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In our catalog you can find works of art from the 16th century to the present day. In our online art gallery it is possible to find the right place.There is an important and refined selection of antique paintings, contemporary art, antique paintings and sculptures with which you can enrich your home.

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Antique Painting Portrait of a Child Oil on Canvas Italy 1876
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ARAROT0281151

Antique Painting Portrait of a Child Oil on Canvas Italy 1876

ARAROT0281151
Antique Painting Portrait of a Child Oil on Canvas Italy 1876

Oil on canvas. Unidentified signature and date lower left. On the back of the frame there is a contemporary inscription in ink that reads "Amelia Germani, aged 4, 1876". The portrait shows the little girl dressed in an elegant aquamarine dress, in satin and lace, standing in front of a marble balustrade in the garden, holding a basket of multicoloured flowers in her hands. The little girl's bewildered gaze evokes tenderness, with her eyes wide open and fixed on the person portraying her while her left hand plays with the flowers in the basket, dropping some of them and denouncing the discomfort caused by the situation. The painting is presented in a late 19th century gilded frame.

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2,270.00€

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Modern Painting Still Life with Fruit and Goblet Netherlands '900
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ARARNO0280841

Modern Painting Still Life with Fruit and Goblet Netherlands '900

ARARNO0280841
Modern Painting Still Life with Fruit and Goblet Netherlands '900

Oil on canvas. Dutch school of the early 1900s. Looking in the pictorial methods and subject to the Flemish models of the previous centuries, the painting presents on a rustic wooden surface mixed fruit, with grapes, an orange, cherries, a lemon with the peel partially removed, and a wine glass with a particular base, worked with metal studs. The work is presented in a frame in style.

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340.00€

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Still Life with Fruit and Goblet Modern Painting Netherlands '900
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ARARNO0280839

Still Life with Fruit and Goblet Modern Painting Netherlands '900

ARARNO0280839
Still Life with Fruit and Goblet Modern Painting Netherlands '900

Oil on canvas. Dutch school of the early 1900s. Looking in the pictorial methods and subject to the Flemish models of the previous centuries, the painting presents, resting on a rustic wooden surface partially covered by a tablecloth, a composition with mixed fruit in a ceramic bowl and partly loose on the table, with grapes, an orange, cherries, plums, a fig and the peel of a lemon to adorn the glass of wine. The work is presented in a period frame.

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340.00€

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Still Life with Flowers and Parrot Antique Painting Oil on Canvas '800
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ARARPI0279923

Still Life with Flowers and Parrot Antique Painting Oil on Canvas '800

ARARPI0279923
Still Life with Flowers and Parrot Antique Painting Oil on Canvas '800

Oil on canvas. Lively naturalistic composition of multicolored flowers in blue ceramic vases, which recall the sky color of the upper part of the background, which then fades into an earthy color in the lower part; on the left a parrot stands out for its unusual dark color. The painting has slight color losses, especially in the background. It is presented in a contemporary regilded frame.

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1,260.00€

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Antique Painting Landscape and Figures Flemish School XIX Century
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ARAROT0280651

Antique Painting Landscape and Figures Flemish School XIX Century

ARAROT0280651
Antique Painting Landscape and Figures Flemish School XIX Century

Oil on canvas. Flemish school of the 19th century. The hilly landscape features on the left in the foreground a tall tree towering over the fields below, with a hunter intent on aiming at a prey hidden among its branches; not far away are some farmhouses, with the typical Nordic sloping roof, in front of which other figures can be glimpsed; in the background in the distance the blurred profile of a city emerges. On the frame is applied a plaque attributing to Anthony Van Borssom (1629 -1677), a Flemish landscape painter, to whose production the painting refers in some ways. The pictorial panel has been parqueted. The painting is presented in a gilded frame from the mid-1900s.

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540.00€

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Litographic Poster Signed E. Mazzini Torrefazione Caffè Pernigotti
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ARARNO0276424

Litographic Poster Signed E. Mazzini Torrefazione Caffè Pernigotti

Torrefazione Caffè Pernigotti, 1924

ARARNO0276424
Litographic Poster Signed E. Mazzini Torrefazione Caffè Pernigotti

Torrefazione Caffè Pernigotti, 1924

Color lithograph. Signed and dated 1924 top right. Printed by the printer Barabino & Graeve of Genoa. This is an advertising poster for the well-known Pernigotti company of Novi Ligure, today renowned above all for the famous Gianduiotti chocolates, but which began with the production of various confectionery and similar products. Ettore Mazzini, a Genoese portrait and landscape painter, also created various advertising illustrations for important Ligurian companies (we recall the poster for the naval, thermal, electrical and mechanical constructions of the Ansaldo group of Genoa). The poster presented is in good condition, with humidity stains and a cut in the paper. Framed.

