Pio Joris, sketch

Study for a procession

Oil on cardboard. Signed in the lower right. At the back of this label with the description. A painter, engraver and watercolourist roman, belonging to the circle of followers, the romans, Mariano Fortuny, is known for a style characterized by the mixture of realism and genuine pleasantness of touch, flickers and spirited. His pictorial production has ranged from paintings genre scene, also touching on the portrait. The proposed work is a small study for a procession, a theme he tackled in several works. THE painting is inserted in a passe-partout, without frame.

Painting of Angelo Fiessi, Oil on Cardboard, 20th Century

View of the City

Oil on cardboard applied on hardboard. Signed on the lower right corner. Angelo Fiessi, born in Brescia, had always been related to his home town and to the places around Iseao Lake where hi went often; landscapes painter that dedicated most of his production evoking his beloved places and the emotions that thoese place raise, permeating his paintings with kindness and poetry.

Attributable to Arturo Tosi, Oil on Carboard 20th Century

Flowers

Oil on cardboard. Attributive writing to Tosi and title on the back. Although being a good quality painting, the painting style doesn't seem to belong to the artist but could be a great imitation.

Francesco Pogliaghi Mixed Technique on Metal Slab 20th-21st Century

Abstract Composition

mixed technique on a metal slab. A big central writing "Nature", applied as collage, is forerun by the letter S that transform the word into "Snature" and is framed by words paited and carved in the color. He was burn in Madrid and moved with his family all over Europe; thanks to the nomadism this youg painter and treet artist could get in touch with the first european expressions of public art. The meeting with graffit dates back to 1996 an it was love at the first sight: the young Pogliaghi attended severals convention getting in touch with the most prestigious italian and foreing experts. His graffiti evolve from year to year, they develop graphically and contaminate the creative produtions of the artist. Pogliaghi tries different expressive techniques achieving a wide and specifc knowladge of the processing of materials: in his prodution we can find illustrations, sculptures, material works, studies of metaphysical structures, chromatic experiments. Central theme of his art works is alway the urban sign that becomes drawing: the calligraphic sign, the "tag", becomes illustration, figure, drawing, concept.

Aleksander Zyw, Oil on Canvas, Contemporary Art

Abstract Composition

Oil on canvas. Signed on the lower right corner and on the back. Aleksander Żyw was born in Lida,Belarus, in 1905. Studied at the Academy of Fine Arts in Varsavia under the leading of Tadeusz Pruszkowski. In 1934 he won a scholaraship that allowed him to travel all over europe and built his personal style deifined neo-impressionist. After taking part at the Secon World War with the polish army, he lived in EdinburgH, Scotland, till 1960 then he moved to Italy till he died in Castagneto Carducci (Li). His starting prodution was mostly about landscapes inspired by his ypung military experience, but starting from 1950s he began to work with austerity and exploring the natural world, in particular his elements, taking objects as starting point for dark image, sometimes very abstract and expressed with light colors, greys, browns, blue-greys and blue-greens. The painting in question belongs to this second prodution. Comes with frame,

The landscape of Angel Fiessi

Glimpse of the country covered with snow

Oil on cardboard. Signed Fiessi in the lower right. TO back this further signature to be authentic, with the words "old" and the date 1920. Angel Fiessi, a native of Brescia, he was always very attached to his hometown and to the towns of lake Iseo and the surrounding mountains, which he attended for a long time; landscape painter, he dedicated a great part of its production to evoke the places he loved, and the emotions that stirred up, permeating his paintings of poetry and sweetness. In the frame.

Sant'antonio Abate

Oil on canvas. The Holy one, considered one of the founders of monasticism, is pictured here with his iconographic attributes (the stick from the pilgrim surmounted by a bell), while meditating in front of a sacred text, and to the Crucified one. The characters of the writing of the book, careful to yield detailed and realistic, suggest a flemish influence. Restored and ritelato.

The work of Jonathan Guaitamacchi

"Centrally", 2015

Mixed on canvas. Signature,date and title on the back. Accompanied by authentic of the artist on the photo.

