AA.VV.
Tilgher

AA.VV.
Tilgher

Gian Vittorio Caprara, Riccardo Luccio
Società editrice il Mulino

Hippolyte Taine
Boringhieri

Gabriella Brusa Zeppellini
Lucchetti Editore

Francesco Barone
Gius. Laterza & Figli

Jost Hermand
Verlag Beethoven-Haus Bonn

s.a.
DeA Planeta Libri

Gioachino Rossini
Fondazione Rossini

AA.VV.
Condé Nast Publications

AA.VV.
Condé Nast Publications

AA.VV.
Condé Nast Publications

Armando Novasconi
Banca Popolare di Lodi

Arcangelo Rossi
Conte

Donato Granafei
Edizioni del Grifo

Arthur Edward Waite
University Books

Kabbalah is the "occult" and "secret" tradition in Judaism. One of the most ancient wisdoms, its origins go far back into the distant past.

The Holy Kabbalah is a fascinating introduction to this world of mystery. Arthur Edward Waite was one of the few persons in the modern era to write a sensible and penetrating study of Kabbalah. Contemporary of such occultists as Eliphas Levi, Mme. Blavatsky, and Annie Besant, Waite unraveled the history and traditions of what generations have whispered about as Hebrew witchcraft. The very term Kabbalah was enough to strike fear into the heart of an orthodox believer.

In his introduction Kenneth Rexroth writes: "Kabbalism is the great poem of Judaism, a tree of symbolic jewels showing forth the doctrine of the universe as the vesture of Deity, of the community as the embodiment of Deity, and of love as the acting of God in man. Nobody knew this better than A. E. Waite".

Georg Cantor
Dover Publications

AA.VV.
Condé Nast Publications

AA.VV.
ISAL Istituto per la Storia dell'Arte Lombarda

AA.VV.
ISAL Istituto per la Storia dell'Arte Lombarda

Pier Giovanni Castagnoli
Edizioni Grafis

Italia Años 80

Jarrón trompeta en cristal negro, fabricación Seguso Vetri d'Arte. Debajo de la base se encuentra la firma puntiaguda del fabricante.

Años 50 y 60

Sillón pequeño, tapicería de espuma, tapicería de skai, patas de metal con puntas de latón. Buen estado, necesita renovación.

Óleo sobre tabla. La escena probablemente captura a la Sagrada Familia durante la huida a Egipto, en un momento de descanso durante el viaje; De hecho, además de las figuras de la familia, en la parte inferior aparece un ángel, reconocible por las alas insinuadas, que ofrece un plato con comida, del que José ya ha tomado algunas cerezas, según cuentan las versiones apócrifas de los evangelios. El tablero tiene algunos pequeños agujeros de carcoma. Se presenta en un marco de principios del siglo XX.