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770.00€

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Portrait of a Nobleman Oil on Canvas Anonymous Italy XVII Century
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ARARPI0279569

Portrait of a Nobleman Oil on Canvas Anonymous Italy XVII Century

ARARPI0279569
Portrait of a Nobleman Oil on Canvas Anonymous Italy XVII Century

Oil on canvas. Northern Italian school, mid-17th century. The man portrayed is dressed in a large black cape, severe yet edged with white lace at the wrists, sitting at a desk while rereading a letter, with the inkwell and pen resting on the surface in front of him, indicating his culture and high position. The painting, restored and relined, is presented in a late 19th century frame re-lacquered in black, but with several missing colors.

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1,970.00€

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Contemporary Artwork Signed Marisa Mezzadra Acrylics on Board '900
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ARARCO0280076

Contemporary Artwork Signed Marisa Mezzadra Acrylics on Board '900

Untitled

ARARCO0280076
Contemporary Artwork Signed Marisa Mezzadra Acrylics on Board '900

Untitled

Acrylics on board. Signed lower right. The artist Marisa Mezzadra has combined the art of painting with poetry, translating into images what great poets of different centuries have inspired her. An English teacher at Bocconi University in Milan, she has combined two worlds, that of painting and that of teaching, in the constant search for new methods of developing her two activities. In particular, Marisa Mezzadra's metaphysical painting seeks to reveal the hidden meaning of existence, of the world within us and around us, in the profound essence of splendid nature.

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300.00€

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Contemporary Painting Signed Marisa Mezzadra Acrylics XX Century
ARARCO0280077

Contemporary Painting Signed Marisa Mezzadra Acrylics XX Century

Untitled

ARARCO0280077
Contemporary Painting Signed Marisa Mezzadra Acrylics XX Century

Untitled

Acrylics on board. Signed lower right. The artist Marisa Mezzadra has combined the art of painting with poetry, translating into images what great poets of different centuries have inspired her. An English teacher at Bocconi University in Milan, she has combined two worlds, that of painting and that of teaching, in the constant search for new methods of developing her two activities. In particular, Marisa Mezzadra's metaphysical painting seeks to reveal the hidden meaning of existence, of the world within us and around us, in the profound essence of splendid nature.

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490.00€

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Country Landscape with Figures Signed Ivan Karpoff Oil on Canvas 1930
ARARNO0280969

Country Landscape with Figures Signed Ivan Karpoff Oil on Canvas 1930

Landscape with Figures, 1930 ca.

ARARNO0280969
Country Landscape with Figures Signed Ivan Karpoff Oil on Canvas 1930

Landscape with Figures, 1930 ca.

Oil on canvas. Signed lower right. Ivan Karpoff, of Russian origins but raised and artistically established in Italy, was appreciated for his painting oriented towards the Italian impressionistic realism of the late 19th century; he devoted himself mainly to landscapes and portraits. In this work he offers a glimpse of the countryside and hills overlooking a lake, with two peasant figures intent on harvesting. On the back of the canvas there is a dedication: "Campanini... to the Manara spouses Luciano and Adriana, Milan 28 October 1939 XVII". The painting is presented in a mid-1900s frame.

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340.00€

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Antique Painting Aim of Louis Léopold Robert XIX Century
ARAROT0276818

Antique Painting Aim of Louis Léopold Robert XIX Century

The Return from the Feast of the Madonna dell'Arco in Naples

ARAROT0276818
Antique Painting Aim of Louis Léopold Robert XIX Century

The Return from the Feast of the Madonna dell'Arco in Naples

Oil on canvas. This is a copy of a famous painting by the painter Louis Léopold Robert (1794 -1835), which was exhibited at the Salon de Paris in 1827 and bought by King Louis Philippe; it is currently preserved in the Louvre Museum. The painting depicts a joyful festive scene, rich in folklore with costumed characters dancing the tarantella and in the background the fantastic panorama of the city of Naples. Robert, a Swiss artist, stayed several times in Italy, where he found inspiration for the creation of many works and established himself as a romantic genre painter and Grand Tour landscape painter, whose subjects were highly appreciated and replicated. The painting of the "Return from the feast of the Madonna dell'Arco in Naples", was part of a project by Robert, who intended to paint four large canvases on the seasons, set in four different parts of Italy: this one represented Spring. The canvas presented here, unsigned, is nevertheless of high pictorial quality. Restored and relined, it is presented in a late 19th - early 20th century frame.

