La Basilica di San Prospero a Reggio Emilia - 997-1997

Graziella Buccellati
Università degli studi di Milano

Roberta Valtorta
Tranchida

Renato D'Agostin
Mc2gallery Edizioni

Jean-Pierre Montier
Mondadori Electa

Don McCullin
Skira

An exhibition catalog that features an impressive retrospective, covering the last fifty years in chronological order. Don McCullin (born 1935, London) is one of the most important photographers of our time. For more than fifty years, his uncompromising black-and-white photographs have shaped our awareness and understanding of modern conflict and its consequences. His images tell the remarkable story of his life and work, including his most famous assignments in Berlin, Vietnam, Cambodia, Biafra, Bangladesh, and the Middle East. The Winner of the Warsaw Gold Medal and the World Press Photographer Award, he was awarded the ICP Cornell Capa Award in 2006. Key periods in McCullin's life, including his early experiences of evacuation and the Blitz, his commissions from Berlin in 1961 and Cyprus in 1964, and his most famous work for the Sunday Times are here explored alongside more recent projects with Christian Aid, his photographs of last tribes in the Omo River Valley, South Kenya, and Irian Jaya, New Guinea, and, in the last few years, those of still-life and English landscapes at his home in Somerset. A photographic journey across the ruins and landscapes of the boundaries of the Roman Empire completes the volume.

s.a.
Gabriele Cappelletti arte contemporanea

Luigi Erba
Fotografia Italiana

Robert Mapplethorpe, Arthur Coleman Danto
TeNeues

This major, long out-of-print survey, widely regarded as the definitive overview of Mapplethorpe's black-and-white photography, is once again available in a new, updated edition. It presents a comprehensive selection of Mapplethorpe's nudes, portraits, self-portraits, floral still lifes and other works, including his best known and most controversial images. Mapplethorpe's choices were both innovative and bold, and his work has continued to resonate since his early death in 1989. His cutting-edge use of homoerotic and other challenging themes has become embedded in our culture, with pervasive echoes not only in the work of other artists but in mainstream advertising as well.

Zoe Leonard
Centre National de la Photographie

Massimo Pacifico
Alinari

Andrei Navrozov
Hurtwood Press

Andrei Navrozov has described himself as a political refugee from Russia, a cultural refugee from America, and a gastronomic refugee from Britain. Yet the theme of his new book is altogether less flippant: where in the homogenizing and modernizing Europe would the hardened individualist find a last refuge? The answer to that question takes the reader on an uncompromising, occasionally eccentric but deeply personal and always entertaining travelogue with the author on his first day in Rome to his last night at the Venetian Hotel in Las Vegas, and through a number of Italian cities, with sidelong glances at 70s Moscow, 80s New York, and 90s London. All of which leads him to "home" and the end of his flight from social progress: Palermo. Italy. Accompanying him to each of these destinations is the author's Phiz, the Russian photographer Gusov. His forty-eight arresting images serve to give another dimension to Navrozov's ideas, arguments, and impressions.