Cartier e Monica Bellucci duo complice

Fawaz Gruosi
De Grisogono

AA.VV.
Cartier and Corporate Social Responsibility

Dante Giacosa
Automobilia

Tom Morris
Frame Publishers

New Wave Clay unpicks the zeitgeist and aesthetic of an exciting discipline with intelligence, insight and indulgence.

Against the backdrop of the digital age and shiny screens, a whole new generation of craftspeople, designers and artists are realizing the pleasure of working with clay and bringing a fresh perspective to the material. Today, there is a lively crossover between craft, design, sculpture and technology that is rethinking ceramics: what you can make with it, what it looks like and who makes it.

New Wave Clay is a global survey of 55 imaginative ceramicists that are leading this craft revival. They include classically trained potters who create design-led pieces, product designers who use clay as a means of creative expression, as well as fine artists, architects, decorators, illustrators, sculptors and graphic designers. Their collective output goes far beyond pots into ceramic furniture, sculpture, murals, wall reliefs, small-scale architecture and 3D printing.

The book is divided into four thematic sections and features special contributions from Edmund de Waal, Hella Jongerius, Grayson Perry, Martin Brudnizki and Sarah Griffin discussing craft, industry, ornament, decorating and collecting.

New Wave Clay is an image-led, dynamic study of the exciting new generation jumpstarting this age-old art.

Features
- A 296-page survey of 55 international ceramicists who bridge the worlds of product design, interiors, fine art and luxury craftsmanship.
- Four thematic chapters are accompanied by interviews and written contributions on the subject from designers, decorators and collectors.
- Richly illustrated, New Wave Clay is an image-led, dynamic book that aims to demonstrate the contemporary condition of this age-old art.
- Instead of focusing on traditional craft ware and functional pieces, this title focuses on the community of ceramicists who create design-led works.

David W. & Barbara G. Fraser
River Books

"Mantles of Merit - Chin Textiles from Myanmar, India and Bangladesh is the product of many years of research on the history, culture and textiles of the Chin, a heterogeneous group of people, hitherto inadequately studies. Their rich textile culture emphasizes grand blankets and intricate tunics, made of homespun cotton, flax, hemp and silk, dyed with indigo and lac, and woven on a back-tension loom. In considering Chin textiles as art and cultural objects, the authors describe both their beauty and technical virtuosity and their integral role in the Chin effort to achieve merit in this life and the next. The inter-relationships between the complex subdivisions on the Chin and their neighbours are also discussed." "Research involved visits to Chin villages, interviews with weavers and Chin elders, examination of many textile collections, review of the anthropological, missionary and colonial literature and private papers, consultation with other scholars and the assembly of a body of Chin textiles for analysis. Over 650 illustrations with 613 in colour, included detailed drawings of textile structures, photographs taken by early missionaries and scholars, photographs from Chin family albums, as well as close-ups and studio photographs of the world's great collections of Chin textiles."--BOOK JACKET.

Flurina Rothenberger, Hammer, Catherine Morand
Edition Patrick Frey

Pathé'O, originally from Burkina Faso, is an African fashion icon in every sense of the word. Known for his collections far beyond his chosen home Côte d'Ivoire, the designer's visionary legacy has been influencing the aesthetic standards and experience of fashion on the African continent for over 30 years and has also led to a recent collaboration with the fashion house Dior. His distinct design aesthetics and cutting-edge approach to sustainability alongside a gift for combining cultural commitment with entrepreneurial creativity have inspired designers of all ages. For long it was common for politicians and showbiz celebrities in West African former French colonies to dress in a Western manner. In this context Pathé'O approached his work with the clear intention to raise appreciation amongst Africans for a local fashion style and industry. In the 80s, Pathé'O became friends with Thomas Sankara, president of Upper Volta, later Burkina Faso, and a proponent of Pan-Africanism. Pathé'O was heavily influenced by Sankara's decisiveness to promote local pride and cultural heritage and from this point on he solely relied on using locally produced fabrics. His creations became a contemporary tribute to cultural heritage, history and identity. A further prominent encounter Pathé'O experienced was with Nelson Mandela, who was the first African president to chose his vibrant designs and light cotton fabrics over a Western business suit. And he was soon to be followed by other heads of states, as well as stars of the showbiz and sports, and of course Madame et Monsieur Tout-le-Monde. Pathé'O's fabrics are his trademark and he has a lifelong experience of fusing global fashion trends with a wide range of African textiles and knowledge, hence keeping the local heritage alive and ever evolving. For the first time, this book traces the extraordinary journey of Pathé'O and his brand. The craftmanship and treasures of his creations provide a better understanding of the spectrum of fashion in West Africa, the mergers of a global present with a rich cultural heritage. The book explores topics ranging from the fashion and textile industry to labour migration, cultural heritage, politics and showbiz, and spans an arc from the past to the present. With an interview by Catherine Morand and texts by Chayet Chiénin, Denise Epoté, Anne Grosfilley, Genevieve Hill-Thomas, Pépita Kragbé-Coulibaly, Célestin Monga, Saidi Mamadou Ouédraogo, Flurina Rothenberger, Filippe Sawadogo and Victoria L. Rovine.

Giorgio Armani
s.e.

Giorgio Armani
Giorgio Armani

Peter Noever
Verlag Gerd Hatje

Pieter De Bruyne
Museum of Decorative Arts

Alessandro Mendini
Alessi Tendentse

s.a.
Guerlain