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The Penitent Magdalene Oil on Canvas Antique Painting XVIII Century
ARARPI0279728

The Penitent Magdalene Oil on Canvas Antique Painting XVIII Century

ARARPI0279728
The Penitent Magdalene Oil on Canvas Antique Painting XVIII Century

Oil on canvas, applied to a wooden plate. The Saint is depicted in the foreground, half-length: the naked torso of the body is partially covered by a fur falling from the shoulders, on which her long hair stretches; the Magdalene keeps her eyes turned to the sky, in a contemplative state, in her hands the skull, Memento mori, and next to it a crust of bread, her only nourishment in the life of penance. Behind the figure is a dark background, from which a beam of light emerges to create a halo around her head and accentuate the pathos of her expression. The painting has slight color nuances, especially along the right margin. It is presented in a frame in style,

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1,460.00€

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Antique Painting Young Man with Parrot Oil on Canvas XIX Century
ARAROT0279519

Antique Painting Young Man with Parrot Oil on Canvas XIX Century

ARAROT0279519
Antique Painting Young Man with Parrot Oil on Canvas XIX Century

Oil on canvas. French school, 19th century. Monogram JP at the bottom left. In orientalist style, the painting portrays a young woman in oriental clothes, adorned with jewels, who is holding a parakeet in her hand. In Christian symbolism, this bird has a meaning of purity and innocence, while in more secular iconography it indicates elegance, communicative ability or, more generally, refers to exoticism. The painting is presented in a contemporary frame.

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940.00€

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Antique Painting Virgin Mary with Jesus Child Oil on Canvas XIX Centur
ARAROT0279517

Antique Painting Virgin Mary with Jesus Child Oil on Canvas XIX Centur

ARAROT0279517
Antique Painting Virgin Mary with Jesus Child Oil on Canvas XIX Centur

Oil on canvas. Unidentified signature lower right. This is a copy of the work, also a full-length one, by Domenico Morelli, called "Mater Purissima", created around 1880 and subject to numerous replicas and variations in the following decades. The work is presented in an early 20th-century frame.

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420.00€

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G. Solenghi Antique Painting Interior with Figures Oil on Canvas 1917
ARARNO0279518

G. Solenghi Antique Painting Interior with Figures Oil on Canvas 1917

Interior with Figures and Animals, 1917

ARARNO0279518
G. Solenghi Antique Painting Interior with Figures Oil on Canvas 1917

Interior with Figures and Animals, 1917

Oil on canvas. Signed and dated lower right. In Giuseppe Solenghi's extensive production, rich in lyricism expressed with delicate and refined tones and strokes, the urban landscapes of Milan or the Venetian lagoon views prevail, but there are also several glimpses of the countryside, mainly Lombardy, as well as rustic interiors. In this work the artist portrays the interior of a peasant house, where humans and animals coexist: the scene is pervaded by a serene atmosphere of family everyday life, in which the warm light of the sun filtering through the open door creates plays of light and shadow on the earth tones of the interior. The painting is presented in a mid-20th century frame.

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960.00€

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Portrait of 3 Commoners Antique Painting Oil on Canvas '800
ARAROT0279520

Portrait of 3 Commoners Antique Painting Oil on Canvas '800

ARAROT0279520
Portrait of 3 Commoners Antique Painting Oil on Canvas '800

Oil on canvas. Tasty depiction of popular life with caricature-like figures: three full-length commoners are depicted on the street while they converse intensely with each other, exchanging confidences or... gossip! Unsigned, the painting requires restoration due to a tear at the bottom.

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440.00€

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Antique Miniatures Portrait of Augusta of Bavaria XIX Century
ARAROT0279920

Antique Miniatures Portrait of Augusta of Bavaria XIX Century

ARAROT0279920
Antique Miniatures Portrait of Augusta of Bavaria XIX Century

Oil on metal plaques. The miniatures present two portraits of Augusta of Bavaria (1788 -1851), Duchess of Leuchtenberg and Vice-Queen of Italy as consort of Viceroy Eugene de Beauharnais, stepson of Napoleon Bonaparte; although Milan was the capital of the kingdom, the couple loved to reside in the Royal Villa of Monza, where there are several spaces dedicated to the queen. The portraits are presented in ebonized wooden frames with gilded metal profiles.

