Alberto Galardi architetto

Carlo Olmo
Umberto Allemandi

Giuliana Gramigna, Sergio Mazza
Editore Ulrico Hoepli

Quest'opera ripercorre quanto a Milano è stato costruito dal 1900 al 1999, accompagnando ogni singolo edificio preso in esame con materiale fotografico, sintetiche indicazioni tecniche e utili riferimenti bibliografici. Il risultante panorama architettonico comprende 550 schede con oltre 700 immagini riferite a 565 progettisti e testimonia attraverso il susseguirsi cronologico delle diverse costruzioni, le vicende di Milano e l'evolversi della città, dalla sua espansione alla ricostruzione postbellica sino all'orientamento verso una maggiore dimensione europea. A chiusura del volume le schede teniche sono riportate anche in inglese.

Luigi Acito
Mondadori Electa

David Dernie
Logos

AA.VV.
Julius Hoffann Verlag

Henri Stierlin
Thames & Hudson

Turquoise and marble cupolas, arches adorned with flowers and arabesques, motionless basins reflecting slender minarets, sparkling enamels of floral bouquets, miniatures populated by lovers stretched out in the shade -- all these form part of the luxury decoration, refinement, and high spirituality that we define as "Persian style."

This subtle art is revealed in magical locations such as Isfahan, rich in mosques and palaces; Bukhara and Samarkand with their shining domes; Lahore and the gardens of Shalimar; the Red Fort of Delhi, exalted as an earthly paradise; and the miraculous Taj Mahal of Agra. For a thousand years, from the frontiers of Iran to the heart of India, architects, landscape gardeners, calligraphers, miniaturists, and weavers have made their mark on Islamic art and architecture. This lavishly illustrated book examines the sources, analyzes the forms, and discusses the mystic themes and symbolism of the immense heritage handed down by Islamic artists and craftsmen.

Patrick F. Cannon
Pomegranate

On the eve of the twentieth century, Chicago was rapidly outgrowing its borders. Architect Louis Henry Sullivan (American, 1856–1924) answered the demand for more office space, theaters, department stores, and financial centers by pioneering what would become an essential model for city life—the skyscraper. Blending Art Nouveau complexity with geometric elegance, Sullivan's tall buildings included Chicago's Auditorium Building, the largest building in the world when it was completed in 1889. Sullivan's design was heralded as the Wonder of the Age—a title equally fitting for the architect himself.Louis Sullivan's designs stand today as leading exemplars of Chicago School architecture. Even Frank Lloyd Wright, a former assistant to Sullivan, would later refer to him as his "lieber Meister," or "beloved master." Sullivan brought to his practice a conviction that ornamentation should arise naturally from a building's overall design, restating, in a large or small way, themes expressed in the structure as a whole. Having spent much of his career in a late Victorian world that bristled with busy, fussy ornament for ornament's sake, Sullivan refuted the fashionable style with the now famous dictum "Form follows function." This break from tradition is perhaps most evident in Sullivan's strides to reimagine the commercial space—from America's earliest skyscrapers to the small-town banks that populated the architect's commissions in the second half of his career.In Louis Sullivan: Creating a New American Architecture, nearly two hundred photographs with descriptive captions document Sullivan's genius for modern design. Patrick Cannon introduces each chapter with key biographical information and discusses the influences that shaped Sullivan's illustrious career. Rare historical photographs chronicle those buildings that, sadly, have since been destroyed, while James Caulfield's contemporary photography captures Sullivan's existing Chicago buildings and many other structures in eastern and midwestern cities that are of equal importance in the architect's oeuvre. Includes selected bibliography and index of buildings.

David Michon
Die Gestalten Verlag

The city is an always changing human experiment. But in the last half century, it has changed more than ever before - with little sign of slowing down. As this phenomenon takes place, an increasing number of architects, innovators and policy-makers are rethinking the city to make the most of space and resources. This book chronicles the design of urban futures. From apps designed to curb food waste to inventive fresh water infrastructure, The Ideal City explores the many initiatives and experiments, all with the shared goal of making the cities of tomorrow a happier, healthier and more inclusive place to be.

Fernando de Haro, Omar Fuentes
AM Editores

La casa habitación implica la puesta en marcha de función y estética de manera conjunta. Se trata de un reto apasionante para cualquier arquitecto puesto que exige la aplicación de todo su "oficio" y recursos profesionales para lograr un objetivo. Pero va más allá, llega incluso al grado de involucrarse personal y emocionalmente con el tema del diseño y con la altísima responsabilidad que representa. Por todas estas circunstancias, resulta de gran interés examinar cada una de las propuestas que se incluyen en esta edición y analizar los diferentes caminos que condujeron a su realización final. El resultado será, sin duda alguna, el hallazgo de un denominador común, que es justamente la diversidad como indicador del dinamismo que caracteriza el quehacer arquitectónico actual, reflejo, a su vez, del tiempo en que nos ha tocado vivir.

Raffaele Cutillo, Luigi Spina
Mondadori Electa S.p.A.

Il volume - catalogo della mostra allestita a Caserta per il periodo fra dicembre 2008 e febbraio 2009 - non restituisce l'aspetto tecnico-manualistico della costruzione, né affronta problematiche metodologico-disciplinari, ma esalta invece le numerose suggestioni spaziali delle fasi lavorative, fermate dalla fotografia, casualmente e nel tempo. Ma è anche la cronistoria delle problematiche di un architetto di fronte alla "concretezza" del palazzo. Un ulteriore tema affrontato è quello della continua modificazione architettonica dell'edificio e della sua movimentata destinazione, inevitabilmente legate alle evoluzioni del tempo.

La Biennale di Venezia
Marsilio Editori s.p.a.

A ciascun paese è stato chiesto di raccontare la propria storia negli ultimi 100 anni in relazione all'idea di modernità, accettata o rifiutata che sia stata. Cento anni fa era possibile parlare di architetture nazionali e ora non più. Come mai siamo arrivati a una situazione in cui tutti costruiscono le stesse cose? Questa è la vera domanda a cui sono chiamati a rispondere tutti gli invitati alla Biennale.

AA.VV.
Bulzoni Editore