The landscape of Antonio Pedretti

Mixed technique on paper. Signed in the lower right. Not allocated to any title, but recall the series of paintings titled "Swampy" for the subject. In the frame.

The Deer Hunting Oil on Canvas Painting 18th Century

Oil on canvas. The scene depicts two watchdogs assaulting a deer who - already dying - is collapsing to the ground. Strong impact. Restored and relined, it requires cleaning and adjustments. Revival gilded frame. 18th century.

The Puma's Assault Oil on Canvas Painting 18th Century

Oil on canvas. Bloody scene depicting a puma assaulting two watchdogs. The dogs are free from their chains, but they are succumbing to the puma. Restored and relined, it requires cleaning. Revival gilded frame. 18th century.

Madonna with Child Oil on Board 19th Century

Oil on board. Good quality, the tondo shows evident connections to the painting technique of 1500s typical of Emilia Romagna, but it was actually made later during the late 1800s. Mary is lovely focused on Baby Jesus on her lap and she is looking at him. The Baby is looking in front of him and is holding a small ball, symbol of the world. In frame.

Female Portrait by Luigi Brignoli Oil Painting 1924

Portrait of a female, 1924

Oil painting on canvas. Signature and date (924) in the lower right corner. Pleasant and refined portrait of rich woman wrapped in her fur coat. The hand on her lap is holding a magnifying glass. The artist is Luigi Brignoli, painter from Bergamo who studied at Carrara Academy with Tallone at first and at Brera Academy then. He was appreciated for his landscapes of Lombard tradition and was an esteemed portraitist. On the back, label belonging to Galleria Pesaro in Milan. The painting is presented in beautiful coeval gilded frame. 1924.

Landscape with Figures Oil Painting on Canvas 17th Century

Oil on canvas. The landscape is crossed by a river flowing through the woods at the base of a mountain. There are some figures of fishers on the foreground to the left; they are fishing with a small net from the wooden gangway above the river. To the right, in the background a shepherd is watching over the sheep. The works, already restored and relined, shows some color losses especially along the edges. Presented in antique amended frame with some defects. 17th century.

Pair of Paintings with Ruins and Figures

Oil on canvas. The architectural paintings are set on the sea coast and populated with common people and fishers. Restored and relined, the paintings are presented in adjusted frames of the 19th century.

Glimpse of Milan by Natale Addamiano

Castello Sforzesco, 1987-'88

Oil painting on canvas. Signed bottom right. On the back further signature with the date, 1987-'88. Addamiano, born in Bari, trained artistically in Milan, where he studied at the Academy of Fine Arts of Brera, where he tought Painting for several years. He has participated in several exhibitions, shows and awards, both Italian and international, in particular in Japan for his collaboration with an important Tokyo gallery. In 2018 in the exhibition entitled "Addamiano, a painting that tells the light", he was the protagonist of his first personal exhibition in Rome. He lives and works in Milan, to which he has dedicated several works, such as this small but intense glimpse of the Castello Sforzesco.

Set of Natural Compositions Attributable to Carlo Antonio Raineri

The group of three compositions, natural

Tempera on paper applied to canvas. The compositions depict different birds and butterflies flying above flowers. Good condition, small spots of moisture. Presented in coeval frames. 18th century.

Glimpse of Milan Oil Painting Mid 20th Century

Oil painting on board. The small painting recalls the Lombard glimpses of the mid 1800s. Below it says 'Milano 1845'. The glimpse depicts the characteristic covered walkway leading towards the Duomo, which was demolished in 1870 and was known as Porta della Pescheria Vecchia. Mid 20th century.

Sketch for the Glass Window by Aligi Sassu St. Ambrose 20th Century

Sant'ambrogio

Original oil painting on cardboard for the preparation of the stained glass window of the church of Viggiù (Varese), for which the master Aligi Sassu made many works. This painting comes with expertise on picture signed by Alessandro Grassi, master glassmaker who collaborated with many Italian and foreign architects and artists and realized the final work in collaboration with the artist. The painting depicts St. Ambrose - patron Saint of Milan - in the act of denying the entry into the church to the emperor Theodosius I, who was guilty of many crimes even though he was a Christian. In frame. 20th century.