Vienna First Quarter '800

Large temple clock with large rectangular wooden base supported by four circular gilt bronze feet. Four alabaster columns with finely engraved gilded bronze base and capital rest on the base. A wooden summit dome welcomes the clock. A display with Roman numeral hours and days of the month is enclosed within a gilded bronze frame. In the center of the dial, the manufacturer's mark "IA Hoyer in Wien". Mechanism with quarter strike and two chimes including date.

France Napoleon III

Pair of chiseled gilded and burnished bronze torches. On a triangular base in gilded bronze and yellow Siena marble rests a five-flame torch with feral paw feet.

Lombardy late XIX Century

Inlaid chest of drawers. Three drawers on the front, truncated pyramidal feet. Walnut and burr walnut veneer with maple and rosewood purfling. On the top there is an inlay depicting a bucolic scene, on the front medallions positioned in the center of the drawers depicting a landscape and on the sides inlay depicting a musician with tambourine and cypress threads. Truncated pyramidal feet decorated with inlaid corbels and connecting rosettes. Ornamental handles in contemporary embossed sheet metal to form plant motifs, iron locks, one of which has been replaced. Interior in fir. Restorations.

Catania Third Quarter 19th Century

Pair of large eclectic mirrors in carved and gilded wood, which belonged to the Sicilian Reforgiato family, Catania third quarter of the 19th century. Cimasa composed of phytomorphic spirals, in the center of which stands the heraldic coat of arms of the Reforgiato family: "twin lowered in a blue band on silver, red flame placed on the twin surmounted by a gold crown and a red comet tail placed on the right in band."; the coat of arms, placed between "C" and curl elements, has a crown at the apex symbolizing the noble title of baron. From the cymatium there are floral festoons falling on the sides, while the shaped frame is embellished with a fret pattern of acanthus leaves inserted between the mouldings. The decorative apparatus is completed by foliaceous tufts placed at the lower ends. Bevelled mirrors.

France Mid 19th Century

Chiseled and gilded bronze clock. The complex decoration of this clock over the apparent eclecticism of the whole makes the structural typologies and figurative details typical of sixteenth-century architecture prevail, proposing the facade of a building with a central staircase and statues of vestal virgins on the sides. The enamelled metal exhibition has the manufacturer's brand in the center but not very legible. The clock is surmounted by putti holding a wreath. Movement marked Cailly Ainè 1839 on the back of the dial.

19th Century / 1801-1900

Table clock in bronze with dark and gilded patina. Two cherubs seated and intent on writing flank the clock. The enameled metal display with Roman numeral hours is enclosed within a gilt bronze wreath. At the top there is a statue of an emperor; the crown, the ermine cloak, the stick with the blessing hand are a strong reference to the figure of Napoleon the Emperor. The widespread burin processing should be highlighted.

Italy Last Quarter XVIII Century

An elegant console table with single leg and three shelves holding the semicircular top with marble. High mirror with feral heads, garlands and Mercury's face in the middle. Richly carved with ropes, leaves and frames. Lacquered with two colors and gilded. Manufactured in Genoa, Italy, last quarter of the 18th century.

19th Century / 1801-1900

Neo-Renaissance style armor from the late 19th century. All surfaces are engraved with phytomorphic motifs. Rounded helmet with ribbed crest; fan with small circular holes for sight. Crewneck schooner present only in the front blade, shaped on five sides. Ribbed chest in the middle with central decoration depicting a three-pointed scapezzato shield with an oblique central band, three flowers in the upper reserve and a fish in the lower one. Shoulder straps with three blades with neck wings, join the bracelets, cubitiere, anti-arm cannon. Knobs with splayed sleeves. A panziera blade in which the two single-blade sides are inserted. Leg loops, three-blade knee pads (of which the central one is ribbed in the middle) and closed leggings. Shoes with four blades, of which the last one elongates in a conical shape curved downwards. Three-pointed scapezzato shield with twisted border, also engraved with phytomorphic motifs and decoration similar to that on the chest. The same decoration is also found on the halberd blade.

Italy 20th century

Silver cutlery service for twelve people consisting of 15 serving cutlery, 24 knives, 24 forks, 12 spoons, 12 fruit knives, 12 fruit forks, 12 fish knives, 12 fish forks, 12 tea spoons, 12 coffee spoons, 12 dessert knives, 12 dessert forks. Hallmark of silver and silversmith engraved on each cutlery. 6665 grams net of knives. The service is presented in four boxes.

