ANTIQUE TABLES

Italy, Late XIX Century

Walnut table, four truncated pyramid legs support a rectangular walnut top threaded with maple wood. A drawer in the band allows it to be used as a desk.

Extendable Table

Large walnut table with six turned support legs. The smaller bands contain a drawer and the entire band can be pulled out with the legs, providing space for extensions for the top. The top is made with two walnut planks held in a frame. Feet replaced and extension tops missing. This is a table that, once rearranged, furnishes a large room and can accommodate a large number of friends.

Round Table with Marble Top

Round table made in the George IV style, four lightning-shaped feet connect to a central baluster turned and carved, which supports a round top in which a macchia vecchia marble is inserted. Brass shoes cover the feet.

Italy, Early XX Century

Coffee table in black lacquered wood and painted in gold with Chinoiserie subjects, two shelves joined by four turned and carved legs. Italy, early 20th century.

Italy, Mid XX Century

Trestle-shaped table made in Renaissance style with antique material. In solid walnut two simple trestles connected by crosspiece and arrows support the top. Table suitable for modern and industrial environments thanks to the sober and severe line which however combines the warmth of antique walnut.

England, Late XIX Century

This elegant cabinet with drawers on both sides reveals itself as a writing desk. Made of carved walnut in Tudor style, it was made at the end of the 19th century in England. The top has a "Moroccan" leather covering that we find in the pull-out drawer on the front, on the two sides there are three drawers on each side. The entire surface is carved in low relief as is typical in the Tudor style. Like all English furniture, this piece of furniture is extremely practical and functional as well as pleasant to insert even in a modern decor.

England, Late XIX Century

Bean-shaped writing desk with a typical bean-shaped top, supported by a pair of turned legs resting on two wavy feet each and joined by a crosspiece, all carved in walnut, the top is veneered in thick walnut root with Moroccan inserts. On the top rests a writing desk with an inclined surface also covered in Moroccan, which can be opened and on the back a compartment for pens and letters; inside the flap there is a compartment veneered in maple root with a mirror.

China, Early XX Century

Chinoiserie center table in lacquered wood painted with gold leaf, floral and geometric subjects. Top with relief hard stone inserts depicting a flowering branch and a sparrow. China, early 20th century.

Italy

Lacquered and painted wooden table, legs covered with chiseled and gilded copper sheet, depicting a neoclassical vase. Top painted in imitation marble. Italy, 19th century.

Italy, XX Century

Baroque-style writing desk in walnut, three drawers and a drawer under the top, wavy legs. Italy, 20th century.

Italy, Late XIX Century

Renaissance style refectory table, lyre legs in walnut-stained beech with wrought iron arrows. Walnut-veneered fir top with geometric patterns and maple fillets. Protective glass. Italy, late 19th century.

England, Mid XIX Century

Victorian mahogany card table, rotating and book-like top with green cloth inside and chip holder. Four turned legs joined by a lower shelf with balustrade. Missing parts. England, mid-19th century.

Italy

Coffee table with wooden top painted in imitation marble supported by a gilded iron and wood carving in Mecca style depicting leaves and flowers. Italy, 19th century.

England, Mid XIX Century

Mahogany gueridon, walnut and maple burl veneered top, central compass rose inlay. Turned leg resting on three wavy feet. England, mid-19th century.

Carved and Gilded Display Cabinet, XIX Century

Rococo style display table from the end of the 19th century. Carved in rocaille and completely gilded, it has four Louis XV legs that support a top in a structure of wavy and carved frames that accommodate beveled and engraved glass, both in the top and in the bands, where the glass doors open to act as support shelves; inside, red velvet lining. This type of table was born at the end of the 19th century, they are functional furnishings, mainly used to contain bottles and glasses for bars or collections of objects.

Early XX Century

Mahogany hinged table, drawer in the band under the top, sabre legs culminating with glasses and brass casters. England, early 20th century.

Italy, XVIII Century

Corner shelf, in lacquered wood. Top painted in imitation marble with carved and gilded moulding underneath, supported by a volute carving culminating in curls. Italy, 18th century.

Italy, XVIII Century

Eclectic table in carved and gilded wood, four legs with opposing “C” movement and leaf carvings, joined to the cross base with a central plume. Perforated aprons, carved with leaf motifs, scrolls and flowers. Non-contemporary white marble. Italy, 18th century.

England, Late XVIII Century

Mahogany coffee table finely painted with floral garlands and central musical panoply. Maple and walnut binding. Iron leg veneered in maple and mahogany. Restored. England, late 18th century.

England, Late XIX Century

Victorian table, in walnut, round top veneered in exotic wood and floral inlays in various essences. Central turned leg resting on four wavy and carved feet, castors. England, late 19th century.

Italy, XIX Century

Walnut work table, with a drop-leaf top concealing open compartments. Drawer under the top, lyre legs joined by a crosspiece to the base. Italy, 19th century.

France, Late XIX Century

France, late 19th century; extendable table with opening hinges made of walnut, with six legs, two of which are central to support the extensions. It was born with wheels under the feet, which are now missing.

England, Late XIX Century

Pair of George III style wall tables that open to play, made in the Victorian era. The tables have four truncated pyramidal uprights of which the two rear ones, open like compasses, allow the support of the upper half top forming a round gaming table covered in green felt. The legs, like the bands and the tops, have a rosewood veneered border with fillets to outline reserves veneered in satinwood. In the reserves of the bands there are inlaid floral spiral and anthem motifs, on the tops they are repeated with festoons of bellflowers and a half rosette in the centre. The finely crafted inlays in various woods and stained maple create a strong chromatic effect, accentuated by the burin definitions; on the back of a small table there is a partially preserved label of a deposit or transport.

Italy, Early XX Century

Art Nouveau vase holder, mahogany veneer with maple threads. Italy, early 20th century.