Oil on Board Cersare Gheduzzi 20th Century

The Rosa Seen by Stabbioli, Morning, 1927

Oil on board. Signed at the bottom left. On the back there is the date 17/11/27 and a dedication " gift by the artist, pupil of the painter Follini of Turin". Originally from Bologna, but soon moved to Turin, Cesare Gheduzzi was here a pupil of Carlo Follini, whose teaching was decisive for his artistic training; he devoted himself mainly to the landscape, that of his lands, animated by scenes of popular life, that he knew how to describe with fidelity and elegance. The intense landscape, a view of Monte Rosa from the wide and expansive valley of Stabbioli, part of the municipality of Macugnaga, is animated by the solitary figure of a peasant with an empty gerla on her shoulder and the goat on the side, heading towards the malga in the center. Artwork displayed in frame.

Paola Dabbene Oil on Canvas Contemporary Art

Portrait of Dogs 1998

Oil on canvas. Initials D.B. on the lower right corner. Signature and date on the back. Painting of Paola Dabbene expert of "dog painting"; she paints dogs, hourses, nature and "everything that is part of my life" using diffrent techniques (oil, acrylic, paste) even on commission

Trompe L'Oeil with Landscape Oil on Canvas Contemporary Art

Oil on canvas. View of a verdant countryside crossed by a path and framed by two red curtains. Zanfagna name on the back but the author's name is unknown.

Figures in the Garden Oil on Canvas center-European School 19th Cent

Oil on canvas. Center-European School. Not identified signature on the lower right corner. Young women and gentlemen are portraited sitting on the grass surounded by a verdant undergowth. Girls are wearing bright color dresses that stand out in the grass. Already been restored but still has some color drops. Coeval frame that has some missing parts.

Portrait of Woman Oil Painting on Canvas 20th Century

Oil painting on canvas. Signed in the lower right corner and on the back (Verschafeldt). Light losses of color. In coeval frame with missing parts. Early 20th century.

Watercolor by Nicola Aleksandrovic Benois

The garden of the house of Camerano Casasco

Watercolor and ink on paper. Signed and dated September 14, 1952 in the lower left corner; location at the bottom right. On the back this title of the work of the famous Russian set designer, painter and draftsman, who since 1935 was the main scenographer of the Teatro Alla Scala in Milan. In an exposed frame.

Maurizio Bottarelli Acrylic On Canvas 20th Century

Untitled 1973

Acrylic on canvas. Signature, date 1973, technique and place of execution (Bologna) on the back. There is also a partial label from the Cultural Association of Art of Milan. Born in Fidenza (Parma) and artistically trained at the Accademia di Belle Arti of Bologna, Maurizio Bottarelli has travelled a lot abroad (London, United States, Austria, Australia,...), looking for inspiration for his work in the place he visited. His language is peculiar for the never ending dialogue, that crosses through all of his production, between the two main character elements of the canvases, the matter and the colour, based on experimentation, the search, the stratification of matter - pigments, paper, glue, paint, solvent - that were all made possible by his exceptional technical ability. His landscapes, inspired initially by his travels, are more and more projected towards abstraction, until they disregard any reference to real locations. Just like his portraits of human figures (the "heads"), they are representations that could be defined as universal of humankind and the human condition, that are investigated in the marked, suffering faces, contracted in a grimace of fear or pain, as a true "topography of pain". All of his production is presented in more than a hundred exhibits in Italy and abroad; he participated in all the most important collective and thematic exhibitions that document contemporary art in Italy from the sixties till now.

Drawing of Vladimir Velickovic COntemporary Art

No Title, 1965

Indian ink on paper applied with an hardboard brush. Signed and dated 30/3/1965 in the lower left corner. Sketches of deformed human heads and bodies . The artist was born in Belgrade and got a architecture degee in his city, but moved on panting affirming himself and becoming the rapresentative of Yugoslavia at the Biennale of Venice in 1972. Witness in his childhood the atrocities commited by Nazis to his county, his paintings express the pain and the violence of those memories. Painting human and animal (mostly bulls and dogs) which bodies are related to dramatic and terrifying situation, he tries to leave a scar in the observator's memory of his painting.

Painted Glass on Picture by Marco Nereo Rotelli No Title 1990

Without title,1990

Painted glass on paper. Signature and date on the back. Sold with authentication on picture with stamp of the atelier, signature of the artist and date. Marco Nereo Rotelli is a painter and sculptor from Venice who creates his works by engaging philosophers, photographers and interacting with poetry. Over time, poetry became a constant reference in his works; in fact he pursued mainly a research on light and poetical dimension. He realized or attended the realization of big installations bot in Italy and abroad. 1955.

Drawing by Ugo La Pietra Mixed Technique Contemporary Art 1963

Mixed technique (pastel and watercolor) on paper. Signed and dated 1963 at the bottom right. Ugo La Pietra (1938) is an Italian architect, designer and artist and he defines himself a "researcher of visual art". His activity as researcher began during the 60s, when he founded "Il gruppo del Cenobio" (the group of Cenobio) with Agostino Ferrari, Ettore Sordini, Angelo Verga and Arturo Vermi. It was a brief, but intense experience and they represented the only group from Milan who developed the so called 'signic movement' in contrast with the other cutting-edge groups specialized in pop art, objects, kinetics. La Pietra experienced the synaesthesia between the arts. The painting is in excellent condition. La Pietra took part to more than 900 personal and collective exhibitions and he exhibited his works in the most important Italian and foreign museums. The drawing is presented in frame. Contemporary art.

Drawing by Ugo La Pietra Mixed Technique Contemporary Art 1963

Mixed technique (pastel and watercolor) on paper. Signed and dated 1963 at the bottom right. Ugo La Pietra (1938) is an Italian architect, designer and artist and he defines himself a "researcher of visual art". His activity as researcher began during the 60s, when he founded "Il gruppo del Cenobio" (the group of Cenobio) with Agostino Ferrari, Ettore Sordini, Angelo Verga and Arturo Vermi. It was a brief, but intense experience and they represented the only group from Milan who developed the so called 'signic movement' in contrast with the other cutting-edge groups specialized in pop art, objects, kinetics. La Pietra experienced the synaesthesia between the arts. The painting is in excellent condition. La Pietra took part to more than 900 personal and collective exhibitions and he exhibited his works in the most important Italian and foreign museums. The drawing is presented in frame. Contemporary art.

Drawing by Ugo La Pietra Mixed Technique Contemporary Art 1963

Mixed technique (pastel and watercolor) on paper. Signed and dated 1963 at the bottom right. Ugo La Pietra (1938) is an Italian architect, designer and artist and he defines himself a "researcher of visual art". His activity as researcher began during the 60s, when he founded "Il gruppo del Cenobio" (the group of Cenobio) with Agostino Ferrari, Ettore Sordini, Angelo Verga and Arturo Vermi. It was a brief, but intense experience and they represented the only group from Milan who developed the so called 'signic movement' in contrast with the other cutting-edge groups specialized in pop art, objects, kinetics. La Pietra experienced the synaesthesia between the arts. The painting is in excellent condition. La Pietra took part to more than 900 personal and collective exhibitions and he exhibited his works in the most important Italian and foreign museums. The drawing is presented in frame. Contemporary art.