Price

190 € 18000 € Apply

materiale

Dimensions


6 cm 333 cm

11 cm 560 cm

2 cm 236 cm

5 cm 266 cm

30 cm 46 cm
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Showcase Art Nouveau Mahogany Italy XIX Century
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ANMOLI0145627
Showcase Art Nouveau Mahogany Italy XIX Century

Cupboard with Showcase

ANMOLI0145627
Showcase Art Nouveau Mahogany Italy XIX Century

Cupboard with Showcase

Small sideboard with two doors and two drawers surmounted by a showcase with side shelves supported by thin turned uprights. The panels of the doors like those of the sides of the riser contain floral ceramics, in the center of the door with glass there is a bas-relief ceramic panel with the allegory of painting, this is an indecipherable signature, on the back the "Goldchelder Wien" brand , referable to the well-known Viennese ceramics factory and engraved with the numbers "0764 / 16 / 30&". The wavy feet, the cymatium, like the rest of the piece of furniture, have small "whiplash"carvings and carved florals, defined by gilding and lacquering. Brass-coated frames, hardware, worked in floral style with partly gilded copper sheet flowers and fruits.

In Cart

5,400.00€

In Cart
Group of Chairs and Armchairs Art Nouveau Italy XIX Century
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ANSESE0145630
Group of Chairs and Armchairs Art Nouveau Italy XIX Century

Pair of Armchairs and Four Chairs

ANSESE0145630
Group of Chairs and Armchairs Art Nouveau Italy XIX Century

Pair of Armchairs and Four Chairs

Group of four mahogany chairs and two armchairs with wavy feet and enveloping backrests, the structure, embellished with brass-plated frames, is enriched with gilded floral-style carvings; in the backrests the carving is instead on a lowered and lacquered bottom always with a floral theme. The original fabric takes up the same motifs.

In Cart

3,200.00€

In Cart
Architecture Glimpse V. Codazzi Attr. Oil on Canvas Italy XVII Century
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ARARPI0184973
Architecture Glimpse V. Codazzi Attr. Oil on Canvas Italy XVII Century

ARARPI0184973
Architecture Glimpse V. Codazzi Attr. Oil on Canvas Italy XVII Century

Oil on canvas. A large architectural structure, imposing in its classicism, with tall twisted columns and elaborate Corinthian-style capitals, dominates a gentle and nuanced lake landscape, which teems with the daily activity of small figures of wayfarers, fishermen, and commoners, well described in their peculiarity. The painting is close to the manners of Viviano Codazzi (1604 -1670) to which it was traditionally attributed. Originally from Bergamo but then active in Rome and Naples, Codazzi was a famous painter of perspectives, considered by many to be the inventor of the view and of the architectural whim. Also close to the Bamboccianti genre, he distinguished himself for the descriptive care of the various protagonists, their gestures, their clothing, care indicating a vision and a study from life of everyday life, read and interpreted without literary filters but with marked naturalism. Restored and relined, the painting is presented in a coeval frame.

In Cart

10,600.00€

In Cart
J. Jordaens Attr. Oil on Canvas North-European School XVII Century
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ARARPI0183431
J. Jordaens Attr. Oil on Canvas North-European School XVII Century

"L'arc en ciel" XVII Century

ARARPI0183431
J. Jordaens Attr. Oil on Canvas North-European School XVII Century

"L'arc en ciel" XVII Century

Oil painting on canvas. Northern European school of the seventeenth century. The large pastoral scene presents a broad landscape that pushes the gaze to the distant sea coast; on it the sky is gradually opening up, revealing flashes of blue on the left, while on the right, among the darker clouds left over from the storm, a large rainbow is revealed. In the foreground, a group of shepherds and shepherdesses enjoy amorous games, discrete and festive, in the midst of their herds, which rest and drink from the nearby stream. The whole scene is animated by a dimension of joyful relaxation and refreshment, as if the rainbow had restored serenity to the environment, bringing light and with it serenity to the world. The attribution to Jordaens is linked both to the typology of subject, the pastoral one, a recurring theme in the production of the Flemish artist, and to the pictorial modalities: in this work we find his warm and luminous colours, the strong contrasts of light and shadow, the robust figures with red and healthy faces, sometimes with satyristic features, the compositions full of figures that give an air of sensual vitality. Restored and relined, the painting is presented in a period gilded frame.

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Price upon request

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The Allegory of Autumn White Marble Italy XIX Century
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ARARAR0183427
The Allegory of Autumn White Marble Italy XIX Century

Italy, Half XIX Century

ARARAR0183427
The Allegory of Autumn White Marble Italy XIX Century

Italy, Half XIX Century

Female statue in white statuary marble, allegorical personification of autumn, Italy mid-19th century. Whole figure dressed in the old fashioned way with gown, headdress of vine leaves and bunches of grapes, the latter also placed along the left side; with his right arm he holds autumn fruits. Resting on a circular base. Small breaks.

