AA.VV.
Università degli studi di Perugia

AA.VV.
Università degli studi di Perugia

Matteo Palmieri
Sansoni Editore

Yu. L. Ershov, E. A. Palyutin
Mir Publisher

Pinot
Casa Editrice F. Casanova & C.

AA.VV.
Edizioni Studio domenicano

Marian Przelecki, Ryszard Wójcicki
D. Reidel Publishing Company

Proceedings of the Conference for Formal Methods in the Methodology of Emperical Sciences, Warsaw, June 17-21, 1974, Poland.

Thomas-Henri Martin
Mimesis

Andreas Wollbold
Libreria Editrice Vaticana

Gustave Flaubert
Edizioni Novecento

Teresa di Lisieux
Città Nuova

AA.VV.
Guerini e Asscoiati

Alfred North Whitehead
Lampugnani Nigri Editore

Enrico Bellone
La Nuova Italia Scientifica

Gianni Campus
Edizioni L'Arciere

Renato Menasci
Editrice Magma

Torquato Tasso
Rizzoli & C. Editori

Maria Luisa Altieri Biagi, Bruno Basile
Riccardo Ricciardi Editore

Roberto Albanesi
Franco Angeli

Óleo sobre lienzo. De gran formato y contorno octogonal, el lienzo presenta un paisaje inscrito en un marco pintado con frisos, perteneciente a la categoría de la pintura del siglo XVIII concebida con fines decorativos. La escena está ambientada junto a un río, en cuyas orillas se alzan ruinas arquitectónicas de estructuras clásicas, que se elevan majestuosas sobre las figurillas de personajes populares que animan la escena. El cuadro, ya restaurado y retocado, presenta varios pequeños agujeros, caídas de color y manchas difusas.

Laurence Gérard-Marchant
Sismel Edizioni Del Galluzzo

"In 1343 the City of Florence produced a document, the so-called Prammatica delle vesti delle donne fiorentine, which made the sumptuary laws more stringent. Consequently, wealthy women were required to send personal garments that fell within the prohibited types to four municipal commissions charged with making detailed descriptions of each garment for the purposes of inventory. Three of these registries have come down to us and make up the Prammatica, edited here after exhaustive work on a manuscript rendered almost illegible by its various misadventures through the centuries and of which all trace had been lost until recently. Through this document, we now have access to the wardrobes of approximately 2,400 Florentine women (married and single) with over 6,000 dresses carefully described by type, fabric, colour, and design: a fantastical and multi-coloured world opens up before the reader's eyes, a world enriched by hints of faraway places. Further, a long list of women's jewels has been inventoried, along with important examples of male extravagance, also included in the 1343 legislation. The volume includes a number of Introductory Essays (Saggi introduttivi), which place the 1343 regulations within the context of Florentine sumptuary legislation and examine both the inventory methods as well as the archival fortunes of the manuscript. An exhaustive Glossary, with detailed Indices of terms and persons (Indici dei termini e delle persone), makes this extraordinary medieval document available to a variety of research and enquiry."--T.p. verso.

Óleo sobre lienzo. De gran formato y contorno octogonal, el lienzo presenta un paisaje inscrito en un marco pintado con frisos, perteneciente a la categoría de la pintura del siglo XVIII concebida con fines decorativos. El paisaje muestra a la izquierda rocas estériles de las que brota una pequeña cascada, mientras que a la derecha se ven las ruinas de una estructura arquitectónica, delante de la cual conversan dos mujeres ataviadas con trajes populares tradicionales. El lienzo, que ya ha sido restaurado y retocado en el pasado, presenta pequeños agujeros generalizados, caídas de color y manchas. El lienzo pertenece a la categoría de pinturas de muebles del siglo XVIII.