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340.00€

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Painting 'Twelfth Night the King Drinks' Copy from David Teniers '800
ARAROT0278834

Painting 'Twelfth Night the King Drinks' Copy from David Teniers '800

Copy from David Teniers II

ARAROT0278834
Painting 'Twelfth Night the King Drinks' Copy from David Teniers '800

Copy from David Teniers II

Oil on panel. The painting is a revised copy of the famous work by David Teniers the Younger (1610 -1690), executed between 1634 and 1640 and currently preserved at the Prado Museum in Madrid. The title of the lively scene refers to the so-called Twelfth Night, a celebration corresponding to the Epiphany, precisely twelve days after Christmas, which was the last night of celebrations, in which one could drink beyond one's limits, dedicate oneself to love, to partner and gender swapping, a sort of carnival, during which the King of Misrule (literally the king of Misrule) was elected, a ruler in reverse who imposed his laws, subverting rules and behaviors. This work, like many others by Teniers, had such success linked to the numerous commissions from royals and aristocrats during the 18th century, as to induce a large posthumous production of copyists, many of whom even signed with the artist's name. The painting presented here has several paint losses, to be remedied. It is in a late 19th century frame, adapted for size.

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740.00€

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Christ the Redeemer Andrea Ferrucci and Bottega
SELECTED
SELECTED
ARARAR0204981

Christ the Redeemer Andrea Ferrucci and Bottega

Fiesole 1465 ca. – 1526

ARARAR0204981
Christ the Redeemer Andrea Ferrucci and Bottega

Fiesole 1465 ca. – 1526

Painted stucco sculpture, representing the bust of Christ the Redeemer. Dressed in a red tunic embellished with a golden collar, a blue cloak is draped over his left shoulder. The face is slightly tilted to the left, the features pointed and gaunt, the gaze melancholic and low, and is framed by long, almost disheveled curls. Presented with a molded wooden base, lacquered in black and with golden inserts, of 17th century Tuscan manufacture.

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3,590.00€

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Antique Painting Workshop of Francesco Bassano Italy XVI Century
SELECTED
SELECTED
ARARPI0278456

Antique Painting Workshop of Francesco Bassano Italy XVI Century

Nativity

ARARPI0278456
Antique Painting Workshop of Francesco Bassano Italy XVI Century

Nativity

Oil on canvas. Second half of the 16th century. The painting comes from the historical family collection of Count Castracane, as documented by the original autographed paper receipt of Francesco Bassano (attached to the work) which states: "Your Illustrious Count Castracane. Recipio de somesso sua somma de quinquaginta ducati per lo dipinto de mano mia de Nativitas Domini Nostri come Ella mhada ordenato. Dev.mo Obb.mo Servo suo Franciscus da Ponte de Bassano. Il die 12 decembre 1589". On the back of the frame there is also an inventory label at the top and the writing "proprietà Castracane" at the bottom. The aforementioned Count Castracane belongs to the noble family of Castracani degli Altelminelli di Fano, of Lucca origin. Francesco Dal Ponte da Bassano, known as Il Giovane, worked for many years in the important workshop of his father Jacopo, known as Bassano il Vecchio, before moving to Venice in 1578 where he opened his own personal atelier, while continuing to collaborate with the Bassano workshop, which was managed in the meantime by his brother Leandro after the death of his father. Towards the end of the 1580s, however, Francesco experienced a crisis that was also reflected in his allegorical production: in a progressive approach to the taste of his brother Leandro, the colour became lighter, losing strength, the forms dilated and simplified, the composition became fragmented. The production of the Bassano family was distinguished above all by sacred subjects, inserted however in rural settings, which lead to their being defined as biblical-pastoral. In this painting too, the Holy Family does not dominate the centrality of the scene, but is one of the two groups of very human figures that occupy the right part of the scene, while on the left stands out the group of shepherds with the animals of the countryside and the simple objects of everyday life. The rural context is also well defined by the surrounding objects, despite the hut of the birth being replaced by an architectural structure with marble columns, but of a colour that blends in with the other surrounding structures. The only spiritual elements are the angel - solitary! - who appears to the shepherds for the announcement, relegated to the top, small and barely hinted at; and the halo that surrounds the head of the Baby Jesus, who is also depicted peacefully asleep, unaware of what is happening around him and what awaits him. Characteristic of the production of his father's Bassano workshop were the richness and chromatic vivacity and the luminous contrasts, which however were toned down in Francesco, translating into more tenuous chromatic choices and simplified forms, losing part of their strength. This can also be seen in this work, which dates back to the last years of the artist's life, especially in the characters' clothes; note in particular how Mary's dress is no longer red as per tradition, a colour strongly symbolic of human pain, but is the same pink shade as the central shepherd's tunic, almost as if to underline the Madonna's belonging to humble and simple humanity. Moreover, Francesco Bassano in his last period, due to his health compromised by serious hypochondria (he committed suicide in 1592), received commissions for works that were only partially executed by him, but delegated at least partially to his assistants. This indicates that the work was commissioned to him and came from his workshop, as his autographed declaration states, but probably not made directly by the master, but rather by one of his collaborators. The painting has been restored and relined. It is presented in an antique wooden frame from the late 18th - early 19th century.