In Cart

9,500.00€

In Cart
Baroque Pantry Walnut Italy XVII Century
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ANMOAR0159189
Baroque Pantry Walnut Italy XVII Century

Central Italy Late 17th century

ANMOAR0159189
Baroque Pantry Walnut Italy XVII Century

Central Italy Late 17th century

Baroque pantry in walnut, central Italy, late 17th century. Front equipped with a pair of paneled doors, uprights decorated with frames, paneled sides, shelf feet. Rack added later.

In Cart

4,000.00€

In Cart
Neapolitan Committed Table Italy 19th Century
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ANTATA0051944
Neapolitan Committed Table Italy 19th Century

XIX Century - from 1801 to 1900

ANTATA0051944
Neapolitan Committed Table Italy 19th Century

XIX Century - from 1801 to 1900

The supporting structure is made with a central trunk that act as baluster assembled with smaller branches; entirely gilded. Committed marbles top: different stony typologies are used to create a centra vese with flowers on top of which a dove alights. All around there is an edging inside which are represented leafy scrolls and plant patterns; the top's perimeter is defined by a greek fret with alternating triangles.

In Cart

7,000.00€

In Cart
The Wavy Sea Oil on Canvas Italy XVII-XVIII Century
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ARARPI0184972
The Wavy Sea Oil on Canvas Italy XVII-XVIII Century

ARARPI0184972
The Wavy Sea Oil on Canvas Italy XVII-XVIII Century

Oil on canvas. As signed by the label on the back, the painting was presented athe "Venetian Baroque Painting Exhibition" of 1943, with the title "in porto al tramonto" and the attribution to Marco Ricci. This attribution can be motivated by the executive ability, which through rapid and loose brushstrokes. It manages to fully render the natural reality of the stormy sea with sensivity. In this regard, see the similar images published by Rodolfo Pallucchini in the studies "Studi ricceschi: contributo a Marco published in the magazine Arte veneta (vol. IX, 1955). Ricci's landscape and marine productions (which, however, were not his most extensive production) are characterized by powerful and emotional lights, by dry and twisted trees, rocks and towers, cumulus clouds that suddenly break open in vague flashes of blue, foaming waves, a complex repertoire that transfigures nature into a dramatic and restless representation, in which man is also inserted as an integral element. Also in this painting we find these highly dramatic but at the same time scenographic elements, with some human figures, three men on a small boat in the foreground, who are barely distinguishable from the sea and the rocks that surround them, as well as the ship on the left sinking engulfed by the sea. Restored and relined, the painting is presented in a period frame.

In Cart

9,500.00€

In Cart
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Pair of Armchairs Beech Wood Italy 1950s
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MOSEPO0182235
Pair of Armchairs Beech Wood Italy 1950s

MOSEPO0182235
Pair of Armchairs Beech Wood Italy 1950s

Pair of armchairs; structure in natural beech wood, seat and back in foam with velvet covering.

In Cart

1,600.00€

In Cart
The Capture of St. Thomas Aquinas Oil on Canvas Italy XVII Century
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ARARPI0183430
The Capture of St. Thomas Aquinas Oil on Canvas Italy XVII Century

ARARPI0183430
The Capture of St. Thomas Aquinas Oil on Canvas Italy XVII Century

Oil painting on canvas. Tuscan school of the seventeenth century. Scion of an ancient Longobard lineage of Aquino (in the province of Frosinone), Thomas (born around 1226) went to Naples to study, in 1243 he entered the order of Dominican preachers against the wishes of his relatives, but during the journey to the northerner was arrested by his brothers and held prisoner for about a year. In the scene, the young saint in the centre, already dressed in the Dominican habit, is surrounded on both sides by four richly dressed figures, precisely his relatives, probably including his mother, who hold him kindly, almost embracing him, while with gestures of the hands and the afflicted and loving looks try to convince him, almost begging him. The figures are also placed in a prison, as indicated by the bars in the window on the right, to underline the coercive action performed. Rich and detailed are the details of the clothes of the characters, with bright colors that contrast with Thomas' dress, plastic movements properly in Baroque taste. Already restored and relined, the painting is in good condition, with evident cracking. It is presented in an antique re-lacquered and re-gilded frame.

In Cart

6,200.00€

In Cart
Sideboard Exotic Wood Italy 1960s
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MOMOMO0182914
Sideboard Exotic Wood Italy 1960s

MOMOMO0182914
Sideboard Exotic Wood Italy 1960s

Sideboard attributed to Sergio Mazza, with hinged doors; exotic wood veneered wood, chromed metal base.

In Cart

2,500.00€

In Cart
Archive Cabinet Walnut Italy XVIII Century
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ANMOCR0156548
Archive Cabinet Walnut Italy XVIII Century

Central Italy Second Fourth XVIII Century

ANMOCR0156548
Archive Cabinet Walnut Italy XVIII Century

Central Italy Second Fourth XVIII Century

Double body filing cabinet. The broken front is punctuated by carved pilasters with capitals and leaf festoons, framing two central doors with drawer in the band and two other doors in the upper part, laterally there is a door surmounted by a drawer and a door in the upper body; the upper part has a strongly protruding hat. In walnut, the doors are paneled with shaped walnut briar tiles, the interiors are in chestnut. It has restorations, the vents have been replaced.

