L'artidesign - Il caso Sabattini

Tom Morris
Frame Publishers

New Wave Clay unpicks the zeitgeist and aesthetic of an exciting discipline with intelligence, insight and indulgence.

Against the backdrop of the digital age and shiny screens, a whole new generation of craftspeople, designers and artists are realizing the pleasure of working with clay and bringing a fresh perspective to the material. Today, there is a lively crossover between craft, design, sculpture and technology that is rethinking ceramics: what you can make with it, what it looks like and who makes it.

New Wave Clay is a global survey of 55 imaginative ceramicists that are leading this craft revival. They include classically trained potters who create design-led pieces, product designers who use clay as a means of creative expression, as well as fine artists, architects, decorators, illustrators, sculptors and graphic designers. Their collective output goes far beyond pots into ceramic furniture, sculpture, murals, wall reliefs, small-scale architecture and 3D printing.

The book is divided into four thematic sections and features special contributions from Edmund de Waal, Hella Jongerius, Grayson Perry, Martin Brudnizki and Sarah Griffin discussing craft, industry, ornament, decorating and collecting.

New Wave Clay is an image-led, dynamic study of the exciting new generation jumpstarting this age-old art.

Features
- A 296-page survey of 55 international ceramicists who bridge the worlds of product design, interiors, fine art and luxury craftsmanship.
- Four thematic chapters are accompanied by interviews and written contributions on the subject from designers, decorators and collectors.
- Richly illustrated, New Wave Clay is an image-led, dynamic book that aims to demonstrate the contemporary condition of this age-old art.
- Instead of focusing on traditional craft ware and functional pieces, this title focuses on the community of ceramicists who create design-led works.

Barbara Radice
Electa S.p.A.

AA.VV.
O Book Publisher

Vincent Meylan
ACC Art Book

A jewel is more than an arrangement of precious stones - it is a story. This is the principle on which Vincent Meylan, author of Christie's: The Jewellery Archives Revealed, Boucheron: The Secret Archives, Van Cleef & Arpels: Treasures and Legends, and Mellerio: Jewellers to the Queens of Europe, has written his latest book. Now, with unparalleled access to the Bulgari archives, Meylan guides us on an intimate journey through the lives of the clients, both famous and infamous, who have given this pre-eminent Mediterranean jeweler their patronage.

Paris may be the traditional home of the jeweller elite, but Bulgari embraces its Roman origins. From their early creations, inspired by Byzantine and Islamic architecture, to designs like the Trombino ring and Serpenti bracelets, which are still relevant today, Bulgari gracefully navigates the line between contemporary and timeless.

Their client roster reflects their prestige. Nobility and celebrity intermingle; the Countess di Frasso shopped at Bulgari with her Hollywood superstar-beau, Gary Cooper, as did the Infanta Beatriz of Spain and Princess Maria José of Belgium. Richard Burton wooed Elizabeth Taylor with glittering Bulgari jewels, while the decadent marriage of Tyrone Power and Linda Christian featured Bulgari wedding rings. But these jewels tell tales of many genres, not just romance: from exiled Iranian Shahs to Count Cini of Monselice, held for ransom by the SS and released in exchange for Bulgari jewels.

Each story is retold with Vincent Meylan's characteristic verve, embellished with original pictures from the archives. Chapters are dedicated to wealthy customers, but also to the stones themselves, tracing the evolution of this iconic Roman company through history, and the development of their jewelry from mine, to workshop, to model.

Giorgio Armani
Giorgio Armani

s.a.
Les arts decoratifs

s.a.
s.e.

Enrico Leonardo Fagone, Giacomo Manzoni
s. e.

Giorgio Armani
Giorgio Armani

Giorgio Armani
Giorgio Armani

Silvana Annicchiarico, Jan Van Rossem
La Triennale di Milano

Flurina Rothenberger, Hammer, Catherine Morand
Edition Patrick Frey

Pathé'O, originally from Burkina Faso, is an African fashion icon in every sense of the word. Known for his collections far beyond his chosen home Côte d'Ivoire, the designer's visionary legacy has been influencing the aesthetic standards and experience of fashion on the African continent for over 30 years and has also led to a recent collaboration with the fashion house Dior. His distinct design aesthetics and cutting-edge approach to sustainability alongside a gift for combining cultural commitment with entrepreneurial creativity have inspired designers of all ages. For long it was common for politicians and showbiz celebrities in West African former French colonies to dress in a Western manner. In this context Pathé'O approached his work with the clear intention to raise appreciation amongst Africans for a local fashion style and industry. In the 80s, Pathé'O became friends with Thomas Sankara, president of Upper Volta, later Burkina Faso, and a proponent of Pan-Africanism. Pathé'O was heavily influenced by Sankara's decisiveness to promote local pride and cultural heritage and from this point on he solely relied on using locally produced fabrics. His creations became a contemporary tribute to cultural heritage, history and identity. A further prominent encounter Pathé'O experienced was with Nelson Mandela, who was the first African president to chose his vibrant designs and light cotton fabrics over a Western business suit. And he was soon to be followed by other heads of states, as well as stars of the showbiz and sports, and of course Madame et Monsieur Tout-le-Monde. Pathé'O's fabrics are his trademark and he has a lifelong experience of fusing global fashion trends with a wide range of African textiles and knowledge, hence keeping the local heritage alive and ever evolving. For the first time, this book traces the extraordinary journey of Pathé'O and his brand. The craftmanship and treasures of his creations provide a better understanding of the spectrum of fashion in West Africa, the mergers of a global present with a rich cultural heritage. The book explores topics ranging from the fashion and textile industry to labour migration, cultural heritage, politics and showbiz, and spans an arc from the past to the present. With an interview by Catherine Morand and texts by Chayet Chiénin, Denise Epoté, Anne Grosfilley, Genevieve Hill-Thomas, Pépita Kragbé-Coulibaly, Célestin Monga, Saidi Mamadou Ouédraogo, Flurina Rothenberger, Filippe Sawadogo and Victoria L. Rovine.