the rear right corner. Ubaldo Oppi, born in Bologna, had a passionated life: he studied painting firstly in Vienna then moving around Europe stopping for a long time in Pris where he frequented Picasso; back in Venice he started to expose. In 1915 he left the front joning the alpine troops and fought until 1918 when he was deported to Mauthausen. During the first postwar he moved to Milan where, thanks to Margherita Sarfatti, he approached the movement of the Seven Painter on the italian 1900sto which he had been related for a short time. He took part to several Biennali in Venice and abroad and in 1926 e took parto to the Exposition on Italian 1900s at the Permanente palace in Milan. In 1928 he coverted to Catholicism and started including religious subjects in his prodution that until that time was mostly focused on figures and portraits. In 1942 he resumed service in the Army but soon he had to go back to Venic because of his health problemns and died on October 25th 1942. The painting in question is a genre subject, an old musician. Comes with coeval frame and needs to be restored.

Euterpe Muse Oil on Canvas Tuscan School 18th Century

Oil on canvas. Tuscan School. Allegorical female figure maliciously smiling and half-naked; her head is surrounded by a leaves crown and she is holding a zuffolo from which we can recognize Euterpe, muse of music and lyric poetry. Her name means " She who cheeres up and gladdens" undelining the recreational and alienating function of music. The painting in questions still on the original canvas but shows signs of restoring works. Propriety label on the back. Farmed.

Ecce Homo Oil On Canvas Applied On Panel 17th Century

Oil on canvas, applied on panel. Christ, crowned with thorns, with the red cloak of regality and a bamboo cane in place of a sceptre: it is the representation of the "Ecce Homo", the moment of the Passion of Christ. The painting is displayed in a style frame.

Landscape with Figures Oil on Canvas Roman School 19th Century

Oil on canvas. The scene takes place in a hilly countryside of CEntral Italy, in front of the ruins of a building; the lively and bright painting focuses on the 3 figures of a family who are resting on the way refreshing with fruits from the basket brought by the woman. Restored and displayed in frame.

-Christ Carrying The Cross Oil On Copper 17th 18th Century

Oil on copper. Christ, crowned with thorns, embraces the cross he is obligated to carry on the ascent to Calvary. The painting, with some signs of previous restorations, is presented with a style frame.

Sofonisba Anguissola Oil On Canvas Lombard School Italy Late '500

Oil on canvas. Lombard school. The painting, already attributed to Sofonisba Anguissola and presented as so to Hampel Auctions on 26/06/2014, has all the pictorial characteristics that remind of the hand of the painter Sofonisba Anguissola (1530 ca.- 1625) from Cremona, who was an established and appreciated portait painter and worked for fourteen years in the Spanish court. The great expressive ability and the intensity of the gaze of the subjects, who reveal the "movements of the soul" are highlighted in all of her portraits. This painting was reframed in XIX century and is displayed in a gilded frame from XVIII century, on the back of which there is a small coeval label from the inventory of a collection.

Sketch for the Glass Window by Aligi Sassu St. Ambrose 20th Century

Sant'ambrogio

Original oil painting on cardboard for the preparation of the stained glass window of the church of Viggiù (Varese), for which the master Aligi Sassu made many works. This painting comes with expertise on picture signed by Alessandro Grassi, master glassmaker who collaborated with many Italian and foreign architects and artists and realized the final work in collaboration with the artist. The painting depicts St. Ambrose - patron Saint of Milan - in the act of denying the entry into the church to the emperor Theodosius I, who was guilty of many crimes even though he was a Christian. In frame. 20th century.