In Cart

17,000.00€

In Cart
Hercules Baroque Sculpture Stone Italy XVIII Century
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ARTART0000182
Hercules Baroque Sculpture Stone Italy XVIII Century

ARTART0000182
Hercules Baroque Sculpture Stone Italy XVIII Century

Vicenza stone sculpture depicting Hercules, according to the typical iconography: a muscular and bearded man, with a club on his shoulders; he is represented with a dynamic posture that creates a spiral movement, characteristic of the Baroque taste.

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Triptych Clock G. Philippe Bronze France XIX Century
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OGANOG0136012
Triptych Clock G. Philippe Bronze France XIX Century

XIX Century - from 1801 to 1900

OGANOG0136012
Triptych Clock G. Philippe Bronze France XIX Century

XIX Century - from 1801 to 1900

Triptych clock in gilded and chiseled bronze with carved and gilded wooden bases. The clock with a large rectangular base features finely worked burin decorations with leaf volutes, garlands, lion protomes and a cup-shaped vase at the top. Enamelled metal display with hours in Roman numerals and minutes in Arabic numerals protected by a lid with curved glass; the hands are in gilded and perforated bronze. In the center of the dial and on the manufacture branded mechanism. The six-flame candelabra have the same decorations as the clock and are 67 centimeters high.

In Cart

4,300.00€

In Cart
Edmund Dulac's Fairy-book
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LILIIL0165404
Edmund Dulac's Fairy-book

Edmund Dulac
Hodder & Stoughton

LILIIL0165404
Edmund Dulac's Fairy-book

Edmund Dulac
Hodder & Stoughton

In Cart

237.50€

250.00€

-5%
In Cart
La figlia di Iorio Tragedia pastorale
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LINACI0174005
La figlia di Iorio Tragedia pastorale

Gabriele D'Annunzio
Fratelli Treves Editori

LINACI0174005
La figlia di Iorio Tragedia pastorale

Gabriele D'Annunzio
Fratelli Treves Editori

In Cart

380.00€

400.00€

-5%
In Cart
Stories from Hans Andersen with illustrations by Edmund Dulac
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LILIIL0165677
Stories from Hans Andersen with illustrations by Edmund Dulac

Hans Andersen, Edmund Dulac
Hodder & Stoughton

LILIIL0165677
Stories from Hans Andersen with illustrations by Edmund Dulac

Hans Andersen, Edmund Dulac
Hodder & Stoughton

In Cart

190.00€

200.00€

-5%
In Cart
'LC4' Cassina Chaise Longue Leather Italy 1970s
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MOSEPO0182004
'LC4' Cassina Chaise Longue Leather Italy 1970s

MOSEPO0182004
'LC4' Cassina Chaise Longue Leather Italy 1970s

Chaise longue with adjustable inclination with structure in steel and lacquered metal, seat in pony skin, head cushion in leather; Cassina production logo on the tubular.

In Cart

3,000.00€

In Cart
Empire Desk Chestnut Mahogany Italy XIX Century
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ANTASC0112155
Empire Desk Chestnut Mahogany Italy XIX Century

XIX Century - from 1801 to 1900

ANTASC0112155
Empire Desk Chestnut Mahogany Italy XIX Century

XIX Century - from 1801 to 1900

Central Italy Empire desk, supported by lion feet, on the front it has a retractable door, which can be opened through a mechanism accessible on the bottom of the cabinet and concealing two drawers, it is surmounted by a smaller drawer. In the upper part there is a retractable roller door, concealing a pull-out desk top with a fake Moroccan insert (replaced later), equipped with a spring system that gives access to secrets; present compartments and drawers. The shelf has a single door with a mirror concealing a castle with compartments and drawers. The uprights on the front have the characteristic truncated-pyramidal shape, ending with gilt bronze drips and surmounted by female herms in burnished bronze in the lower body, while in the upper one there are Egyptian caryatids. In mahogany, the interiors are in chestnut.

In Cart

4,600.00€

In Cart
Goblet Eclectic Ferdinand Barbedienne Alabaster Bronze Paris 1800
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OGANOG0084009
Goblet Eclectic Ferdinand Barbedienne Alabaster Bronze Paris 1800

XIX Century - from 1801 to 1900

OGANOG0084009
Goblet Eclectic Ferdinand Barbedienne Alabaster Bronze Paris 1800

XIX Century - from 1801 to 1900

Alabaster goblet held by a gilded bronze support with an enamelled decoration realized with the champleve technique. The base is shaped as an upside down goblet and holds a circular bronze structure with enamelled vegetal themed decorations. Handles with spirals, grotesque masks and snakes. Embossed signature of the author on the base.

In Cart

1,900.00€

In Cart