Raffaele De Grada
Galleria d'arte Cocorocchia

Trentino, last quarter of the 18th century

Large Neoclassical cherry chest of drawers. Front with four drawers, the first two of which are placed side by side in the band under the top, tapered and carved uprights and feet. Carved studded edges. Fir interior. Original bronze handles and escutcheons. Trentino, last quarter of the 18th century.

Austria, Early XIX Century

Empire walnut sofa, open back and sides enriched with elliptical medallions in maple painted with allegorical motifs. Bipartite cane seat, truncated pyramidal legs. Austria, early 19th century.

Cabinet with drawers and hinged doors, in mahogany veneer, formica inserts and transparent glass resting on the top.

Dietrich von Hildebrwmd
Bompiani Editore

165 x 114 In

Kayseri carpet in cotton and wool, extra-fine knot, hand-made.

Italy, Late XIX Century

Bust of a young woman in white marble and alabaster with veins in shades of grey.

Italy, Late XIX Century

Pair of Neo-Baroque armchairs in walnut. Sides and back carved with leaf motifs and scrolls, crosspiece and front legs with cherubs and scrolls. Padded seat, back and armrests. Italy, late 19th century.

Salimbene De Adam
Garzanti

Nude

Mixed media on paper. Signature and title of the work at the bottom. Caccioni, an artist who was born, trained and still lives in Bologna, is one of the protagonists of a generation that has now reached a definitive linguistic maturity and occupies a prominent space within the contemporary artistic panorama. His research mainly uses unusual materials such as acetates, PVC and, more recently, stage backdrops from 19th-century theatrical works, on which he intervenes by painting shapes drawn from a personal memory and from suggestions coming from different cultures and historical periods. A recurring element in Luca Caccioni's work is writing, a self-signifying sign that designs the work and is capable of recounting thoughts; working by superimposition, the images are constructed by adding or subtracting color on the various supports. Work in frame.

Europe, Late XIX-Early XX Century

Wrought iron fireplace andiron with gilded parts.

Italy, Mid XIX Century

Majolica plate with polychrome decoration in shades of yellow and green. An architectural subject is depicted in the hollow while a wave motif runs along the brim.

Coffee table, in teak veneered wood.

Coat stand in lacquered wood in orange tones and chromed metal.

Chair, in beech wood, seat in original skai from the period.

Wall mirror, mirrored glass and lacquered wooden frame.

Rosa Di Meo
Cacucci Editore

Maurizio Serra
Edizioni Settecolori

Tom Antongini
Aldo Martello

Vincenzo Jacomuzzi
SEI - Società Editrice Internazionale

Paolo Zanotti
RCS Libri