Baskets Fiorucci Second Hand Tissu Gomme N. 38 - N. 38

N. 38

Ballerines en cuir effet lézard rouge framboise, avec noeud appliqué. Hauteur du talon : 1,5 cm. Très légères traces sur le cuir.

Numéro 38

Bottines à talons originales de la marque néerlandaise innovante United Nude, avec un motif à rayures multicolores. Hauteur du talon : 7 cm. Article en bon état, présente des traces d'utilisation sur les talons.

N. 37

Chaussures élégantes à bride arrière, avec bout carré et détail élégant avec fausse boucle et bouton. Hauteur du talon : 8 cm. Ernesto Esposito est un célèbre créateur de chaussures qui a débuté sa carrière dans les années 1970 et a travaillé avec de grands noms de la mode, dont Sergio Rossi et Marc Jacobs. Les chaussures sont en bon état, elles présentent de petites marques qui n'empêchent pas leur utilisation.

Pointure 38,5

Chaussures en cuir verni fuchsia, avec détail chaîne en métal sur le bout. Le cuir est en bon état, avec seulement quelques légères traces d'utilisation. Semelles et talons présentant des traces d'utilisation.

Pointure 37

Mocassin en daim bordeaux fabriqué par Tod's. Les boucles, les coutures de couleur crème et les cm. 7, rendre la chaussure spéciale. Taille 37; En excellent état.

Pointure 40

Décolleté en cuir verni noir à motif écaille de tortue signé Tosca Blu Talon conique de 10 cm. Tige et semelle intérieure en cuir. Taille 40; En excellent état.

Pointure 37

Escarpins vernis gris, à bout carré et petites surpiqûres sur le décolleté et le dos. Les chaussures sont en bon état, elles ne présentent qu'une légère marque sur la chaussure gauche, résultant d'une utilisation normale de la chaussure.

Ignazio Malenotti
Istituto editoriale di bibliofilia e reprints

Ceinture en cuir bleu souple avec boucle sculptée en métal. Estampillée Il Sellaio à l'intérieur.

Bob Haak
Harry N. Abrams

Hailed as a landmark book when it was first published in 1984, "The Golden Age" by Bob Haak remains the seminal book on the subject of Dutch painting in the seventeenth century. Justifiably know as the Golden Age, this was one of the most intensely creative periods of artistic activity the world has ever known. Rembrandt, Vermeer, Hals, Ruisdael, and Jan Steen are a few of the more famous great Dutch painters of this era. Yet also painting in Holland at that time were hundreds of artists of merit who specialized in both traditional subjects and those invented to satisfy the demands of the newly liberated Dutch Republic.

The scope of this volume is extraordinary and remains unrivaled by any subsequent publication. This book includes more than 400 Dutch artists, some with one representative work, some with many. Through these extraordinary works, the rich fabric of seventeenth-century Dutch society comes alive: scenes and portraits of men and women in public office; paired husband-and-wife portraits; domestic scenes; outdoor life on Holland's canals, boating in summer and skating in winter; scenes of grand new buildings and of old churches newly whitewashed inside; the look of the land and the seacoast in all weathers. And in sharper focus are the marvelous still-life paintings, from tiny works showing a pit of bread and an oyster to rich displays of game, fruits, and wine; still lifes of fish and of insects; grand arrangements of flowers, often featuring priceless tulips--all of these imbued with the sense of the passing of time, of fading or evanescent beauty. Dutch painting, so full of life and vitality, has haunting overtones of moral and psychological subtlety which readily find echoes in our own world.

Bob Haak's text is a guide through all the Dutch cities and towns where painters were at work. His familiarity with the historical circumstances of their art is remarkably complete, and he understands how Dutch art forged its own pictorial style as the nation forged its independence; how, in their freedom from the patronage of the Catholic Church, Dutch patrons and artists found a new wealth of subjects to enjoy and explore, subjects close to their life yet enriched by their sense of life's pleasures and obligations. And how they invented a painting style to express this, using light, color, and movement with greater freedom than had ever been done before. The text is lavishly illustrated by 1,117 reproductions from the Golden Age, including 74 in full color. For the first time justice is done to the charms and depths of this art, so approachable yet so quietly revolutionary. A bibliography and an index complete this book, designed for all who care for Holland and for the never-ending beauties of its art.

Iørn Korzen
Museum Tusculanum

Jane Livingston, Adam Gopnik
Random House