Baroque console - Central Italy Early 18th Century
Features
Central Italy Early 18th Century
Style: Baroque (1630-1730)
Age: 18th Century / 1701 - 1800
Main essence: Silver Fir , Linden
Material: Stained , Gilded , Lacquered Wood
Description
Baroque console table in carved, lacquered, and gilded lime wood. Fir top painted with a Venetian motif. Four legs and apron with carved scrolls and festoons, curved crosspiece with central coat of arms, turned feet. Central Italy, early 18th century.
Product Condition:
This item requires restoration and polishing due to age and wear. We strive to present the actual condition of the piece as accurately as possible with the photos. If any details are unclear from the photos, the description will prevail.
Dimensions (cm):
Height: 81
Width: 120
Depth: 48,5
Additional Information
Style: Baroque (1630-1730)
Read more
The term derives from the Spanish barrueco phoneme or Portuguese barroco and literally means "shapeless pearl".
Already around the middle of the eighteenth century in France it was synonymous with uneven, irregular, bizarre, while in Italy the term was of Medieval memory and indicated a figure of the syllogism, an abstraction of thought.
This historical period was identified with the derogatory term baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.
Baroque, seventeenth-century and seventeenth-century were synonymous with bad taste.
As regards furniture, freedom of ideation, need for pomp and virtuosity gave rise to a synergy destined to produce unsurpassed masterpieces.
The materials used were worthy of competing with the most astonishing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more dressed the furnishings that in shape and imagination virtually gave life to the Arabian Nights of many of our powerful people.
Typical of the period were load-bearing or accessory parts resolved with twisted column motifs, clearly inspired by Bernini's canopy of St. Peter's, parts with rich sculptural carving in high relief and even in the round within a vortex of volutes, scrolls and spirals, curved and broken profiles, cymatiums agitated by gables of articulated shape, aprons adorned with ornaments, corbels, buttresses and so on. necessary to enliven shapes and structures.
The Baroque is also the century of illusionism: lacquers and thin temperas crowd furniture and furnishings to imitate with the marbling effects of marble veining or games of veining of precious briar roots.
Find out more about the Baroque with our insights:
Classic Monday: a double-body sideboard, late Venetian Baroque
Classic Monday: a pair of candle holders between the Renaissance and Baroque
Classic Monday: a pair of mirrors between Baroque and Late Baroque
Age: 18th Century / 1701 - 1800
18th Century / 1701 - 1800Main essence:
Silver Fir
Soft coniferous wood, used for rustic furniture or to build the chest, that is the structure, of furniture then veneered in more precious woods. It has been used since ancient times, its most valuable use is, in the Spruce variant, in the inlays of French antique furniture of the '700 . The spruce, more typical of northern Europe, in Italy grows mainly in the Eastern Alps at altitudes above 1300 m. The noblest use of this essence was in the construction of violins, guitars and cellos: Stradivari himself produced his famous violins with this wood.Linden
It is a soft, whitish and light wood, used in the past for inlay and carving works.Material:
Stained
Gilded
Lacquered Wood
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Product availability
The product can be seen at Cambiago
Immediate availability
Ready for delivery within 2 working days from ordering the product.