Gaetano Milanesi
Felice Le Monnier

Study corner that can be positioned with the side on the wall and stabilized on the ceiling; desk top with drawer, open storage compartments and hinged doors, teak and formica veneered wood, uprights in enamelled metal with adjustable brass feet. Good conditions.

Virgilio Barison
Gruppo Bonazzi

Central Italy, XIX Century

Walnut cupboard, front with drawer in the band under the top and paneled doors underneath, bracket feet. Single-shelf unit, added later. Central Italy, 19th century.

Italy, Late XIX - Early XX Century

Art Nouveau cupboard, in red walnut; it has two doors and two drawers in the base, a central mirror in the upper part held by carved shelves with two hanging glass cabinets. Typical carvings of the Floral period, with flowers, fruits and whiplash, even the glass of the glass cabinets are made in cathedral shape creating ornamental motifs typical of the period. Even the bronze handles reflect the Liberty taste.

Large swing door with frame, solid beech wood and beech veneer, glass.

Italy, XIX Century

Lacquered fir table with faux marble painted top, turned legs with gouges and gilded carvings. Italy, 19th century.

Italy, Late XIX Century

Umbertino armchair in walnut, scroll carvings, turned front legs and wavy rear legs. Padded seat, back and armrests. Italy, late 19th century.

1970s

Dining table with chromed metal base and smoked glass top. Decent condition, small chip on the glass top.

England, Late XIX Century

Regency armchair in mahogany, open back with turned crosspiece, wavy arms supported by turned columns, padded seat, sabre legs. England, late 19th century.

Italy, 1970s

Space Age Design Umbrella Stand in painted wood and metal.

Franco Collida, Max Gallo, Aldo A. Mola
Cassa di Risparmio di Cuneo

Italy, XX Century

Walnut-stained linden mirror, perforated, baroque-style leaf carvings. Italy, 20th century.

Northern Europe, 1960s

Glass vase in shades of red and yellow.

A cura di Vittoria Crespi Morbio
Amici della Scala

AA.VV.
Comunità Montana Alta Valle Dell'Esino

Desk with typescript, formica-covered wood, enameled metal legs.

Mick Farren
Plexus

Ever since Marlon Brando slouched across the screen wearing a black leather jacket in The Wild One, the mixture of animal magnetism and sexual aberration which the leather jacket manages to convey has ensured it a best-selling place in the catalogue of cool. Using more than a hundred evocative photographs, The Black Leather Jacket traces its popularity through the Hells Angels of the forties; the beats of the fifties; the counter-culture of the sixties; the sexual excesses of the seventies; the punk explosion, begun by the Sex Pistols, the Ramones and the Clash; the heavy metal and rock groups of the eighties; to the present day, where the black leather jacket is a potent part of 21st century consciousness.

Corrado Ricci
Edizioni Dante

Umberto Cosmo
Gius. Laterza & Figli

Michelangelo Picone, Bernhard Zimmermann
Verlag J.B. Metzler

Cecco d'Ascoli, Frate Elia
Casa editrice Atanòr

Severino Salvemini
Albert Skira

s.a.
Nahan Galleries