XIX Century - from 1801 to 1900

French Empire bookcase, supported by feet, the front ones vase shaped. There are two panelled doors on the front, surmounted by the same amount of drawers in the under the top band, open shelf with a rack. Spotted mahogany veneer, it is decorated with brassed framings, the interiors are in sessile oak.

XIX Century - from 1801 to 1900

French Bourbon Restoration chest of drawers, there are three drawers on the front framed by two half pilasters which support the slightly jutting under the top band, in which another drawer is hidden. Mahogany feather banded veneer, it is decorated with gold to mercury bronze applications in the nozzles, with the characteristic anthemium shape, in the bases and the capitals of the half pilasters, where two feminine faces are depicted. The interiors are in sessile oak, the grey fossil marble has been replaced at a later date.

Porcelain plaque painted with polychrome enamels decorated across the board. In the central polylobed reserve a composition of vases of different shapes filled with flowers is depicted, all on a very detailed "millefleur" background embellished with gold.

United Kingdom Late 18th Century

George III serpentine sideboard in mahogany veneer, England late 18th century. Top with maple threads, front with 3 drawers in the band, pair of doors and inlays in mahogany and maple including a vase and fan motifs on the doors. Lack of drawer locks; door locks marked "Lever". Interior in oak. Bronzes replaced handles.

Ferrara Half XVIII century

Baroque chest of drawers supported by wavy legs, the apron is moved both on the front and on the sides; on the front moved like a crossbow it has three drawers. Veneered in walnut with walnut burl reserves, the interiors are in spruce and poplar.

XIX Century - from 1801 to 1900

Showcases, on the front they have two paneled doors decorated with lozenge motifs, surmounted by as many drawers; they are framed between uprights with false pilasters also re-proposed in the upper body, to frame two doors with blown glass. In walnut, the interiors are in walnut.

XX Century - from 1901 to 2000

Large bronze sculpture depicting a Bedouin on horseback. Engraved signature of the artist. Posthumous copy.

Early 20th century

Liberty room consisting of a wall console, table, divider, sideboard with riser, sofa with mirror, four chairs and a pair of armchairs. In mahogany, the furniture is decorated with custom-made gilded bronzes and brass-plated inlays; the mirror placed on the sofa has a velvet-covered frame and three glazed terracotta tiles painted with typically Art Nouveau female figures. The sideboard with a raised side also has painted panels placed on the doors and sides of the raised part, here with flowers, while in the center of the glass door there is a bas-relief ceramic tile with the allegory of the painting, this signature cannot be deciphered. on the back this trademark "Goldchelder Wien", referable to the well-known Viennese pottery factory; also present, engraved, the numbers "0764/16/30".

XIX Century - from 1801 to 1900

Wardrobe with one door and a drawer. It appears architecturally as a plinth with a rectangular base on vase-like feet and marked on the top with a light frame. To break the architectural balance there are two twisted all round columns siding the door made with a big framed mercury mirror. The entire surface is made with rosewood with Brazilian rosewood reserves and refined inlays of "antemi" and spirals that are repeated on the framing bands of the reserves; on the top frame is inlaid a Greek fret; the inlaid frame of the door marks the mirror with a finely inlaid and gilded moulding. Light maple frames interrupt the ones made with rosewood and Brazilian rosewood while there is gold in the inlay of the door but also in the bronzes that complete the bases and the capitals of the columns and in the locks. The lock is marked F.Vago in Milan.

XIX Century - from 1801 to 1900

Silver table set finelly decorated with caryatids and greek. The set is made of an oil cruet, salt and pepper shaker and sugar bowl. Silver's brands wedged. gr1290

XVIII Century - from 1701 to 1800

Black and green serpentine marble sculpture representing a sitting dog. His face's expression, his neck, his pose and his pows highlight the perfect sculpting skills of the artist. In history of art dog represent happyness. Alredy Plinio said that the dog along with the horse is the most loyal animal and man's companion.

17th century - from 1601 to 1700

Walnut panel inlaid with leafy scrolls decorations and dragons. Mascaron and putti kissing.

17th century - from 1601 to 1700

Walnut panel finely inlaid with relief decoration of putti kissing, mascaron, dragons and leafy scrolls.

Third Quarter of the XVIII Century

Neoclassical chest of drawers supported by truncated pyramidal feet tightened by a collar, on the front it has two drawers plus one placed in the undertop band. In cherry, with edges in olive wood and maple threads, the interiors are in walnut, the top is in marble. Inventory brands present on the bottom.

Late 19th century

Neo-Gothic trestle supporting brazier, in wrought iron, supported by wavy legs worked with leaf motifs and ending with feral feet; in the upper part of the winged dragons hold rings between their jaws that support the ribbons, worked with a burin.

XVIII Century - from 1701 to 1800

Pair of carved and gilded wooden torches in Baroque style. Tripod base with curly decorated feet and a baluster-shaped shaft carved with volutes and plant motifs.

XIX Century - from 1801 to 1900

Pair of large corner bookcases, with four doors alternating with pilaster uprights on the long sides, while on the short side two doors; row of small drawers placed in the undertop band. The upper body has open bookcases with adjustable shelves thanks to the rack. In walnut, the interiors are in spruce; missing locks.

XVIII Century - from 1701 to 1800

Genoa baroque console, supported by wavy legs carved by rocaille motifs, are connected by crossbar with a central shell element; the apron, both on the front and on the sides, is carved and perforated with scrolls and leaf motifs. Entirely gilded in Mecca, probably in the 19th century, the shaped top is marbled.