Birth of the Virgin

Features

Artist: Tomaso Pombioli detto il Conciabracci (1579-1636)

Origin: Lombardia, Italy

Artistic technique: Painting

Technical specification: Oil

Description

The painting of the 16th century drafts revisit the iconography of the birth of Mary, Saint Anne is on the bed looked after by servants, while Oleg witnessed the daughter's bathroom. Very nice and interesting works by still life as the Renaissance basin. TOMASO POMBIOLI SAYS the CONCIABRACCI (1579-1636C.) Contemporary and master of Gian Giacomo Barbelli, his works were often confused with the latter. Major paintings are on display in the museo civico of cream and in the parishes of D'ombriano and Sergnano. Considered a Cremonese painter active in the churches of neighboring provinces in the early decades of the 600. the picture comes from the private chapel of the famous Villa Litta in the province of Lodi. Villa Litta was built in the second half of the 1600 at the behest of count Antonio Cavazzi della Somaglia, as we learn from his testament dated August 28, 1688.

Product Condition:
The painting requires small restoration.

Artwork dimensions (cm):
Height: 274
Width: 191

Additional Information

Notes historical bibliographic

TOMASO POMBIOLI SAYS the CONCIABRACCI (1579-1636C.) Contemporary and master of Gian Giacomo Barbelli, his works were often confused with the latter. Major paintings are on display in the museo civico of cream and in the parishes of D'ombriano and Sergnano. Considered a Cremonese painter active in the churches of neighboring provinces in the early decades of the 600. the picture comes from the private chapel of the famous Villa Litta in the province of Lodi. Villa Litta was built in the second half of the 1600 at the behest of count Antonio Cavazzi della Somaglia, as we learn from his testament dated August 28, 1688.

Artist: Tomaso Pombioli detto il Conciabracci (1579-1636)

Artistic technique: Painting

La pittura è l'arte che consiste nell'applicare dei pigmenti a un supporto come la carta, la tela, la seta, la ceramica, il legno, il vetro o un muro. Essendo i pigmenti essenzialmente solidi, è necessario utilizzare un legante, che li porti a uno stadio liquido, più fluido o più denso, e un collante, che permetta l'adesione duratura al supporto. Chi dipinge è detto pittore o pittrice. Il risultato è un'immagine che, a seconda delle intenzioni dell'autore, esprime la sua percezione del mondo o una libera associazione di forme o un qualsiasi altro significato, a seconda della sua creatività, del suo gusto estetico e di quello della società di cui fa parte.