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12,060.00€

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Countryside Glimpse with Figures Antique Painting Oil on Canvas '800
ARAROT0278820

Countryside Glimpse with Figures Antique Painting Oil on Canvas '800

ARAROT0278820
Countryside Glimpse with Figures Antique Painting Oil on Canvas '800

Oil on canvas. Northern Italian school of the 19th century. The landscape depicts a wide countryside that opens onto the Alpine mountain range, preceded by the gentler pre-Alpine hill slopes; on the central path, which runs straight and perpendicular to the reliefs, a commoner is passing with his mule. The atmosphere is that of the end of the day, with pink shades illuminating the snow-capped peak. A very similar subject can be found in the production of the circle of Carlo Canella (1800 -1879), the Veronese artist known above all for his city views. The work is presented in a late 19th-century frame.

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460.00€

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Portrait of an Elderly Couple Oil on Canvas Italy XIX Century
ARAROT0279515

Portrait of an Elderly Couple Oil on Canvas Italy XIX Century

ARAROT0279515
Portrait of an Elderly Couple Oil on Canvas Italy XIX Century

Oil on canvas. Half-length portrait of an elderly peasant couple, she with her head covered by a red scarf, he with a traditional headdress; the two faces emerge from the dark background with dignified and serene expressions. The painting is presented in a contemporary frame.

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240.00€

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The Ancient Triskelion' Contemporary Artwork Giorgio Villa 1997
ARARCO0279522

The Ancient Triskelion' Contemporary Artwork Giorgio Villa 1997

The Ancient Triskelion 1997

ARARCO0279522
The Ancient Triskelion' Contemporary Artwork Giorgio Villa 1997

The Ancient Triskelion 1997

Mixed media on board. Signed and dated lower right. On the back, further signature, date and title. Driven by an intense intellectual curiosity that has characterized every moment of his experience, not only creative, but also human and professional, the Ancona artist Giorgio Villa has developed his own principles of thought and action, on rigorous bases of a scientific-mathematical approach, nourished by a profound poetic inspiration and a deep-rooted sense of beauty. The search for a path to follow, free from patterns or cultural ties characterizes his art; Villa moves in the sphere of imagination, feelings and the poetry of images. Each work is the fruit of a meditated inspiration, moment by moment, allowing space for reflection, for the considered gesture, analyzing the relationships between space and matter, between colors and shape, to identify the perfect synthesis, which makes a work of art unique and unrepeatable. In this work Villa depicts the Triskelion, or the ancient symbol formed by three spirals joined at a central point, more generally three intertwined spirals, or, by extension, any other symbol with three protuberances and a triple rotational symmetry.

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280.00€

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Antique Sculpture Wooden Crucifix Tuscany 1470-1480 ca
SELECTED
SELECTED
ARARAR0204983

Antique Sculpture Wooden Crucifix Tuscany 1470-1480 ca

Tuscany, 1470-1480 ca.

ARARAR0204983
Antique Sculpture Wooden Crucifix Tuscany 1470-1480 ca

Tuscany, 1470-1480 ca.

Polychrome wooden sculpture depicting the Crucified Christ, with emaciated limbs and his head reclining on his chest; the body is painted with an earthy hue, around the hips a loincloth which has been reproduced in the lacquering.

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6,500.00€

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