Pair of Sconces Ignazio Gardella Vintage Italy 1960s

Years 60

Code: MODILL0001718

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Pair of Sconces Ignazio Gardella Vintage Italy 1960s

Years 60

Code: MODILL0001718

not available
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date
Go to noleggio.dimanoinmano.it to rent the product
Rent

Pair of Sconces Ignazio Gardella Vintage Italy 1960s - Years 60

Features

Years 60

Designer:  Ignazio Gardella

Production:  Azucena

Model:  LP6

Time:  1960s

Production country:  Italy

Material:  Brass , Glass

Description

A pair of sconces designed by Ignazio Gardella for Azucena. Brass and glass. Model: LP6. Manufactured in Italy, 1960s.

Product Condition:
Good condition. Wear consistent with age and use. Any damage or loss is displayed as completely as possible in the pictures.

Dimensions (cm):
Depth: 21
Diameter: 20

Additional Information

Designer: Ignazio Gardella

Production: Azucena

That of the Azucena is a story born from the dialogue between producer, architect, artisans and customers. It all began in 1947, when a group of young Milanese - Luigi Caccia Dominioni, Corrado Corradi Dell'Acqua, Ignazio Gardella, Maria Teresa and Franca Tosi - decided to start the production of furniture designed by some of them in order to have a repertoire of ready-made furnishings, from sofas to handles, from tables to doorstops, for the homes they are planning. They are experimental furniture and objects that modify custom, contemplating the use without preconceptions of new materials, often combined with traditional ones in a completely surprising way. Even the realization is laborious and complex because their components are many and can come indifferently from industry or crafts. The lacquer, the polished chromed brass, the crystal reveal a constant search for luminosity, brilliance, transparencies, in materials as well as in finishes and colors, to escape from a conventional severe opacity. The furnishings are often called prosaically (Funnel, Boccia, Chrome bands, Ventola, Toro) to indicate, in a synthetic organicistic vision, a form, a constitutive principle; in other cases the names are taken from the toponym (Arenzano, Bordighera, Sant'Ambrogio or San Siro) used to designate the specific architecture that originally contained them and justified their design. At the base, therefore, of every single Azucena piece there is a particular architectural condition that it continues to reverberate, reproducing the echo of a reason for being.

Time: 1960s

1960s

Material:

Brass

Glass

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