Lombardy First Quarter XVIII Century

Group consisting of a high chair and four chairs in carved, lacquered and partially gilded walnut, Lombardy, first quarter of the 18th century. Armrests and under armrests of the high chair moved, legs and front crossbar have the typical volutes of intertwined acanthus leaves of Fantonian origin, feet carved in a curl. Backrests and seats upholstered and covered in finely embossed leather with partially gilded decorative motifs. Small lacks in the carving; deficiencies in the gilding and lacquering. A group of similar seats are included in the collection of the Museum of Applied Arts, in the museum complex of the Castello Sforzesco in Milan.

Lombardy, Mid XVIII Century

Baroque wing sofa in walnut, Lombardy mid-18th century. Curl armrests, wavy legs finished open; leaf and shell carvings on the bands and legs. Upholstered backrest, armrests and seat. Rear feet with restorations.

Paris 1809-1819

Molten, embossed and chiseled silver vinegar bottle, non-coeval cut crystal ampoules. Paris, master goldsmith “SJ Dupezard”, first quarter of the 19th century. Elegant model with plinth-shaped main body supported by four feral paws placed at the corners, four circular compartments, of which the two larger ones each hold an ampoule, each consisting of three musician putti with a herm-shaped body. Central section with applied neoclassical dolphin, connecting band decorated with anthems and a pair of masks depicting the Greek god Dionysus, raised column with a three-quarter sphere top culminating with a figure of a boy dressed in old-fashioned clothing, which supports the handle for the catch. Decorative apparatus completed by Greek leaves, beads and floral applications placed on the two long sides of the base plinth. Engraved monogram; it features hallmarks of the goldsmith, title, city guarantee and an unofficial one used by the Association des Orfévres. 756 grams.

Third Quarter of the XVIII Century

Neoclassical chest of drawers supported by truncated pyramidal feet tightened by a collar, on the front it has two drawers plus one placed in the undertop band. In cherry, with edges in olive wood and maple threads, the interiors are in walnut, the top is in marble. Inventory brands present on the bottom.

France second quarter of the 19th century

Coffee table with top covered in antique green, band under the top and four legs connected by a cross-shaped crosspiece with central vase, the whole surface is in richly carved wood with a neoclassical and gilded taste; the truncated conical legs have floral carvings and galls with curtains, on the band phytomorphic carvings are centered by medallions with Greek-style profiles in laurel wreaths.

Tuscany, First Quarter of the XVIII Century

Pair of open baroque kneelers in walnut, Tuscany first quarter of the 18th century. Shaped top and base decorated with frames, drawer in the band, compartment that can be opened in the lower section. Turned supports reproducing a colonnade arranged in a semicircle. Poplar interior.

France, Napoleon III

Pair of porcelain vases with gold decorations in the Empire style, with flies, with the imperial eagle on one side and Napoleon's "N"on the other. The vases bear the brand with a golden crown of the Parisian manufacture that made them on the bottom.

Tuscany Early XVIII Century

Baroque cantarano in walnut and walnut slab, Tuscany, early 18th century. Shaped top, uprights at 45° with architectural pilasters and applied festoons in carved and gilded wood. Front with 4 drawers, one of which in the band, non-coeval turned feet. Poplar interior. Small restorations; small defects in the carving of the pilasters.

Switzerland First Half of the XIX Century

Neuchateloise clock with shelf in ebonized wood with gilded profiles and feet. Decorations with vegetable motifs in gold. Enamelled metal display with Roman numeral hours and Arabic numeral minutes; in the center of the dial brand of the manufacture.

Paris Third Quarter of the 19th Century

Napoleon III two-door sideboard, made by the cabinetmaker Georges-Alphonse-Bonifacio Monbro. Structure in ebony veneered oak, embellished with semi-precious stones and gilded bronzes. White marble top arranged within the edge, front with two doors decorated with reserves with vases of flowers and fruit made of stones in the centre, uprights at forty-five degrees, bracket feet. The bronzes, chiseled and gilded, portray leafy friezes, phytomorphic elements, godrons, rosettes, masks and volutes. The pilasters of the uprights are also made of gilded bronze, decorated with bunches and grape leaves and culminating with a caryatid and a telamon. Interior doors veneered in mahogany. Stamped in several parts on the hull and on the bronzes. Restorations and replacements.

Italy 17th century

Seventeenth-century sideboard with front with two doors surmounted on the top by a decorative support. The whole piece of furniture is made of walnut split into two by large pilasters, with a projecting cornice with indentations decorated with gilded highlights like the decorative frames and roundels. Italy 17th century