Antique Consoles George III Various Wood Essences XIX Century - England, Late XIX Century

Antique Inlaid Writing Desk

Lombard neoclassical writing desk, late 18th century. Made in openwork, the table is supported by four truncated pyramidal legs, with a drawer in the band. The entire surface is veneered in bois de rose with bois de rose borders, bands inlaid with leafy scrolls that start from the tails of facing birds of prey, top with central rosette with cameo in the center.

England Third Quarter 19th Century

Tray table, England, second half of the 19th century. Made of finely chased and gilded bronze with a papier maché top. Four uprights in the shape of a winged dragon with a goat's foot, connected to each other by a crosspiece with a pinnacle, support a top embellished with gilded bronze applications in the rocaille style. The tray is signed "Jennet & Bettridge London" surmounted by a crown. This is one of the most important manufacturers of furniture and objects made of papier maché, a company that has exhibited at the most important universal exhibitions of the 19th century. On the cover of the book "japanned papier maché and tinware" there is a drawing of the Universal Exhibition of 1851, depicting the Jennens & Bettridge stand.

ICF, 1970s

Table with enameled metal and aluminum base, lacquered wood top. In good condition

Southern Italy, XVIII Century

Pair of lacquered and gilded wooden consoles, embellished with curlicue carvings on the underside and base, central body and sides painted with neoclassical motifs with festoons and floral decorations. Wooden top in fake red porphyry. Southern Italy, late 18th century.

19th Century / 1801 - 1900

Console in French neoclassical style with top in breccia, carved in all its parts and partially highlighted in gold; lion feet. The two front legs have lion heads carved at the point of connection with the undertop band. Made of oak.

Industrial workbench early 1900s

Workbench made of chestnut wood in the early decades of the 20th century, trestle structure held with wooden nails with crosspieces at the feet and in the center of the legs; the top is made up of two mirrored boards. The table has been restored with a conservative choice, leaving the black traces of tannin that emerged in spots where liquid was probably poured and filling the lack of wood in the part where it was heavily worn with transparent resin. The table has been finished with natural varnishes.